Great light has recently been thrown on the history of these excavations by the discovery of a Jaina cave at Badami, in Dharwar, with a well-ascertained date.[288] There is no inscription on the cave itself, but there are three other Brahmanical caves in the same place, one of which has an inscription with an undoubted date, 500 Saka or A.D. 579; and all four caves are so like one another in style that they must have been excavated within the same century. The Jaina cave is probably the most modern; but if we take the year A.D. 650 as a medium date, we may probably consider it as certain within an error of twenty years either way.
The cave itself is very small, only 31 ft. across and about 19 ft. deep, and it is a little uncertain whether the groups of figures at either end of the verandah are integral, or whether they may not have been added at some subsequent period. The inner groups, however, are of the age of the cave, and the architecture is unaltered, and thus becomes a fixed standing-point for comparison with other examples; and when we come to compare it with the groups known as the Indra Subha and Jaganât Subha at Ellora, we cannot hesitate to ascribe them to about the same age. Hitherto, the Jaina group at Ellora has been considered as the most modern there: an impression arising partly from the character of the sculptures themselves, which are neither purely Jaina nor purely Hindu—more, however, from the extreme difficulty of comparing rock-cut examples with structural ones. Our knowledge of the architecture of temples is, in nine cases out of ten, derived from their external forms, to which the interiors are quite subordinate. Cave-temples, however, have practically no exteriors, and at the utmost façades modified to admit more light than is usual in structural edifices, and then strengthened and modified so as to suit rock-cut architecture. As no ancient Jaina temple hitherto known had a dated inscription upon it, nor a tolerably authenticated history, it is no wonder that guesses might be wide of the truth. Now, however, that we know positively the age of one example, all this can be rectified, and there seems no doubt that all the Indra Subha group were finished before the cataclysm—say before A.D. 750.
147. Entrance to the Indra Subha Cave at Ellora. (From a Photograph.)
When with this new light we come to examine with care the architecture of these façades, we find the Ellora group exhibits an extraordinary affinity with the southern style. The little detached shrine in the courtyard of the Indra Subha, and the gateway shown in the above woodcut (No. [147]), are as essentially Dravidian in style as the Kylas itself, and, like many of the details of these caves, so nearly identical that they cannot possibly be distant in date. May we, therefore, assume from this that the Chalukyan kingdom of Kalian, in the 7th century of our era, extended from Ellora on the north to Badami on the south, and that all these rock-cut examples, with the temple at Aiwulli ([Woodcut No. 120]), were excavated or erected under their auspices?
To this we shall have occasion to revert presently, when describing the Dravidian style; but meanwhile it may be assumed that this theory represents the facts of the case more nearly than any hitherto brought forward. The Chalukyas of Kalian were situated on the border-line, halfway between the north and the south, and they, or their subjects, seemed to have practised the styles of architecture belonging to those two divisions indiscriminately—it might almost be said alternately—and we consequently find them mixed up here and at Dhumnar in a manner that is most puzzling.
The last king of this race, Vicramaditya II., ascended the throne A.D. 733,[289] and died probably in or about the year A.D. 750. It was probably, therefore, before that date that these Dravidian temple-forms were introduced by the Jains at Ellora. The Kylas and other great Saiva temples were, I believe, excavated by the Cheras or Cholas, who were the Dravidian races, and, if I mistake not, superseded the Chalukyas on the death of Vicramaditya, their last king, and carried their power, as will presently be explained, up to the Nerbudda. The Jains, however, seem to have been earlier in the field, and this little shrine in the court of the Indra Subha looks very much as if it may have been the model that suggested the Kylas, the greatest of all Indian rock-cut examples of its class.
Converted Mosques.
Another form in which we can study the architecture of the Jains in the north of India is the courtyards of the early mosques which the Mahomedans erected on their first entry into India. So essentially do some of these retain their former features that it might be convenient to describe them here. It is doubtful, however, in some instances whether the pillars are—some or all of them—in their original position, or to what extent they have been altered or eked out by the conquerors. Be this as it may, for our present purposes the one fact that is certain is, that none of them are now Jaina temples. All are Mahomedan mosques, and it will, therefore, be more logical, as well as more convenient, to group them with the latter rather than with the former class of buildings.