It is more than probable that each of these Asoka lâts stood in front of, or in connection with some stupa, or building of some sort; but all these have disappeared, and the lâts themselves have—some of them at least—been moved more than once, so that this cannot now be proved. So far, however, as can now be ascertained, one or two stambhas stood in front of, or beside each gateway of every great tope, and one or two in front of each chaitya hall. At least we know that six or seven can now be traced at Sanchi, and nearly an equal number at Amravati,[56] and in the representation of topes at the latter place, these lâts are frequently represented both outside and inside the rails.
At Karli, one still stands in front of the great cave surmounted by four lions, which, judging from analogy, once bore a chakra or wheel, probably in metal.[57] A corresponding pillar probably once stood on the opposite side of the entrance bearing some similar emblem. Two such are represented in these positions in front of the great cave at Kenheri, which is an exact but debased copy of the great Karli cave.[58]
The two lâts at Erun and the iron pillar at Delhi, though similar in many respects to those just described, seem certainly to belong to the era of the Guptas at the end of the fourth or the beginning of the fifth century of our era, and to be dedicated to the Vaishnava faith, and in consequence belong to a subsequent chapter. That at Pathari is not inscribed or is at least unedited, and though it looks old, may also be of the Gupta times.
This is a meagre account, it must be confessed, of Buddhist lâts, which probably at one time could be counted by hundreds in the important Buddhist localities in Bengal; but it is feared we shall hardly be able to add many more to our list. They are so easily overthrown and so readily utilised in populous localities, that all trace of most of them has probably been irrecoverably lost, though one or two more examples may probably be found in remote, out-of-the-way places.
There is no instance, so far as I am aware, of a built monumental pillar now standing in India. This is sufficiently accounted for by the ease with which they could be thrown down and their materials removed, when they had lost the sanctity which alone protected them. There are, however, two such pillars among the topes of Cabul, and evidently coeval with them, now called the Surkh Minar ([Woodcut No. 7]), and the Minar Chakri. These are ascribed by the traditions of the place to Alexander the Great, though they are evidently Buddhist monuments, meant to mark some sacred spot, or to commemorate some event, the memory of which has passed away. There can be little doubt that their upper members are meant to be copies of the tall capitals of the Persepolitan pillars, which were probably common also in Assyria, and throughout this part of Asia, but their shape and outline exhibit great degeneracy from the purer forms with which that architecture commenced in India, and which were there retained in their purity to a much later period than in this remote province. No reliable data seem to exist for ascertaining what the age of these monuments may be. It probably was the third or fourth century of our era, or it may be even earlier.
7. Surkh Minar, Cabul.
(From a Drawing by Mr. Masson, in Wilson’s ‘Ariana Antiqua.’)