Besides the mosque, there is in Kalburgah a bazaar, 570 ft. long by 60 ft. wide, over all, adorned by a range of sixty-one arches on either hand, supported by pillars of a quasi-Hindu character, and with a block of buildings of a very ornamental character at either end. I am not aware of anything of its class more striking in any part of India. The arcades that most resemble this are those that line the street called the Street of the Pilgrims, at Vijayanagar, which may be contemporary with this bazaar.[530]

There are other buildings, especially one gigantic archway, in the city of Kalburgah, the use of which is not apparent, and some very grand old tombs, with sloping walls; but we must wait for further information before they can be utilised in a history of Indian architecture.

After the seat of government was removed to Bidar by Ahmad Shah, A.D. 1422-1435, the new capital was adorned by edifices worthy of the greatness of the dynasty, but now all apparently ruined. Among these the most magnificent appears to be the madrissa erected by Mahomet Gaun, the faithful but unfortunate minister of the tyrant Mahmúd II. It appears to have been finished two years before his death, in A.D. 1481, and in Ferishta’s time was one of the most complete and flourishing establishments of its class in India.[531] Unfortunately, when the place was besieged by Aurungzebe, a quantity of gunpowder was stored in its vaults, and exploded, either accidentally or by design, so as to ruin one wing. Since then the building has been disused, but so far as can be judged from such imperfect information as is available, it must have been one of the most splendid buildings of its day.[532] The tombs too of the Berid Shahi dynasty, which reigned in Bidar from A.D. 1492-1609, are of considerable splendour, and rival those of Golcondah in extent. Bidar, however, has not yet been visited by anyone who has had the power or opportunity of drawing or describing its monuments in such a manner as to enable another to utilise them for historical purposes, and till this is done, a knowledge of them must remain among the many desiderata in Indian art.

CHAPTER IX.
BIJAPUR.

CONTENTS.

The Jumma Musjid—Tombs of Ibrahim and Mahmúd—The Audience Hall—Tomb of Nawab Amir Khan, near Tatta.


CHRONOLOGY.

Yusaf Khan Adil Shah A.D. 1501
Ismail Adil Shah1511
Mullu Adil Shah1534
Ibrahim Adil Shah I.1535
Ali Adil Shah1557
Ibrahim Adil Shah II.1579
Muhammad1626
Ali Adil Shah II.1660