AN ESSAY ON THE ANCIENT TOPOGRAPHY OF JERUSALEM; with restored Plans of the Temple, and with Plans, Sections, and Details of the Church built by Constantine the Great over the Holy Sepulchre, now known as the Mosque of Omar. 16s. Weale, 1847.
THE HOLY SEPULCHRE AND THE TEMPLE AT JERUSALEM. Being the Substance of Two Lectures delivered in the Royal Institution, Albemarle Street, on the 21st February, 1862, and 3rd March, 1865. Woodcuts. 8vo. 7s. 6d. London, Murray, 1865.
AN ESSAY ON A PROPOSED NEW SYSTEM OF FORTIFICATION, with Hints for its Application to our National Defences. 12s. 6d. London, Weale, 1849.
THE PERIL OF PORTSMOUTH. FRENCH FLEETS AND ENGLISH FORTS. Plan. 8vo. 3s. London, Murray, 1853.
OBSERVATIONS ON THE BRITISH MUSEUM, NATIONAL GALLERY, and NATIONAL RECORD OFFICE; with Suggestions for their Improvement. 8vo. London, Weale, 1859.
LONDON. WM. CLOWES AND SONS, LIMITED, STAMFORD STREET AND CHARING CROSS.
PREFACE.
During the nine years that have elapsed since I last wrote on this subject,[1] very considerable progress has been made in the elucidation of many of the problems that still perplex the student of the History of Indian Architecture. The publication of the five volumes of General Cunningham’s ‘Archæological Reports’ has thrown new light on many obscure points, but generally from an archæological rather than from an architectural point of view; and Mr. Burgess’s researches among the western caves and the structural temples of the Bombay presidency have added greatly not only to our stores of information, but to the precision of our knowledge regarding them.
For the purpose of such a work as this, however, photography has probably done more than anything that has been written. There are now very few buildings in India—of any importance at least—which have not been photographed with more or less completeness; and for purposes of comparison such collections of photographs as are now available are simply invaluable. For detecting similarities, or distinguishing differences between specimens situated at distances from one another, photographs are almost equal to actual personal inspection, and, when sufficiently numerous, afford a picture of Indian art of the utmost importance to anyone attempting to describe it.
These new aids, added to our previous stock of knowledge, are probably sufficient to justify us in treating the architecture of India Proper in the quasi-exhaustive manner in which it is attempted, in the first 600 pages of this work. Its description might, of course, be easily extended even beyond these limits, but without plans and more accurate architectural details than we at present possess, any such additions would practically contribute very little that was valuable to the information the work already contains.