Occasionally, however, the Chinese do erect tombs, which, though ornamental, are far from being in such good taste as the two forms just quoted. A tumulus is considered appropriate for this purpose all the world over, and so is the horseshoe form under the circumstances in which the Chinese employ it; but what can be said in favour of such an array of objects as those shown in the Woodcut No. 387? Judged by the standard of taste which prevails in China at the present day, they may be considered by the natives as both elegant and ornamental, but it would be difficult to conceive anything which spoke less of the sepulchre, even from a Chinaman’s point of view; while, on the other hand, their dimensions are such as to deprive them of all dignity as architectural objects.

387. Group of Tombs near Pekin. (From a Photograph by Beato.)

Pailoos.

The Pailoos, or “triumphal gateways,” as they are most improperly called, are another class of monument almost as frequently met with in Chinese scenery as the nine-storeyed pagodas, and consequently nearly as familiar to the European eye. Their origin is as distinctly Indian as the other, though, from their nature, being easily overthrown, but few examples can be found in a country that has so long ceased to be Buddhist. Fortunately, however, we still possess in the gateway of Sanchi ([Woodcut No. 10]) the typical example of the whole class; and we find them afterwards represented in bas-reliefs and in frescos in a manner to leave no doubt of the frequency of their application.

In China they seem almost universally to be employed as honorific monuments of deceased persons—either men of distinction, or widows who have not married again, or virgins who have died unmarried. Frequently they are still constructed in wood, and when stone is used they retain to this hour the forms and details of wooden construction. Whatever the material, they consist of either two or four posts, set either on the ground, so as to allow a passage through, or on a platform, as in Woodcut No. 388. This is as usual a form as the other, and shows how inapplicable the term gateway is to these monuments. The posts always carry a rail or frieze, bearing an inscription, which is, in fact, the object for which the monument was erected. Above this are various architectural details, which complete the design in a manner both original and artistic.

388. Pailoo near Canton. (From a Sketch by the Author.)