Whose far-seeing eye there is none can hope to escape from."
A similar strain of religious poetry is in the Papyrus of Sallier, in the British Museum.[166] This is an epic by an Egyptian poet named Pentaour, celebrating the campaigns of Ramses II., the Sesostris of the Greeks, of the nineteenth dynasty. This great king had been called into Syria to put down a formidable revolt of the Kheta (the Hittites of the Old Testament). The poem seems to have been a famous one, for it had the honor of being carved in full on the walls at Karnak, a kind of immortality which no other epic poet has ever attained. It particularly describes an incident in the war, when, by a stratagem of the enemy, King Ramses found himself separated from the main body of his army and attacked by the enemy in full force. Pentaour describes him in this situation as calling on Amun, God of Thebes, for help, recounting the sacrifices he had offered to him, and asking whether he would let him die in this extremity by the ignoble hands of these Syrian tribes. "Have I not erected to thee great temples? Have I not sacrificed to thee thirty thousand oxen? I have brought from Elephantina obelisks to set up to thy name. I invoke thee, O my father, Amun. I am in the midst of a throng of unknown tribes, and alone. But Amun is better to me than thousands of archers and millions of horsemen. Amun will prevail over the enemy." And, after defeating his foes, in his song of triumph, the king says, "Amun-Ra has been at my right and my left in the battles; his mind has inspired my own, and has prepared the downfall of my enemies. Amun-Ra, my father, has brought the whole world to my feet."[167]
Thus universal and thus profound was the religious sentiment among the Egyptians.
§ 3. Theology of Egypt. Sources of our Knowledge concerning it.
As regards the theology of the Egyptians and their system of ideas, we meet with difficulty from the law of secrecy which was their habit of mind. The Egyptian priesthood enveloped with mystery every opinion, just as they swathed the mummies, fold above fold, in preparing them for the tomb. The names and number of their gods we learn from the monuments. Their legends concerning them come to us through Plutarch, Herodotus, Diodorus, and other Greek writers. Their doctrine of a future life and future judgment is apparent in their ceremonies, the pictures on the tombs, and the papyrus Book of the Dead. But what these gods mean, what are their offices, how they stand related to each other and to mankind, what is the ethical bearing of the religion, it is not so easy to learn.
Nevertheless, we may find a clew to a knowledge of this system, if in no other way, at least by ascertaining its central, ruling idea, and pursuing this into its details. The moment that we take this course, light will begin to dawn upon us. But before going further, let us briefly inquire into the sources of our knowledge of Egyptian mythology.
The first and most important place is occupied by the monuments, which contain the names and tablets of the gods of the three orders. Then come the sacred books of the Egyptians, known to us by Clemens Alexandrinus. From him we learn that the Egyptians in his time had forty-two sacred books in five classes. The first class, containing songs or hymns in praise of the gods, were very old, dating perhaps from the time of Menes. The other books treated of morals, astronomy, hieroglyphics, geography, ceremonies, the deities, the education of priests, and medicine. Of these sacred Hermaic books, one is still extant, and perhaps it is as interesting as any of them. We have two copies of it, both on papyrus, one found by the French at Thebes, the other by Champollion in Turin. And Lepsius considers this last papyrus to be wholly of the date of the eighteenth or nineteenth dynasty, consequently fifteen hundred or sixteen hundred years before Christ, and the only example of an Egyptian book transmitted from the times of the Pharaohs. Bunsen believes it to belong to the fourth class of Hermaic books, containing Ordinances as to the First Fruits, Sacrifices, Hymns, and Prayers. In this book the deceased is the person who officiates. His soul journeying on gives utterance to prayers, confessions, invocations. The first fifteen chapters, which make a connected whole, are headed, "Here begins the Sections of the Glorification in the Light of Osiris." It is illustrated by a picture of a procession, in which the deceased soul follows his own corpse as chief mourner, offering prayers to the Sun-God. Another part of the book is headed, "The Book of Deliverance, in the Hall of twofold Justice," and contains the divine judgments on the deceased. Forty-two gods occupy the judgment-seat. Osiris, their president, bears on his breast the small tablet of chief judge, containing a figure of Justice. Before him are seen the scales of divine judgment. In one is placed the statue of Justice, and in the other the heart of the deceased, who stands in person by the balance containing his heart, while Anubis watches the other scale. Horus examines the plummet indicating which way the beam inclines. Thoth, the Justifier the Lord of the Divine Word, records the sentence.[168]
§ 4. Central Idea of Egyptian Theology and Religion. Animal Worship.
We now proceed to ask what is the IDEA of Egyptian mythology and theology?
We have seen that the idea of the religion of India was Spirit; the One, the Infinite, the Eternal; a pure spiritual Pantheism, from which the elements of time and space are quite excluded. The religion of Egypt stands at the opposite pole of thought as its antagonist. Instead of Spirit, it accepts Body; instead of Unity, Variety; instead of Substance, Form. It is the physical reaction from Brahmanism. Instead of the worship of abstract Deity, it gives us the most concrete divinity, wholly incarnated in space and time. Instead of abstract contemplation, it gives us ceremonial worship. Instead of the absorption of man into God, it gives us transmigration through all bodily forms.[169] It so completely incarnates God, as to make every type of animal existence divine; hence the worship of animals. It makes body so sacred, that the human body must not be allowed to perish. As the Brahman, contemplating eternity, forgot time, and had no history, so on the other hand the Egyptian priest, to whom every moment of time is sacred, records everything and turns every event into history; and as it enshrines the past time historically on monuments, so it takes hold of future time prophetically through oracles.