History, therefore, helps us little in this question of race. How is it with Comparative Philology and Comparative Anatomy?
The Coptic language is an idiom of the old Egyptian tongue, which seems to belong to no known linguistic group. It is related to other African languages only through the lexicon, and similarly with the Indo-European. Some traces of grammatic likeness to the Semitic may be found in it; yet the view of Bunsen and Schwartz, that in very ancient times it arose from the union of Semitic and Indo-European languages, remains only a hypothesis.[183] Merx (in Schenkel's Bibel-Lexicon) says this view "rests upon a wish formed in the interest of the Philosophy of History; and the belief of a connection between these tongues is not justified by any scientific study of philology. No such ethnological affinity can be granted,—a proof of which is that all facts in its favor are derived from common roots, none from common grammar." Benfey, however, assumed two great branches of Semitic nationalities, one flowing into Africa, the other into Western Asia.[184] Ebers[185] gives some striking resemblances between Egyptian and Chaldaic words, and says he possesses more than three hundred examples of this kind; and in Bunsen's fifth volume are comparative tables which give as their result that a third part of the old Egyptian words in Coptic literature are Semitic, and a tenth part Indo-European. If these statements are confirmed, they may indicate some close early relations between these races.
The anatomy of the mummies seems to show a wide departure from negro characteristics. The skull, chin, forehead, bony system, facial angle, hair, limbs, are all different. The chief resemblances are in the flat nose, and form of the backbone.[186] Scientific ethnologists have therefore usually decided that the old Egyptians were an Asiatic people who had become partially amalgamated with the surrounding African tribes. Max Duncker comes to this conclusion,[187] and says that the Berber languages are the existing representatives of the old Egyptian. This is certainly true as concerns the Copts, whose very name is almost identical with the word "Gupti," the old name from which the Greeks formed the term Ægypti.[188] Alfred Maury (Revue d. D. Mondes, September, 1867) says that, "according to all appearances, Egypt was peopled from Asia by that Hamitic race which comprised the tribes of Palestine, Arabia, and Ethiopia. Its ancient civilization was, consequently, the sister of that which built Babylon and Nineveh. In the valley of the Nile, as in those of the Euphrates and the Tigris, religion gave the motive to civilization, and in all the three nations there was a priesthood in close alliance with an absolute monarchy." M. de Rougé is of the same opinion. In his examination of the monuments of the oldest dynasties, he finds the name given to the Egyptians by themselves to be merely "the Men" (Rut),—a word which by the usual interchange of R with L, and of T with D, is identical with the Hebrew Lud (plural Ludim), whom the Book of Genesis declares to have been a son of Misraim. This term was applied by the Israelites to all the races on the southeast shore of the Mediterranean. It is, therefore, believed by M. de Rougé that the Egyptians were of the same family with these Asiatic tribes on the shores of Syria. Here, then, as in so many other cases, a new civilization may have come from the union of two different races,—one Asiatic, the other African. Asia furnished the brain, Africa the fire, and from the immense vital force of the latter and the intellectual vigor of the former sprang that wonderful civilization which illuminated the world during at least five thousand years.
§ 6. The Three Orders of Gods.
The Egyptian theology, or doctrine of the gods, was of two kinds,—esoteric and exoteric, that is, an interior theology for the initiated, and an exterior theology for the uninitiated. The exterior theology, which was for the whole people, consisted of the mythological accounts of Isis and Osiris, the judgments of the dead, the transmigration of the soul, and all matters connected with the ceremonial worship of the gods. But the interior, hidden theology is supposed to have related to the unity and spirituality of the Deity.
Herodotus informs us that the gods of the Egyptians were in three orders; and Bunsen believes that he has succeeded in restoring them from the monuments. There are eight gods of the first order, twelve gods of the second order, and seven gods of the third order. The gods of the third order are those of the popular worship, but those of the first seem to be of a higher and more spiritual class. The third class of gods were representative of the elements of nature, the sun, fire, water, earth, air. But the gods of the first order were the gods of the priesthood, understood by them alone, and expressing ideas which they shrank from communicating to the people. The spiritual and ideal part of their religion the priests kept to themselves as something which the people were incapable of understanding. The first eight gods seem to have been a representation of a process of divine development or emanation, and constituted a transition from the absolute spiritualism of the Hindoos to the religion of nature and humanity in the West. The Hindoo gods were emanations of spirit: the gods of Greece are idealizations of Nature. But the Egyptian gods represent spirit passing into matter and form.
Accordingly, if we examine in detail the gods of the first order, who are eight, we find them to possess the general principle of self-revelation, and to constitute, taken together, a process of divine development. These eight, according to Bunsen, are Amn, or Ammon; Khem, or Chemmis; Mut, the Mother Goddess; Num, or Kneph; Seti, or Sate; Phtah, the Artist God; Net, or Neith, the Goddess of Sais; and Ra, the Sun, the God of Heliopolis. But according to Wilkinson they stand in a little different order: 1. Neph, or Kneph; 2. Amun, or Ammon; 3. Pthah; 4. Khem; 5. Sate; 6. Maut, or Mut; 7. Pasht, or Diana; and 8. Neith, or Minerva, in which list Pasht, the Goddess of Bubastis, is promoted out of the second order and takes the place of Ra, the Sun, who is degraded.
Supposing these lists to be substantially correct, we have, as the root of the series, Ammon, the Concealed God, or Absolute Spirit. His titles indicate this dignity. The Greeks recognized him as corresponding to their Zeus. He is styled King of the Gods, the Ruler, the Lord of Heaven, the Lord of the Thrones, the Horus or God of the Two Egypts. Thebes was his city. According to Manetho, his name means concealment; and the root "Amn" also means to veil or conceal. His original name was Amn; thus it stands in the rings of the twelfth dynasty. But after the eighteenth dynasty it is Amn-Ra, meaning the Sun. "Incontestably," says Bunsen, "he stands in Egypt as the head of the great cosmogonic development."
Next comes Kneph, or God as Spirit,—the Spirit of God, often confounded with Amn, also called Cnubis and Num. Both Plutarch and Diodorus tell us that his name signifies Spirit, the Num having an evident relation with the Greek πνεῦμα, and the Coptic word "Nef," meaning also to blow. So too the Arabic "Nef" means breath, the Hebrew "Nuf," to flow, and the Greek πνέω, to breathe. At Esneh he is called the Breath of those in the Firmament; at Elephantina, Lord of the Inundations. He wears the ram's head with double horns (by mistake of the Greeks attributed to Ammon), and his worship was universal in Ethiopia. The sheep are sacred to him, of which there were large flocks in the Thebaid, kept for their wool. And the serpent or asp, a sign of kingly dominion,—hence called basilisk,—is sacred to Kneph. As Creator, he appears under the figure of a potter with a wheel. In Philæ he is so represented, forming on his wheel a figure of Osiris, with the inscription, "Num, who forms on his wheel the Divine Limbs of Osiris." He is also called the Sculptor of all men, also the god who made the sun and moon to revolve. Porphyry says that Pthah sprang from an egg which came from the mouth of Kneph, in which he is supported by high monumental authority.
The result of this seems to be that Kneph represents the absolute Being as Spirit, the Spirit of God moving on the face of the waters,—a moving spirit pervading the formless chaos of matter.