The Greek religion, therefore, did not guide or restrain, it only stimulated. The Greek, by intercourse with Greek gods, became more a Greek than ever. Every Hellenic feeling and tendency was personified and took a divine form; which divine form reacted on the tendency to develop it still further. All this contributed unquestionably to that wonderful phenomenon, Greek development. Nowhere on the earth, before or since, has the human being been educated into such a wonderful perfection, such an entire and total unfolding of itself, as in Greece. There, every human tendency and faculty of soul and body opened in symmetrical proportion. That small country, so insignificant on the map of Europe, so invisible on the map of the world, carried to perfection in a few short centuries every human art. Everything in Greece is art; because everything is finished, done perfectly well. In that garden of the world ripened the masterpieces of epic, tragic, comic, lyric, didactic poetry; the masterpieces in every school of philosophic investigation; the masterpieces of history, of oratory, of mathematics; the masterpieces of architecture, sculpture, and painting. Greece developed every form of human government, and in Greece were fought and won the great battles of the world. Before Greece, everything in human literature and art was a rude and imperfect attempt; since Greece, everything has been a rude and imperfect imitation.
§ 3. The Gods of Greece before Homer.
The Theogony of Hesiod, or Book of Genesis of the Greek gods, gives us the history of three generations of deities. First come the Uranids; secondly, the Titans; and thirdly, the gods of Olympus. Beginning as powers of nature, they end as persons.[218]
The substance of Hesiod's charming account of these three groups of gods is as follows:—
First of all things was Chaos. Next was broad-bosomed Earth, or Gaia. Then was Tartarus, dark and dim, below the earth. Next appears Eros, or Love, most beautiful among the Immortals. From Chaos came Erebus and black Night, and then sprang forth Ether and Day, children of Erebus and Night. Then Earth brought forth the starry Heaven, Uranos, like to herself in size, that he might shelter her around. Gaia, or Earth, also bore the mountains, and Pontus or the barren Sea.
Then Gaia intermarried with Uranos, and produced the Titans and Titanides, namely, Ocean, Koeos, Krios, Hyperion, Iapetus, Theia and Rhea, Themis, Mnêmosynê, Phoebe with golden coronet, and lovely Thethys. Lastly came Kronos, or Time; with the Cyclôpes and the hundred-headed giants. All these children were hid in the earth by Uranos, who dreaded them, till by a contrivance of Gaia and Kronos, Uranos was dethroned, and the first age of the gods was terminated by the birth from the sea of the last and sweetest of the children of the Heaven, Aphroditê, or Immortal Beauty,—the only one of this second generation who continued to reign on Olympus; an awful, beauteous goddess, says Hesiod, beneath whose delicate feet the verdure throve around, born in wave-washed Cyprus, but floating past divine Cythera. Her Eros accompanied, and fair Desire followed.
Thus was completed the second generation of gods, the children of Heaven and Earth, called Titans. These had many children. The children of Ocean and Tethys were the nymphs of Ocean. Hyperion and Theia had, as children, Helios, Selênê and Eôs, or Sun, Moon, and Dawn. Koeos and Phoebê had Lêtô and Asteria. One of the children of Krios was Pallas; those of Iapetus were Prometheus, Epimetheus, and Atlas. Kronos married his sister Rhea, and their children were Hestia, Dêmêtêr and Hêrê; Hadês, Poseidôn, and Zeus,—all, except Hadês or Pluto, belonging to the subsequent Olympian deities.
The Olympian gods, with their cousins of the same generation, have grown into persons, ceasing to be abstract ideas, or powers of nature. Five were the children of Kronos, namely, Zeus, Poseidôn, Hêrê, Hestia, and Dêmêtêr; six were children of Zeus, Apollo and Artemis, Hephæstos and Arês, Hermês and Athênê. The twelfth of the Olympian group, Aphroditê, belonged to the second generation, being daughter of Uranos and of the Ocean. Beauty, divine child of Sky and Sea, was conceived of as older than Power.
These are the three successive groups of deities; the second supplanting the first, the third displacing the second. The earlier gods we must needs consider, not as persons, but as powers of nature, not yet humanized.[219] The last, seated on Olympus, are "fair humanities."
But now, it is remarkable that there must have been, in point of fact, three stages of religious development, and three successive actual theologies in Greece, corresponding very nearly to these three legendary generations of gods.