This we shall consider in another section.
§ 7. The Worship of Greece.
The public worship of Greece, as of other ancient nations, consisted of sacrifices, prayers, and public festivals. The sacrifices were for victories over their enemies, for plentiful harvests, to avert the anger of some offended deity, for success in any enterprise, and those specially commanded by the oracles.
In the earliest times fruits and plants were all that were offered. Afterward the sacrifices were libations, incense, and victims. The libation consisted of a cup brimming with wine, which was emptied upon the altars. The incense, at first, was merely fragrant leaves or wood, burnt upon the altar; afterward myrrh and frankincense were used. The victims were sheep, oxen, or other animals. To Hecate they offered a dog, to Venus a dove, to Mars some wild animal, to Ceres the sow, because it rooted up the corn. But it was forbidden to sacrifice the ploughing ox. The sacrifices of men, which were common among barbarous nations, were very rare in Greece.
On great occasions large sacrifices were offered of numerous victims,—as the hecatomb, which means a hundred oxen. It is a curious fact that they had a vessel of holy water at the entrance of the temples, consecrated by putting into it a burning torch from the altar, with which or with a branch of laurel the worshippers were sprinkled on entering. The worshippers were also expected to wash their bodies, or at least their hands and feet, before going into the temple; a custom common also among the Jews and other nations. So Ezekiel says: "I will sprinkle you with clean water and you shall be clean." And the Apostle Paul says, in allusion to this custom: "Let us draw near, having our hearts sprinkled from an evil conscience, and our bodies washed with pure water."
All these customs had a natural origin. The natural offering to the gods is that which we like best ourselves. The Greeks, eminently a social people, in the enjoyment of their feasts, wished to give a part of everything to the gods. Loving wine, perfumes, and animal food, they offered these. As it was proper to wash before feasting with each other, it seemed only proper to do the same before offering the feast to the gods.
The essential part of the sacrifice was catching and pouring out the blood of the victim; for, in the view of the ancients, blood was the seat of life. Part of the victim was burned, and this was the portion supposed to be consumed by the god. Another part was eaten by the worshippers, who thus sat at table with the deity as his friends and companions. The joyful character of Greek worship also appeared in the use of garlands of flowers, religious dances and songs.
All the festivals of the Greeks were religious. Some were of the seasons, as one in February to Zeus, the giver of good weather; and another in November to Zeus, the god of storms. There were festivals in honor of the plough, of the threshing-floor; festivals commemorating the victories at Marathon, Salamis, etc.; of the restoration of democracy by Thrasybulus; feasts of the clothing of the images, on which occasion it was not lawful to work; feasts in commemoration of those who perished in the flood of Deucalion; feasts of nurses, feasts of youth, of women, of trades. Then there were the great national festivals, celebrated every four years at Olympia and Delphi, and every three and five years at Nemea and the isthmus of Corinth. The Panathenæic festival at Athens was held every five years in honor of Athênê, with magnificent processions, cavalcades of horsemen, gymnastic games, military dances, recitations of the Homeric poems, and competition in music. On the frieze of the Parthenon was represented by the scholars of Phidias the procession of the Peplos. This was a new dress made for the statue of Athênê by young girls of Athens, between the ages of seven and eleven years. These girls, selected at a special ceremony, lived a year on the Acropolis, engaged in their sacred work, and fed on a special diet. Captives were liberated on this occasion, that all might share in the festival.
Such festivals constituted the acme of Greek life. They were celebrated in the open air with pomp and splendor, and visitors came from far to assist on these occasions. Prizes were given for foot and chariot races; for boxing, leaping, music, and even for kissing. The temples, therefore, were not intended for worship, but chiefly to contain the image of the god. The cella, or adytum, was small and often dark; but along the magnificent portico or peristyle, which surrounded the four sides of the Doric temples, the splendid processions could circulate in full view of the multitude.[257] The temple was therefore essentially an out-door building, with its beauty, like that of a flower, exposed to light and air. It was covered everywhere, but not crowded, with sculpture, which was an essential part of the building. The pediments, the pedestals on the roofs, the metopes between the triglyphs, are as unmeaning without the sculpture as a picture-frame without its picture. So says Mr. Fergusson;[258] and adds that, without question, color was also everywhere used as an integral part of the structure.
Priesthood was sometimes hereditary, but was not confined to a class. Kings, generals, and the heads of a family acted as priests and offered sacrifices. It was a temporary office, and Plato recommends that there should be an annual rotation, no man acting as priest for more than one year. Such a state of opinion excludes the danger of priestcraft, and is opposed to all hierarchal pretensions. The same, however, cannot be said of the diviners and soothsayers, who were so much consulted, and whose opinions determined so often the course of public affairs. They were often in the pay of ambitious men. Alcibiades had augurs and oracles devoted to his interests, who could induce the Athenians to agree to such a course as he desired. For the Greeks were extremely anxious to penetrate the future, and the power and influence of their oracles is, says Döllinger, a phenomenon unique in history.