In the Armenian Church the sacred new fire is kindled not at Easter but at Candlemas, that is, on the second of February, or on the eve of that festival. The materials of the bonfire are piled in an open space near a church, and they are generally ignited by young couples who have been married within the year. However, it is the bishop or his vicar who lights the candles with which fire is set to the pile. All young married pairs are expected to range themselves about the fire and to dance round it. Young men leap over the flames, but girls and women content themselves with going round them, while they pray to be preserved from the itch and other skin-diseases. When the ceremony is over, the people eagerly pick up charred sticks or ashes of the fire and preserve them or scatter them on the four corners of the roof, in the cattle-stall, in the garden, and on the pastures; for these holy sticks and ashes protect men and cattle against disease, and fruit-trees against worms and caterpillars. Omens, too, are drawn from the direction in which the wind blows the flames and the smoke: if it carries them eastward, there is hope of a good harvest; but if it inclines them westward, the people fear that the crops will fail.[326]

[The new fire and the burning of Judas at Easter are probably relics of paganism.]

In spite of the thin cloak of Christianity thrown over these customs by representing the new fire as an emblem of Christ and the figure burned in it as an effigy of Judas, we can hardly doubt that both practices are of pagan origin. Neither of them has the authority of Christ or of his disciples; but both of them have abundant analogies in popular custom and superstition. Some instances of the practice of annually extinguishing fires and relighting them from a new and sacred flame have already come before us;[327] but a few examples may here be cited for the sake of illustrating the wide diffusion of a custom which has found its way into the ritual both of the Eastern and of the Western Church.

[The new fire at the summer solstice among the Incas of Peru; the new fire among the Indians of Mexico and New Mexico; the new fire among the Esquimaux.]

The Incas of Peru celebrated a festival called Raymi, a word which their native historian Garcilasso de la Vega tells us was equivalent to our Easter. It was held in honour of the sun at the solstice in June. For three days before the festival the people fasted, men did not sleep with their wives, and no fires were lighted in Cuzco, the capital. The sacred new fire was obtained direct from the sun by concentrating his beams on a highly polished concave plate and reflecting them on a little cotton wool. With this holy fire the sheep and lambs offered to the sun were consumed, and the flesh of such as were to be eaten at the festival was roasted. Portions of the new fire were also conveyed to the temple of the sun and to the convent of the sacred virgins, where they were kept burning all the year, and it was an ill omen if the holy flame went out.[328] At a festival held in the last month of the old Mexican year all the fires both in the temples and in the houses were extinguished, and the priest kindled a new fire by rubbing two sticks against each other before the image of the fire-god.[329] The Zuni Indians of New Mexico kindle a new fire by the friction of wood both at the winter and the summer solstice. At the winter solstice the chosen fire-maker collects a faggot of cedar-wood from every house in the village, and each person, as he hands the wood to the fire-maker, prays that the crops may be good in the coming year. For several days before the new fire is kindled, no ashes or sweepings may be removed from the houses and no artificial light may appear outside of them, not even a burning cigarette or the flash of firearms. The Indians believe that no rain will fall on the fields of the man outside whose house a light has been seen at this season. The signal for kindling the new fire is given by the rising of the Morning Star. The flame is produced by twirling an upright stick between the hands on a horizontal stick laid on the floor of a sacred chamber, the sparks being caught by a tinder of cedar-dust. It is forbidden to blow up the smouldering tinder with the breath, for that would offend the gods. After the fire has thus been ceremonially kindled, the women and girls of all the families in the village clean out their houses. They carry the sweepings and ashes in baskets or bowls to the fields and leave them there. To the sweepings the woman says: "I now deposit you as sweepings, but in one year you will return to me as corn." And to the ashes she says: "I now deposit you as ashes, but in one year you will return to me as meal." At the summer solstice the sacred fire which has been procured by the friction of wood is used to kindle the grass and trees, that there may be a great cloud of smoke, while bull-roarers are swung and prayers offered that the Rain-makers up aloft will water the earth.[330] From this account we see how intimately the kindling of a new fire at the two turning-points of the sun's course is associated in the minds of these Indians with the fertility of the land, particularly with the growth of the corn. The rolling smoke is apparently an imitation of rain-clouds designed, on the principle of homoeopathic magic, to draw showers from the blue sky. Once a year the Iroquois priesthood supplied the people with a new fire. As a preparation for the annual rite the fires in all the huts were extinguished and the ashes scattered about. Then the priest, wearing the insignia of his office, went from hut to hut relighting the fires by means of a flint.[331] Among the Esquimaux with whom C.F. Hall resided, it was the custom that at a certain time, which answered to our New Year's Day, two men went about from house to house blowing out every light in the village. One of the men was dressed to represent a woman. Afterwards the lights were rekindled from a fresh fire. An Esquimau woman being asked what all this meant, replied, "New sun—new light."[332] Among the Esquimaux of Iglulik, when the sun first rises above the horizon after the long night of the Arctic winter, the children who have watched for his reappearance run into the houses and blow out the lamps. Then they receive from their mothers presents of pieces of wick.[333]

[The new fire in Wadai, among the Swahili, and in other parts of Africa.]

In the Sudanese kingdom of Wadai all the fires in the villages are put out and the ashes removed from the houses on the day which precedes the New Year festival. At the beginning of the new year a new fire is lit by the friction of wood in the great straw hut where the village elders lounge away the sultry hours together; and every man takes thence a burning brand with which he rekindles the fire on his domestic hearth.[334] In the Bahr-el-Ghazal province of the Egyptian Sudan the people extinguish their old fires at the Arab New Year and bring in new fire. On the same occasion they beat the walls of their huts, the grass thatches, and the walls of their enclosures in order to drive away the devil or evil spirits. The beating of the walls and roofs is accompanied by the firing of guns, the shouting of men, and the shriller cries of the women.[335] Thus these people combine an annual expulsion of demons with an annual lighting of a new fire. Among the Swahili of East Africa the greatest festival is that of the New Year, which falls in the second half of August. At a given moment all the fires are extinguished with water and afterwards relit by the friction of two dry pieces of wood. The ashes of the old fires are carried out and deposited at cross-roads. All the people get up very early in the morning and bathe in the sea or some other water, praying to be kept in good health and to live that they may bathe again next year. Sham-fights form part of the amusements of the day; sometimes they pass into grim reality. Indeed the day was formerly one of general license; every man did that which was good in his own eyes. No awkward questions were asked about any crimes committed on this occasion, so some people improved the shining hour by knocking a few poor devils on the head. Shooting still goes on during the whole day, and at night the proceedings generally wind up with a great dance.[336] The King of Benametapa, as the early Portuguese traders called him, in East Africa used to send commissioners annually to every town in his dominions; on the arrival of one of these officers the inhabitants of each town had to put out all their fires and to receive a new fire from him. Failure to comply with this custom was treated as rebellion.[337] Some tribes of British Central Africa carefully extinguish the fires on the hearths at the beginning of the hoeing season and at harvest; the fires are afterwards rekindled by friction, and the people indulge in dances of various kinds.[338]