[Final disposition of the wild mango tree.]
Next day the mango is taken down from the platform, wrapt in new mats, and carried by the fasting men to their sleeping house, where it is hung from the roof. But after an interval, it may be of many months, the tree is brought forth again. As to the reason for its reappearance in public opinions are divided; but some say that the tree itself orders the master of the ceremonies to bring it forth, appearing to him in his dreams and saying, "Let me smell the smoking fat of pigs. So will your pigs be healthy and your crops will grow." Be that as it may, out it comes, conducted by the fasting men in their dancing costume; and with it come in the solemn procession all the pots, spoons, cups and so forth used by the fasting men during their period of holiness or taboo, also all the refuse of their food which has been collected for months, and all the fallen leaves and chips of the mango in their bundles of mats. These holy relics are carried in front and the mango tree itself brings up the rear of the procession. While these sacred objects are being handed out of the house, the men who are present rush up, wipe off the hallowed dust which has accumulated on them, and smear it over their own bodies, no doubt in order to steep themselves in their blessed influence. Thus the tree is carried as before to the centre of the temporary village, care being again taken not to let it touch the ground. Then one of the fasting men takes from a basket a number of young green mangoes, cuts them in pieces, and places them with his own hands in the mouths of his fellows, the other fasting men, who chew the pieces small and turning round spit the morsels in the direction of the setting sun, in order that "the sun should carry the mango bits over the whole country and everyone should know." A portion of the mango tree is then broken off and in the evening it is burnt along with the bundles of leaves, chips, and refuse of food, which have been stored up. What remains of the tree is taken to the house of the master of the ceremonies and hung over the fire-place; it will be brought out again at intervals and burned bit by bit, till all is consumed, whereupon a new mango will be cut down and treated in like manner. The ashes of the holy fire on each occasion are gathered by the people and preserved in the house of the master of the ceremonies.[22]
[The ceremony apparently intended to fertilize the mango trees.]
The meaning of these ceremonies is not explained by the authorities who describe them; but we may conjecture that they are intended to fertilize the mango trees and cause them to bear a good crop of fruit. The central feature of the whole ritual is a wild mango tree, so young that it has never flowered: the men who cut it down, carry it into the village, and dance at the festival, are forbidden to eat mangoes: pigs are killed in order that their dying squeals may move the mango trees to bear fruit: at the end of the ceremonies pieces of young green mangoes are solemnly placed in the mouths of the fasting men and are by them spurted out towards the setting sun in order that the luminary may carry the fragments to every part of the country; and finally when after a longer or shorter interval the tree is wholly consumed, its place is supplied by another. All these circumstances are explained simply and naturally by the supposition that the young mango tree is taken as a representative of mangoes generally, that the dances are intended to quicken it, and that it is preserved, like a May-pole of old in England, as a sort of general fund of vegetable life, till the fund being exhausted by the destruction of the tree it is renewed by the importation of a fresh young tree from the forest. We can therefore understand why, as a storehouse of vital energy, the tree should be carefully kept from contact with the ground, lest the pent-up and concentrated energy should escape and dribbling away into the earth be dissipated to no purpose.
[Sacred objects of various sorts not allowed to touch the ground.]
To take other instances of what we may call the conservation of energy in magic or religion by insulating sacred bodies from the ground, the natives of New Britain have a secret society called the Duk-duk, the members of which masquerade in petticoats of leaves and tall headdresses of wickerwork shaped like candle extinguishers, which descend to the shoulders of the wearers, completely concealing their faces. Thus disguised they dance about to the awe and terror, real or assumed, of the women and uninitiated, who take, or pretend to take, them for spirits. When lads are being initiated into the secrets of this august society, the adepts cut down some very large and heavy bamboos, one for each lad, and the novices carry them, carefully wrapt up in leaves, to the sacred ground, where they arrive very tired and weary, for they may not let the bamboos touch the ground nor the sun shine on them. Outside the fence of the enclosure every lad deposits his bamboo on a couple of forked sticks and covers it up with nut leaves.[23] Among the Carrier Indians of North-Western America, who burned their dead, the ashes of a chief used to be placed in a box and set on the top of a pole beside his hut: the box was never allowed to touch the ground.[24] In the Omaha tribe of North American Indians the sacred clam shell of the Elk clan was wrapt up from sight in a mat, placed on a stand, and never suffered to come in contact with the earth.[25] The Cherokees and kindred Indian tribes of the United States used to have certain sacred boxes or arks, which they regularly took with them to war. Such a holy ark consisted of a square wooden box, which contained "certain consecrated vessels made by beloved superannuated women, and of such various antiquated forms, as would have puzzled Adam to have given significant names to each." The leader of a war party and his attendant bore the ark by turns, but they never set it on the ground nor would they themselves sit on the bare earth while they were carrying it against the enemy. Where stones were plentiful they rested the ark on them; but where no stones were to be found, they deposited it on short logs. "The Indian ark is deemed so sacred and dangerous to be touched, either by their own sanctified warriors, or the spoiling enemy, that they durst not touch it upon any account. It is not to be meddled with by any, except the war chieftain and his waiter, under the penalty of incurring great evil. Nor would the most inveterate enemy touch it in the woods, for the very same reason." After their return home they used to hang the ark on the leader's red-painted war pole.[26] At Sipi, near Simla, in Northern India, an annual fair is held, at which men purchase wives. A square box with a domed top figures prominently at the fair. It is fixed on two poles to be carried on men's shoulders, and long heavily-plaited petticoats hang from it nearly to the ground. Three sides of the box are adorned with the head and shoulders of a female figure and the fourth side with a black yak's tail. Four men bear the poles, each carrying an axe in his right hand. They dance round, with a swinging rhythmical step, to the music of drums and a pipe. The dance goes on for hours and is thought to avert ill-luck from the fair. It is said that the box is brought to Simla from a place sixty miles off by relays of men, who may not stop nor set the box on the ground the whole way.[27] In Scotland, when water was carried from sacred wells to sick people, the water-vessel might not touch the earth.[28] In some parts of Aberdeenshire the last bunch of standing corn, which is commonly viewed as very sacred, being the last refuge of the corn-spirit retreating before the reapers, is not suffered to touch the ground; the master or "gueedman" sits down and receives each handful of corn as it is cut on his lap.[29]
[Sacred food not allowed to touch the earth.]