[The Midsummer fires in France; Bossuet on the Midsummer festival.]
When we pass from the east to the west of Europe we still find the summer solstice celebrated with rites of the same general character. Down to about the middle of the nineteenth century the custom of lighting bonfires at midsummer prevailed so commonly in France that there was hardly a town or a village, we are told, where they were not kindled.[451] Though the pagan origin of the custom may be regarded as certain, the Catholic Church threw a Christian cloak over it by boldly declaring that the bonfires were lit in token of the general rejoicing at the birth of the Baptist, who opportunely came into the world at the solstice of summer, just as his greater successor did at the solstice of winter; so that the whole year might be said to revolve on the golden hinges of these two great birthdays.[452] Writing in the seventeenth century Bishop Bossuet expressly affirms this edifying theory of the Midsummer bonfires, and he tells his catechumens that the Church herself participated in the illumination, since in several dioceses, including his own diocese of Meaux, a number of parishes kindled what were called ecclesiastical fires for the purpose of banishing the superstitions practised at the purely mundane bonfires. These superstitions, he goes on to say, consisted in dancing round the fire, playing, feasting, singing ribald songs, throwing herbs across the fire, gathering herbs at noon or while fasting, carrying them on the person, preserving them throughout the year, keeping brands or cinders of the fire, and other similar practices.[453] However excellent the intentions of the ecclesiastical authorities may have been, they failed of effecting their purpose; for the superstitions as well as the bonfires survived in France far into the nineteenth century, if indeed they are extinct even now at the beginning of the twentieth. Writing in the latter part of the nineteenth century Mr. Ch. Cuissard tells us that he himself witnessed in Touraine and Poitou the superstitious practices which he describes as follows: "The most credulous examine the ways in which the flame burns and draw good or bad omens accordingly. Others, after leaping through the flames crosswise, pass their little children through them thrice, fully persuaded that the little ones will then be able to walk at once. In some places the shepherds make their sheep tread the embers of the extinct fire in order to preserve them from the foot-rot. Here you may see about midnight an old woman grubbing among the cinders of the pyre to find the hair of the Holy Virgin or Saint John, which she deems an infallible specific against fever. There, another woman is busy plucking the roots of the herbs which have been burned on the surface of the ground; she intends to eat them, imagining that they are an infallible preservative against cancer. Elsewhere a girl wears on her neck a flower which the touch of St. John's fire has turned for her into a talisman, and she is sure to marry within the year. Shots are fired at the tree planted in the midst of the fire to drive away the demons who might purpose to send sicknesses about the country. Seats are set round about the bonfire, in order that the souls of dead relations may come and enjoy themselves for a little with the living."[454]
[The Midsummer fires in Brittany; uses made of the charred sticks and flowers.]
In Brittany, apparently, the custom of the Midsummer bonfires is kept up to this day. Thus in Lower Brittany every town and every village still lights its tantad or bonfire on St. John's Night. When the flames have died down, the whole assembly kneels round about the bonfire and an old man prays aloud. Then they all rise and march thrice round the fire; at the third turn they stop and every one picks up a pebble and throws it on the burning pile. After that they disperse.[455] In Finistère the bonfires of St. John's Day are kindled by preference in an open space near a chapel of St. John; but if there is no such chapel, they are lighted in the square facing the parish church and in some districts at cross-roads. Everybody brings fuel for the fire, it may be a faggot, a log, a branch, or an armful of gorse. When the vespers are over, the parish priest sets a light to the pile. All heads are bared, prayers recited, and hymns sung. Then the dancing begins. The young folk skip round the blazing pile and leap over it, when the flames have died down. If anybody makes a false step and falls or rolls in the hot embers, he or she is greeted with hoots and retires abashed from the circle of dancers. Brands are carried home from the bonfire to protect the houses against lightning, conflagrations, and certain maladies and spells. The precious talisman is carefully kept in a cupboard till St. John's Day of the following year.[456] At Quimper, and in the district of Léon, chairs used to be placed round the midsummer bonfire, that the souls of the dead might sit on them and warm themselves at the blaze.[457] At Brest on this day thousands of people used to assemble on the ramparts towards evening and brandish lighted torches, which they swung in circles or flung by hundreds into the air. The closing of the town gates put an end to the spectacle, and the lights might be seen dispersing in all directions like wandering will-o'-the-wisps.[458] In Upper Brittany the materials for the midsummer bonfires, which generally consist of bundles of furze and heath, are furnished by voluntary contributions, and piled on the tops of hills round poles, each of which is surmounted by a nosegay or a crown. This nosegay or crown is generally provided by a man named John or a woman named Jean, and it is always a John or a Jean who puts a light to the bonfire. While the fire is blazing the people dance and sing round it, and when the flames have subsided they leap over the glowing embers. Charred sticks from the bonfire are thrown into wells to improve the water, and they are also taken home as a protection against thunder.[459] To make them thoroughly effective, however, against thunder and lightning you should keep them near your bed, between a bit of a Twelfth Night cake and a sprig of boxwood which has been blessed on Palm Sunday.[460] Flowers from the nosegay or crown which overhung the fire are accounted charms against disease and pain, both bodily and spiritual; hence girls hang them at their breast by a thread of scarlet wool. In many parishes of Brittany the priest used to go in procession with the crucifix and kindle the bonfire with his own hands; and farmers were wont to drive their flocks and herds through the fire in order to preserve them from sickness till midsummer of the following year. Also it was believed that every girl who danced round nine of the bonfires would marry within the year.[461]
[The Midsummer fires in Normandy; the fires as a protection against witchcraft; the Brotherhood of the Green Wolf at Jumièges; pretence of throwing the Green Wolf into the fire.]
In Normandy the midsummer fires have now almost disappeared, at least in the district known as the Bocage, but they used to shine on every hill. They were commonly made by piling brushwood, broom, and ferns about a tall tree, which was decorated with a crown of moss and sometimes with flowers. While they burned, people danced and sang round them, and young folk leaped over the flames or the glowing ashes. In the valley of the Orne the custom was to kindle the bonfire just at the moment when the sun was about to dip below the horizon; and the peasants drove their cattle through the fires to protect them against witchcraft, especially against the spells of witches and wizards who attempted to steal the milk and butter.[462] At Jumièges in Normandy, down to the first half of the nineteenth century, the midsummer festival was marked by certain singular features which bore the stamp of a very high antiquity. Every year, on the twenty-third of June, the Eve of St. John, the Brotherhood of the Green Wolf chose a new chief or master, who had always to be taken from the hamlet of Conihout. On being elected, the new head of the brotherhood assumed the title of the Green Wolf, and donned a peculiar costume consisting of a long green mantle and a very tall green hat of a conical shape and without a brim. Thus arrayed he stalked solemnly at the head of the brothers, chanting the hymn of St. John, the crucifix and holy banner leading the way, to a place called Chouquet. Here the procession was met by the priest, precentors, and choir, who conducted the brotherhood to the parish church. After hearing mass the company adjourned to the house of the Green Wolf, where a simple repast, such as is required by the church on fast-days, was served up to them. Then they danced before the door till it was time to light the bonfire. Night being come, the fire was kindled to the sound of hand-bells by a young man and a young woman, both decked with flowers. As the flames rose, the Te Deum was sung, and a villager thundered out a parody in the Norman dialect of the hymn ut queant laxis. Meantime the Green Wolf and his brothers, with their hoods down on their shoulders and holding each other by the hand, ran round the fire after the man who had been chosen to be the Green Wolf of the following year. Though only the first and the last man of the chain had a hand free, their business was to surround and seize thrice the future Green Wolf, who in his efforts to escape belaboured the brothers with a long wand which he carried. When at last they succeeded in catching him they carried him to the burning pile and made as if they would throw him on it. This ceremony over, they returned to the house of the Green Wolf, where a supper, still of the most meagre fare, was set before them. Up till midnight a sort of religious solemnity prevailed. No unbecoming word might fall from the lips of any of the company, and a censor, armed with a hand-bell, was appointed to mark and punish instantly any infraction of the rule. But at the stroke of twelve all this was changed. Constraint gave way to license; pious hymns were replaced by Bacchanalian ditties, and the shrill quavering notes of the village fiddle hardly rose above the roar of voices that went up from the merry brotherhood of the Green Wolf. Next day, the twenty-fourth of June or Midsummer Day, was celebrated by the same personages with the same noisy gaiety. One of the ceremonies consisted in parading, to the sound of musketry, an enormous loaf of consecrated bread, which, rising in tiers, was surmounted by a pyramid of verdure adorned with ribbons. After that the holy handbells, deposited on the step of the altar, were entrusted as insignia of office to the man who was to be the Green Wolf next year.[463]