Bull-roarers (balum). Initiation of young men.
It is very significant that the word balum, which means a ghost, is applied by the Yabim to the instrument now generally known among anthropologists as a bull-roarer. It is a small fish-shaped piece of wood which, being tied to a string and whirled rapidly round, produces a humming or booming sound like the roaring of a bull or the muttering of distant thunder. Instruments of this sort are employed by savages in many parts of the world at their mysteries; the weird sound which the implement makes when swung is supposed by the ignorant and uninitiated to be the voice of a spirit and serves to impress them with a sense of awe and mystery. So it is with the Papuans about Finsch Harbour, with whom we are at present concerned. At least one such bull-roarer is kept in the lum or bachelors' clubhouse of every village, and the women and uninitiated boys are forbidden to see it under pain of death. The instrument plays a great part in the initiation of young men, which takes place at intervals of several years, when there are a number of youths ready to be initiated, and enough pigs can be procured to furnish forth the feasts which form an indispensable part of the ceremony. The principal initiatory rite consists of circumcision, which is performed on all youths before they are admitted to the rank of full-grown men. The age of the candidates varies considerably, from four years up to twenty. Many are married before they are initiated. The operation is performed in the forest, and the procession of the youths to the place appointed is attended by a number of men swinging bull-roarers. As the procession sets out, the women look on from a distance, weeping and howling, for they are taught to believe that the lads, their sons and brothers, are about to be swallowed up by a monster called a balum or ghost, who will only release them from his belly on condition of receiving a sufficient number of roast pigs. How, then, can the poor women be sure that they will ever see their dear ones again? So amid the noise of weeping and wailing the procession passes into the forest, and the booming sound of the bull-roarers dies away in the distance.
The rite of circumcision; the lads supposed to be swallowed by a monster (balum). The sacred flutes.
The place where the operation is performed on the lads is a long hut, about a hundred feet in length, which diminishes in height towards the rear. This represents the belly of the monster which is to swallow up the candidates. To keep up the delusion a pair of great eyes are painted over the entrance, and above them the projecting roots of a betel-palm represent the monster's hair, while the trunk of the tree passes for his backbone. As the awe-struck lads approach this imposing creature, he is heard from time to time to utter a growl. The growl is in fact no other than the humming note of bull-roarers swung by men, who are concealed within the edifice. When the procession has come to a halt in front of the artificial monster, a loud defiant blast blown on shell-trumpets summons him to stand forth. The reply follows in the shape of another muffled roar of the bull-roarers from within the building. At the sound the men say that "Balum is coming up," and they raise a shrill song like a scream and sacrifice pigs to the monster in order to induce him to spare the lives of the candidates. When the operation has been performed on the lads, they must remain in strict seclusion for three or four months, avoiding all contact with women and even the sight of them. They live in the long hut, which represents the monster's belly, and their food is brought them by elder men. Their leisure time is spent in weaving baskets and playing on certain sacred flutes, which are never used except at such seasons. The instruments are of two patterns. One is called the male and the other the female, and they are supposed to be married to each other. No woman may see these mysterious flutes; if she did she would die. Even if she hears their shrill note in the distance, she will hasten to hide herself in a thicket. When the initiatory ceremonies are over, the flutes are carefully kept in the men's clubhouse of the village till the next time they are wanted for a similar occasion. On the other hand, if the women are obliged to go near the place where the lads are living in seclusion, they beat on certain bamboo drums in order to warn them to keep out of the way. Sometimes, though perhaps rarely, one of the lads dies under the operation; in that case the men explain his disappearance to the women by saying that the monster has a pig's stomach as well as a human stomach, and that unfortunately the deceased young man slipped by mistake into the wrong stomach and so perished miserably. But as a rule the candidates pass into the right stomach and after a sufficient period has been allowed for digestion, they come forth safe and sound, the monster having kindly consented to let them go free in consideration of the roast pigs which have been offered to him by the men. Indeed he is not very exacting, for he contents himself with devouring the souls of the pigs, while he leaves their bodies to be consumed by his worshippers. This is a kindly and considerate way of dealing with sacrifice, which our New Guinea ghost or monster shares with many deities of much higher social pretensions. However, lest he should prove refractory and perhaps run away with the poor young men in his inside, or possibly make a dart at any women or children who might be passing, the men take the precaution of tying him down tight with ropes. When the time of seclusion is up, one of the last acts in the long series of ceremonies is to cast off the ropes and let the monster go free. He avails himself of his liberty to return to his subterranean abode, and the young men are brought back to the village with much solemnity.
The return of the novices to the village.
An eye-witness has described the ceremony. The lads, now ranking as full-grown men, were first bathed in the sea and then elaborately decorated with paint and so forth. In marching back to the village they had to keep their eyes tightly shut, and each of them was led by a man who acted as a kind of god-father. As the procession moved on, an old bald-headed man touched each boy solemnly on the chin and brow with a bull-roarer. In the village preparations for a banquet had meanwhile been made, and the women and girls were waiting in festal attire. The women were much moved at the return of the lads; they sobbed and tears of joy ran down their cheeks. Arrived in the village the newly-initiated lads were drawn up in a row and fresh palm leaves were spread in front of them. Here they stood with closed eyes, motionless as statues. Then a man passed behind them, touching each of them in the hams with the handle of an axe and saying, "O circumcised one, sit down." But still the lads remained standing, stiff and motionless. Not till another man had knocked repeatedly on the ground with the stalk of a palm-leaf, crying, "O circumcised ones, open your eyes!" did the youths, one after another, open their eyes as if awaking from a profound stupor. Then they sat down on the mats and partook of the food brought them by the men. Young and old now ate in the open air. Next morning the circumcised lads were bathed in the sea and painted red instead of white. After that they might talk to women. This was the end of the ceremony.[411]
The essence of the initiatory rites seems to be a simulation of death and resurrection; the novice is supposed to be killed and to come to life or be born again. The new birth among the Akikuyu of British East Africa.
The meaning of these curious ceremonies observed on the return of the lads to the village is not explained by the writer who describes them; but the analogy of similar ceremonies observed at initiation by many other races allows us to divine it with a fair degree of probability. As I have already observed in a former lecture, the ceremony of initiation at puberty is very often regarded as a process of death and resurrection; the candidate is supposed to die or to be killed and to come to life again or be born again; and the pretence of a new birth is not uncommonly kept up by the novices feigning to have forgotten all the most common actions of life and having accordingly to learn them all over again like newborn babes. We may conjecture that this is why the young circumcised Papuans, with whom we are at present concerned, march back to their village with closed eyes; this is why, when bidden to sit down, they remain standing stiffly, as if they understood neither the command nor the action; and this, too, we may surmise, is why their mothers and sisters receive them with a burst of emotion, as if their dead had come back to them from the grave. This interpretation of the ceremony is confirmed by a curious rite which is observed by the Akikuyu of British East Africa. Amongst them every boy or girl at or about the age of ten years has solemnly to pretend to be born again, not in a moral or religious, but in a physical sense. The mother of the child, or, if she is dead, some other woman, goes through an actual pantomime of bringing forth the boy or girl. I will spare you the details of the pantomime, which is very graphic, and will merely mention that the bouncing infant squalls like a newborn babe. Now this ceremony of the new birth was formerly enacted among the Akikuyu at the rite of circumcision, though the two ceremonies are now kept distinct.[412] Hence it is not very rash to conjecture that the ceremony performed by the young Papuans of Finsch Harbour on their return to the village after undergoing circumcision is merely a way of keeping up the pretence of being born again and of being therefore as ignorant and helpless as babes.
The mock death of the novices as a preliminary to the mock birth.