Again, the ancestral images are often consulted to ascertain the cause of a death; and if the image attributes the death to the evil magic of a member of another tribe, an expedition will be sent to avenge the wrong by slaying the supposed culprit. For the souls of the dead take it very ill and wreak their spite on the survivors, if their death is not avenged on their enemies. Not uncommonly the consultation of the images merely furnishes a pretext for satisfying a grudge against an individual or a tribe.[492] The mere presence of these images appears to be supposed to benefit the sick; a woman who was seriously ill has been seen to lie with four or five ancestral figures fastened at the head of her bed. On enquiry she explained that they did not all belong to her, but that some of them had been kindly lent to her by relations and friends.[493] Again, the images are taken by the natives with them to war, because they hope thereby to secure the help of the spirits whom the images represent. Also they make offerings from time to time to the effigies and hold feasts in their honour.[494] They observe, indeed, that the food which they present to these household idols remains unconsumed, but they explain this by saying that the spirits are content to snuff up the savour of the viands, and to leave their gross material substance alone.[495]
Images of persons who have died away from home.
In general, images are only made of persons who have died at home. But in the island of Ron or Run they are also made of persons who have died away from home or have fallen in battle. In such cases the difficulty is to compel the soul to quit its mortal remains far away and come to animate the image. However, the natives of Ron have found means to overcome this difficulty. They first carve the wooden image of the dead person and then call his soul back to the village by setting a great tree on fire, while the family assemble round it and one of them, holding the image in his hand, acts the part of a medium, shivering and shaking and falling into a trance after the approved fashion of mediums in many lands. After this ceremony the image is supposed to be animated by the soul of the deceased, and it is kept in the house with as much confidence as any other.[496]
Sometimes the head of the image is composed of the skull of the deceased.
Sometimes the head of the image consists of the skull of the deceased, which has been detached from the skeleton and inserted in a hole at the top of the effigy. In such cases the body of the image is of wood and the head of bone. It is especially men who have distinguished themselves by their bravery or have earned a name for themselves in other ways who are thus represented. Apparently the notion is that as a personal relic of the departed the skull is better fitted to retain his soul than a mere head of wood. But in the island of Ron or Run, and perhaps elsewhere, skull-topped images of this sort are made for all firstborn children, whether male or female, young or old, at least for all who die from the age of twelve years and upward. These images have a special name, bemar boo, which means "head of a corpse." They are kept in the room of the parents who have lost the child.[497]
Mode of preparing such skull-headed images.
The mode in which such images are prepared is as follows. The body of the firstborn child, who dies at the age of years or upwards, is laid in a small canoe, which is deposited in a hut erected behind the dwelling-house. Here the mother is obliged to keep watch night and day beside the corpse and to maintain a blazing fire till the head drops off the body, which it generally does about twenty days after the death. Then the trunk is wrapped in leaves and buried, but the head is brought into the house and carefully preserved. Above the spot where it is deposited a small opening is made in the roof, through which a stick is thrust bearing some rags or flags to indicate that the remains of a dead body are in the house. When, after the lapse of three or four months, the nose and ears of the head have dropped off, and the eyes have mouldered away, the relations and friends assemble in the house of mourning. In the middle of the assembly the father of the child crouches on his hams with downcast look in an attitude of grief, while one of the persons present begins to carve a new nose and a new pair of ears for the skull out of a piece of wood. The kind of wood varies according as the deceased was a male or a female. All the time that the artist is at work, the rest of the company chant a melancholy dirge. When the nose and ears are finished and have been attached to the skull, and small round fruits have been inserted in the hollow sockets of the eyes to represent the missing orbs, a banquet follows in honour of the deceased, who is now represented by his decorated skull set up on a block of wood on the table. Thus he receives his share of the food and of the cigars, and is raised to the rank of a domestic idol or korwar. Henceforth the skull is carefully kept in a corner of the chamber to be consulted as an oracle in time of need. The bodies of fathers and mothers are treated in the same way as those of firstborn children. On the other hand the bodies of children who die under the age of two years are never buried. The remains are packed in baskets of rushes covered with lids and tightly corded, and the baskets are then hung on the branches of tall trees, where no more notice is taken of them. Four or five such baskets containing the mouldering bodies of infants may sometimes be seen hanging on a single tree.[498] The reason for thus disposing of the remains of young children is said to be as follows. A thick mist hangs at evening over the top of the dense tropical forest, and in the mist dwell two spirits called Narwur and Imgier, one male and the other female, who kill little children, not out of malice but out of love, because they wish to have the children with them. So when a child dies, the parents fasten its little body to the branches of a tall tree in the forest, hoping that the spirit pair will take it and be satisfied, and will spare its small brothers and sisters.[499]
Mummification of the dead.
In some parts of Geelvink Bay, however, the bodies of the dead are treated differently. For example, on the south coast of the island of Jobi or Jappen and elsewhere the corpses are reduced to mummies by being dried on a bamboo stage over a slow fire; after which the mummies, wrapt in cloth, are kept in the house, being either laid along the wall or hung from the ceiling. When the number of these relics begins to incommode the living inmates of the house, the older mummies are removed and deposited in the hollow trunks of ancient trees. In some tribes who thus mummify their dead the juices of corruption which drip from the rotting corpse are caught in a vessel and given to the widow to drink, who is forced to gulp them down under the threat of decapitation if she were to reject the loathsome beverage.[500]
Restrictions observed by mourners. Tattooing in honour of the dead. Teeth of the dead worn by relatives.