The Papuans of the Mimika district, on the southern coast of Dutch New Guinea, sometimes bury their dead in shallow graves near the huts; sometimes they place them in coffins on rough trestles and leave them there till decomposition is complete, when they remove the skull and preserve it in the house, either burying it in the sand of the floor or hanging it in a sort of basket from the roof, where it becomes brown with smoke and polished with frequent handling. The people do not appear to be particularly attached to these relics of their kinsfolk and they sell them readily to Europeans. Mourners plaster themselves all over with mud, and sometimes they bathe in the river, probably as a mode of ceremonial purification. They believe in ghosts, which they call niniki; but beyond that elementary fact we have no information as to their beliefs concerning the state of the dead.[511]
Burial customs at Windessi.
The natives of Windessi in Dutch New Guinea generally bury their dead the day after the decease. As a rule the corpse is wrapt in mats and a piece of blue cloth and laid on a scaffold; few are coffined. All the possessions of the dead, including weapons, fishing-nets, wooden bowls, pots, and so forth, according as the deceased was a man or a woman, are placed beside him or her. If the death is attributed to the influence of an evil spirit, they take hold of a lock of hair of the corpse and mention various places. At the mention of each place, they tug the hair; and if it comes out, they conclude that the death was caused by somebody at the place which was mentioned at the moment. But if the hair does not come out, they infer that evil spirits had no hand in the affair. Before the body is carried away, the family bathes, no doubt to purify themselves from the contagion of death. Among the people of Windessi it is a common custom to bury the dead in an island. At such a burial the bystanders pick up a fallen leaf, tear it in two, and stroke the corpse with it, in order that the ghost of the departed may not kill them. When the body has been disposed of either in a grave or on a scaffold, they embark in the canoe and sit listening for omens. One of the men in a loud voice bids the birds and the flies to be silent; and all the others sit as still as death in an attitude of devotion. At last, after an interval of silence, the man who called out tells his fellows what he has heard. If it was the buzz of the blue flies that he heard, some one else will die. If it was the booming sound of a triton shell blown in the distance, a raid must be made in that direction to rob and murder. Why it must be so, is not said, but we may suppose that the note of the triton shell is believed to betray the place of the enemy who has wrought the death by magic, and that accordingly an expedition must be sent to avenge the supposed crime on the supposed murderer. If the note of a bird called kohwi is heard, then the fruit-trees will bear fruit. Though all the men sit listening in the canoe, the ominous sounds are heard only by the man who called out.[512]
Mourning customs at Windessi.
When the omens have thus been taken, the paddles again dip in the water, and the canoe returns to the house of mourning. Arrived at it, the men disembark, climb up the ladder (for the houses seem to be built on piles over the water) and run the whole length of the long house with their paddles on their shoulders. Curiously enough, they never do this at any other time, because they imagine that it would cause the death of somebody. Meantime the women have gone into the forest to get bark, which they beat into bark-cloth and make into mourning caps for themselves. The men busy themselves with plaiting armlets and leglets of rattan, in which some red rags are stuck. Large blue and white beads are strung on a red cord and worn round the neck. Further, the hair is shorn in sign of mourning. Mourners are forbidden to eat anything cooked in a pot. Sago-porridge, which is a staple food with some of the natives of New Guinea, is also forbidden to mourners at Windessi. If they would eat rice, it must be cooked in a bamboo. The doors and windows of the house are closed with planks or mats, just as with us the blinds are lowered in a house after a death. The surviving relatives make as many long sago-cakes as there are houses in the village and send them to the inmates; they also prepare a few for themselves. All who do not belong to the family now leave the house of mourning. Then the eldest brother or his representative gets up and all follow him to the back verandah, where a woman stands holding a bow and arrows, an axe, a paddle, and so forth. Every one touches these implements. Since the death, there has been no working in the house, but this time of inactivity is now over and every one is free to resume his usual occupations. This ends the preliminary ceremonies of mourning, which go by the name of djawarra.
A month afterwards round cakes of sago are baked on the fire, and all the members of the family, their friends, and the persons who assisted at the burial receive three such cakes each. Only very young children are now allowed to eat sago-porridge. This ceremony is called djawarra baba.
Festival of the dead. Wooden images of the dead.
When a year or more has elapsed, the so-called festival of the dead takes place. Often the festival is held for several dead at the same time, and in that case the cost is borne in common. From far and near the people have collected sago, coco-nuts, and other food. For two nights and a day they dance and sing, but without the accompaniment of drums (tifa) and gongs. The first night, the signs of mourning are still worn, hence no sago-porridge may be eaten; only friends who are not in mourning are allowed to partake of it. The night is spent in eating, drinking, smoking, singing and dancing. Next day many people make korwars of their dead, that is, grotesque wooden images carved in human form, which are regarded as the representatives of the departed. Some people fetch the head of the deceased person, and having made a wooden image with a large head and a hole in the back of it, they insert the skull into the wooden head from behind. After that friends feed the mourners with sago-porridge, putting it into their mouths with the help of the chopsticks which are commonly used in eating sago. When that is done, the period of mourning is at an end, and the signs of mourning are thrown away. A dance on the beach follows, at which the new wooden images of the dead make their appearance. But still the drums and gongs are silent. Dancing and singing go on till the next morning, when the whole of the ceremonies come to an end.[513]
Fear of the ghost.
The exact meaning of all these ceremonies is not clear, but we may conjecture that they are based in large measure on the fear of the ghost. That fear comes out plainly in the ceremony of stroking the corpse with leaves in order to prevent the ghost from killing the survivors. The writer to whom we are indebted for an account of these customs tells us in explanation of them that among these people death is ascribed to the influence of evil spirits called manoam, who are supposed to be incarnate in some human beings. Hence they often seek to avenge a death by murdering somebody who has the reputation of being an evil spirit incarnate. If they succeed in doing so, they celebrate the preliminary mourning ceremonies called djawarra and djawarra baba, but the festival of the dead is changed into a memorial festival, at which the people dance and sing to the accompaniment of drums (tifa), gongs, and triton shells; and instead of carving a wooden image of the deceased, they make marks on the fleshless skull of the murdered man.[514]