Berlin Harbour is formed by a group of four small islands, which here lie off the coast. One of the islands bears the name of Tumleo or Tamara, and we possess an excellent account of the natives of this island from the pen of a Catholic missionary, Father Mathias Josef Erdweg,[358] which I shall draw upon in what follows. We have also a paper by a German ethnologist, the late Mr. R. Parkinson, on the same subject,[359] but his information is in part derived from Father Erdweg and he appears to have erred by applying too generally the statements which Father Erdweg strictly limited to the inhabitants of Tumleo.[360]
The natives of Tumleo, their material and artistic culture.
The island of Tumleo lies in 142° 25" of East Longitude and 3° 15" of South Latitude, and is distant about sixty sea-miles from the westernmost point of German New Guinea. It is a coral island, surrounded by a barrier reef and rising for the most part only a few feet above the sea.[361] In stature the natives fall below the average European height; but they are well fed and strongly built. Their colour varies from black to light brown. Their hair is very frizzly. Women and children wear it cut short; men wear it done up into wigs. They number less than three hundred, divided into four villages. The population seems to have declined through wars, disease, and infanticide.[362] Like the Papuans generally, they live in settled villages and engage in fishing, agriculture, and commerce. The houses are solidly built of wood and are raised above the ground upon piles, which consist of a hard and durable timber, sometimes iron-wood.[363] The staple food of the people is sago, which they obtain from the sago-palm. These stately palms, with their fan-like foliage, are rare on the coral island of Tumleo, but grow abundantly in the swampy lowlands of the neighbouring mainland. Accordingly in the months of May and June, when the sea is calm, the natives cross over to the mainland in their canoes and obtain a supply of sago in exchange for the products of their island. The sago is eaten in the form both of porridge and of bread.[364] Other vegetable foods are furnished by sweet potatoes, taro, yams, bananas, sugar-cane, and coco-nuts, all of which the natives cultivate.[365] Fishing is a principal industry of the people; it is plied by both sexes and by old and young, with nets, spears, and bows and arrows.[366] Pottery is another flourishing industry. As among many other savages, it is practised only by women, but the men take the pots to market; for these islanders do a good business in pots with the neighbouring tribes.[367] They build large outrigger canoes, which sail well before the wind, but can hardly beat up against it, being heavy to row. In these canoes the natives of Tumleo make long voyages along the coast; but as the craft are not very seaworthy they never stand out to sea, if they can help it, but hug the shore in order to run for safety to the beach in stormy weather.[368] In regard to art the natives display some taste and skill in wood-carving. For example, the projecting house-beams are sometimes carved in the shape of crocodiles, birds, and grotesque human figures; and their canoes, paddles, head-rests, drums, drum-sticks, and vessels are also decorated with carving. Birds, fish, crocodiles, foliage, and scroll-work are the usual patterns.[369]
The temples (paraks) of Tumleo.
A remarkable feature in the villages of Tumleo and the neighbouring islands and mainland consists of the paraks or temples, the high gables of which may be seen rising above the bushes in all the villages of this part of the coast. No such buildings exist elsewhere in this region. They are set apart for the worship of certain guardian spirits, and on them the native lavishes all the resources of his elementary arts of sculpture and painting. They are built of wood in two storeys and raised on piles besides. The approach to one of them is always by one or two ladders provided on both sides with hand-rails or banisters. These banisters are elaborately decorated with carving, which is always of the same pattern. One banister is invariably carved in the shape of a crocodile holding a grotesque human figure in its jaws, while on the other hand the animal's tail is grasped by one or more human figures. The other banister regularly exhibits a row of human or rather ape-like effigies seated one behind the other, each of them resting his arms on the shoulders of the figure in front. Often there are seven such figures in a row. The natives are so shy in speaking of these temples that it is difficult to ascertain the meaning of the curious carvings by which they are adorned. Mr. Parkinson supposed that they represent spirits, not apes. He tells us that there are no apes in New Guinea. The interior of the temple (parak) is generally empty. The only things to be seen in its two rooms, the upper and lower, are bamboo flutes and drums made out of the hollow trunks of trees. On these instruments men concealed in the temple discourse music in order to signify the presence of the spirit.[370]
The bachelors' houses (alols) of Tumleo.
Different from these paraks or temples are the alols, which are bachelors' houses and council-houses in one. Like the temples, they are raised above the ground and approached by a ladder, but unlike the temples they have only one storey. In them the unmarried men live and the married men meet to take counsel and to speak of things which may not be mentioned before women. On a small stand or table in each of these alols or men's clubhouses are kept the skulls of dead men. And as the temple (parak) is devoted to the worship of spirits, so the men's clubhouse (alol) is the place where the dead ancestors are worshipped. Women and children may not enter it, but it is not regarded with such superstitious fear as the temple. The dead are buried in their houses or beside them. Afterwards the bones are dug up and the skulls of grown men are deposited, along with one of the leg bones, on the stand or table in the men's clubhouse (alol). The skulls of youths, women, and children are kept in the houses where they died. When the table in the clubhouse is quite full of grinning trophies of mortality, the old skulls are removed to make room for the new ones and are thrown away in a sort of charnel-house, where the other bones are deposited after they have been dug up from the graves. Such a charnel-house is called a tjoll páru. There is one such place for the bones of grown men and another for the bones of women and children. Some bones, however, are kept and used as ornaments or as means to work magic with. For the dead are often invoked, for example, to lay the wind or for other useful purposes; and at such invocations the bones play a part.[371]
Spirits of the dead thought to be the causes of sickness and disease.
But while the spirits of the dead are thus invited to help their living relations and friends, they are also feared as the causes of sickness and disease. Any serious ailment is usually attributed to magic or witchcraft, and the treatment which is resorted to aims rather at breaking the spell which has been cast on the sick man than at curing his malady by the application of physical remedies. In short the remedy is exorcism rather than physic. Now the enchantment under which the patient is supposed to be labouring is often, though not always, ascribed to the malignant arts of the spirits of the dead, or the mõs, as the natives of Tumleo call them. In such a case the ghosts are thought to be clinging to the body of the sufferer, and the object of the medical treatment is to detach them from him and send them far away. With this kindly intention some men will go into the forest and collect a number of herbs, including a kind of peppermint. These are tied into one or more bundles according to the number of the patients and then taken to the men's clubhouse (alol), where they are heated over a fire. Then the patient is brought, and two men strike him lightly with the packet of herbs on his body and legs, while they utter an incantation, inviting the ancestral spirits who are plaguing him to leave his body and go away, in order that he may be made whole. One such incantation, freely translated, runs thus: "Spirit of the great-grandfather, of the father, come out! We give thee coco-nuts, sago-porridge, fish. Go away (from the sick man). Let him be well. Do no harm here and there. Tell the people of Leming (O spirit) to give us tobacco. When the waves are still, we push off from the land, sailing northward (to Tumleo). It is the time of the north-west wind (when the surf is heavy). May the billows calm down in the south, O in the south, on the coast of Leming, that we may sail to the south, to Leming! Out there may the sea be calm, that we may push off from the land for home!" In this incantation a prayer to the spirit of the dead to relax his hold on the sufferer appears to be curiously combined with a prayer or spell to calm the sea when the people sail across to the coast of Leming to fetch a cargo of tobacco. When the incantation has been recited and the patient stroked with the bundle of herbs, one of his ears and both his arm-pits are moistened with a blood-red spittle produced by the chewing of betel-nut, pepper, and lime. Then they take hold of his fingers and make each of them crack, one after the other, while they recite some of the words of the preceding incantation. Next three men take each of them a branch of the volju tree, bend it into a bow, and stroke the sick man from head to foot, while they recite another incantation, in which they command the spirit to let the sick man alone and to go away into the water or the mud. Often when a man is seriously ill he will remove from his own house to the house of a relation or friend, hoping that the spirit who has been tormenting him will not be able to discover him at his new address.[372]
Burial and mourning customs in Tumleo.