Without citing more examples to the same effect, we may sum up the result of the preceding paragraphs in the words of Mannhardt. “The customs quoted suffice to establish with certainty the conclusion that in these spring processions the spirit of vegetation is often represented both by the May-tree and in addition by a man dressed in green leaves or flowers or by a girl similarly adorned. It is the same spirit which animates the tree and is active in the inferior plants and which we have recognised in the May-tree and the Harvest-May. Quite consistently the spirit is also supposed to manifest his presence in the first flower of spring and reveals himself both in a girl representing a May-rose, and also, as giver of harvest, in the person of the Walber. The procession with this representative of the divinity was supposed to produce the same beneficial effects on the fowls, the fruit-trees, and the crops as the presence of the deity himself. In other words, the mummer was regarded not as an image but as an actual representative of the spirit of vegetation; hence the wish expressed by the attendants on the May-rose and the May-tree that those who refuse them gifts of eggs, bacon, etc. may have no share in the blessings which it is in the power of the itinerant spirit to bestow. We may conclude that these begging processions with May-trees or May-boughs from door [pg 087] to door (‘bringing the May or the summer’) had everywhere originally a serious and, so to speak, sacramental significance; people really believed that the god of growth was present unseen in the bough; by the procession he was brought to each house to bestow his blessing. The names May, Father May, May Lady, Queen of the May, by which the anthropomorphic spirit of vegetation is often denoted, show that the conception of the spirit of vegetation is blent with a personification of the season at which his powers are most strikingly manifested.”[305]
Thus far we have seen that the tree-spirit or the spirit of vegetation in general is represented either in vegetable form alone, as by a tree, bough, or flower; or in vegetable and human form simultaneously, as by a tree, bough, or flower in combination with a puppet or a living person. It remains to show that the representation of him by a tree, bough, or flower is sometimes entirely dropped, while the representation of him by a living person remains. In this case the representative character of the person is generally marked by dressing him or her in leaves or flowers; sometimes too it is indicated by the name he or she bears.
We saw that in Russia at Whitsuntide a birch-tree is dressed in woman's clothes and set up in the house. Clearly equivalent to this is the custom observed on Whit-Monday by Russian girls in the district of Pinsk. They choose the prettiest of their number, envelop her in a mass of foliage taken from the birch-trees and maples, and carry her about through the village. In a district of Little Russia they take round a “poplar,” represented by a girl wearing bright flowers in her hair.[306] [pg 088] In the Département de l'Ain (France) on the 1st of May eight or ten boys unite, clothe one of their number in leaves, and go from house to house begging.[307] At Whitsuntide in Holland poor women used to go about begging with a little girl called Whitsuntide Flower (Pinxterbloem, perhaps a kind of iris); she was decked with flowers and sat in a waggon. In North Brabant she wears the flowers from which she takes her name and a song is sung—
“Whitsuntide Flower
Turn yourself once round.”[308]
In Ruhla (Thüringen) as soon as the trees begin to grow green in spring, the children assemble on a Sunday and go out into the woods, where they choose one of their playmates to be the Little Leaf Man. They break branches from the trees and twine them about the child till only his shoes peep out from the leafy mantle. Holes are made in it for him to see through, and two of the children lead the Little Leaf Man that he may not stumble or fall. Singing and dancing they take him from house to house, asking for gifts of food (eggs, cream, sausage, cakes). Lastly they sprinkle the Leaf Man with water and feast on the food they have collected.[309] In England the best-known example of these leaf-clad mummers is the Jack-in-the-Green, a chimney-sweeper who walks encased in a pyramidal-shaped framework of wicker-work, which is covered with holly and ivy, and surmounted by a crown of flowers and ribbons. Thus arrayed he dances on May Day at the head of a troop [pg 089] of chimney-sweeps, who collect pence.[310] In some parts also of France a young fellow is encased in a wicker framework covered with leaves and is led about.[311] In Frickthal (Aargau) a similar frame of basketwork is called the Whitsuntide Basket. As soon as the trees begin to bud, a spot is chosen in the wood, and here the village lads make the frame with all secrecy, lest others should forestall them. Leafy branches are twined round two hoops, one of which rests on the shoulders of the wearer, the other encircles his calves; holes are made for his eyes and mouth; and a large nosegay crowns the whole. In this guise he appears suddenly in the village at the hour of vespers, preceded by three boys blowing on horns made of willow bark. The great object of his supporters is to set up the Whitsuntide Basket beside the village well, and to keep it and him there, despite the efforts of the lads from neighbouring villages, who seek to carry off the Whitsuntide Basket and set it up at their own well.[312] In the neighbourhood of Ertingen (Würtemberg) a masker of the same sort, known as the Lazy Man (Latzmann), goes about the village on Midsummer Day; he is hidden under a great pyramidal or conical frame of wicker-work, ten or twelve feet high, which is completely covered with sprigs of fir. He has a bell which he rings as he goes, and he is attended by a suite of persons dressed up in character—a footman, a colonel, a butcher, an angel, the devil, the doctor, etc. They march in Indian file and halt before every house, where each of them speaks in character, except the Lazy Man, [pg 090] who says nothing. With what they get by begging from door to door they hold a feast.[313]
In the class of cases of which the above are specimens it is obvious that the leaf-clad person who is led about is equivalent to the May-tree, May-bough, or May-doll, which is carried from house to house by children begging. Both are representatives of the beneficent spirit of vegetation, whose visit to the house is recompensed by a present of money or food.
Often the leaf-clad person who represents the spirit of vegetation is known as the king or the queen; thus, for example, he or she is called the May King, Whitsuntide King, Queen of May, and so on. These titles, as Mannhardt observes, imply that the spirit incorporate in vegetation is a ruler, whose creative power extends far and wide.[314]
In a village near Salzwedel a May-tree is set up at Whitsuntide and the boys race to it; he who reaches it first is king; a garland of flowers is put round his neck and in his hand he carries a May-bush, with which, as the procession moves along, he sweeps away the dew. At each house they sing a song, wishing the inmates good luck, referring to the “black cow in the stall milking white milk, black hen on the nest laying white eggs,” and begging a gift of eggs, bacon, etc.[315] In some villages of Brunswick at Whitsuntide a May King is completely enveloped in a May-bush. In some parts of Thüringen also they have a May King at Whitsuntide, but he is got up rather differently. A frame of wood is made in which [pg 091] a man can stand; it is completely covered with birch boughs and is surmounted by a crown of birch and flowers, in which a bell is fastened. This frame is placed in the wood and the May King gets into it. The rest go out and look for him, and when they have found him they lead him back into the village to the magistrate, the clergyman, and others, who have to guess who is in the verdurous frame. If they guess wrong, the May King rings his bell by shaking his head, and a forfeit of beer or the like must be paid by the unsuccessful guesser.[316] In some parts of Bohemia on Whit-Monday the young fellows disguise themselves in tall caps of birch bark adorned with flowers. One of them is dressed as a king and dragged on a sledge to the village green, and if on the way they pass a pool the sledge is always overturned into it. Arrived at the green they gather round the king; the crier jumps on a stone or climbs up a tree and recites lampoons about each house and its inmates. Afterwards the disguises of bark are stripped off and they go about the village in holiday attire, carrying a May-tree and begging. Cakes, eggs, and corn are sometimes given them.[317] At Grossvargula, near Langensalza, in last century a Grass King used to be led about in procession at Whitsuntide. He was encased in a pyramid of poplar branches, the top of which was adorned with a royal crown of branches and flowers. He rode on horseback with the leafy pyramid over him, so that its lower end touched the ground, and an opening was left in it only for his face. Surrounded by a cavalcade of [pg 092] young fellows, he rode in procession to the town hall, the parsonage, etc., where they all got a drink of beer. Then under the seven lindens of the neighbouring Sommerberg, the Grass King was stripped of his green casing; the crown was handed to the Mayor, and the branches were stuck in the flax fields in order to make the flax grow tall.[318] In this last trait the fertilising influence ascribed to the representative of the tree-spirit comes out clearly. In the neighbourhood of Pilsen (Bohemia) a conical hut of green branches, without any door, is erected at Whitsuntide in the midst of the village. To this hut rides a troop of village lads with a king at their head. He wears a sword at his side and a sugar-loaf hat of rushes on his head. In his train are a judge, a crier, and a personage called the Frog-flayer or Hangman. This last is a sort of ragged merryandrew, wearing a rusty old sword and bestriding a sorry hack. On reaching the hut the crier dismounts and goes round it looking for a door. Finding none, he says, “Ah, this is perhaps an enchanted castle; the witches creep through the leaves and need no door.” At last he draws his sword and hews his way into the hut, where there is a chair, on which he seats himself and proceeds to criticise in rhyme the girls, farmers, and farm-servants of the neighbourhood. When this is over, the Frog-flayer steps forward and, after exhibiting a cage with frogs in it, sets up a gallows on which he hangs the frogs in a row.[319] In the neighbourhood of Plas the ceremony differs in some points. The king and his soldiers are completely clad in bark, adorned [pg 093] with flowers and ribbons; they all carry swords and ride horses, which are gay with green branches and flowers. While the village dames and girls are being criticised at the arbour, a frog is secretly pinched and poked by the crier till it quacks. Sentence of death is passed on the frog by the king; the hangman beheads it and flings the bleeding body among the spectators. Lastly, the king is driven from the hut and pursued by the soldiers.[320] The pinching and beheading of the frog are doubtless, as Mannhardt observes,[321] a rain-charm. We have seen[322] that some Indians of the Orinoco beat frogs for the express purpose of producing rain, and that killing a frog is a German rain-charm.
Often the spirit of vegetation in spring is represented by a queen instead of a king. In the neighbourhood of Libchowic (Bohemia), on the fourth Sunday in Lent, girls dressed in white and wearing the first spring flowers, as violets and daisies, in their hair, lead about the village a girl who is called the Queen and is crowned with flowers. During the procession, which is conducted with great solemnity, none of the girls may stand still, but must keep whirling round continually and singing. In every house the Queen announces the arrival of spring and wishes the inmates good luck and blessings, for which she receives presents.[323] In German Hungary the girls choose the prettiest girl to be their Whitsuntide Queen, fasten a towering wreath on her brow, and carry her singing through the streets. At every house they stop, sing old ballads, and receive presents.[324] In the [pg 094] south-east of Ireland on May Day the prettiest girl used to be chosen Queen of the district for twelve months. She was crowned with wild flowers; feasting, dancing, and rustic sports followed, and were closed by a grand procession in the evening. During her year of office she presided over rural gatherings of young people at dances and merrymakings. If she married before next May Day her authority was at an end, but her successor was not elected till that day came round.[325] The May Queen is common in France[326] and familiar in England.