But beer and wine,
So can the wood-man be jolly and gay.”[745]
In some parts of Bavaria, also, the boys who go from house to house collecting fuel for the midsummer bonfire envelop one of their number from head to foot in green branches of firs, and lead him by a rope through the whole village.[746] At Moosheim, in Würtemberg, the festival of St. John's Fire usually lasted for fourteen days, ending on the second Sunday after Midsummer Day. On this last day the bonfire was left in charge of the children, while the older people retired to a wood. Here they encased a young fellow in leaves and twigs, who, thus disguised, went to the fire, scattered it, and trod it out. All the people present fled at the sight of him.[747]
But it seems possible to go farther than this. Of human sacrifices offered on these occasions the most unequivocal traces, as we have seen, are those which, about a hundred years ago, still lingered at the Beltane fires in the Highlands of Scotland, that is, among a Celtic people who, situated in a remote corner of Europe, enjoying practical independence, and almost completely isolated from foreign influence, had till then conserved their old heathenism better than any other people in the West of Europe. It is significant, therefore, that human sacrifices by fire are known, on unquestionable evidence, to have been systematically practised by the Celts. The earliest description of these sacrifices is by Julius Caesar. As conqueror of the hitherto independent Celts of Gaul, Caesar had ample opportunity of observing the national Celtic religion and manners, while these were still fresh and crisp from the native mint and had not yet been fused in the melting-pot of Roman civilisation. With [pg 279] his own notes Caesar appears to have incorporated the observations of a Greek explorer, by name Posidonius, who travelled in Gaul about fifty years before Caesar carried the Roman arms to the English Channel. The Greek geographer Strabo and the historian Diodorus seem also to have derived their descriptions of the Celtic sacrifices from the work of Posidonius, but independently of each other and of Caesar, for each of the three derivative accounts contains some details which are not to be found in either of the others. By combining them, therefore, we can restore the original account of Posidonius with some certainty, and thus obtain a picture of the sacrifices offered by the Celts of Gaul at the close of the second century b.c.[748] The following seem to have been the main outlines of the custom. Condemned criminals were reserved by the Celts in order to be sacrificed to the gods at a great festival which took place once in every five years. The more there were of such victims, the greater was believed to be the fertility of the land.[749] When there were not enough criminals to furnish victims, captives taken in war were sacrificed to supply the deficiency. When the time came the victims were sacrificed by the Druids or priests. Some were shot down with arrows, some were impaled, and some were burned alive in the following manner. Colossal images of wicker-work or of wood and grass were constructed; these were filled with live men, cattle, and animals of other kinds; fire was then applied to the images, and they were burned with their living contents.
Such were the great festivals held once every five years. But besides these quinquennial festivals, celebrated on so grand a scale and with, apparently, so large an expenditure of human life, it seems reasonable to suppose that festivals of the same sort, only on a lesser scale, were held annually, and that from these annual festivals are lineally descended some at least of the fire-festivals which, with their traces of human sacrifices, are still celebrated year by year in many parts of Europe. The gigantic images constructed of osiers or covered with grass in which the Druids enclosed their victims remind us of the leafy framework in which the human representative of the tree-spirit is still so often encased.[750] Considering, therefore, that the fertility of the land was apparently supposed to depend upon the due performance of these sacrifices, Mannhardt is probably right in viewing the Celtic victims, cased in osiers and grass, as representatives of the tree-spirit or spirit of vegetation. These wicker giants of the Druids seem to have still their representatives at the spring and midsummer festivals of modern Europe. At Douay a procession takes place annually on the Sunday nearest to the 7th of July. The great feature of the procession is a colossal figure made of osiers, and called “the giant,” which is moved through the streets by means of rollers and ropes worked by men who are enclosed within the figure. The wooden head of the giant is said to have been carved and painted by Rubens. The figure is armed as a knight with lance and sword, helmet and shield. Behind him march his wife and his three children, all constructed of osiers on the same principle, but on a smaller scale.[751] At Dunkirk the giant is forty [pg 281] to fifty feet high, being made of basket-work and canvas, properly painted and dressed. It contains a great many living men within it, who move it about. Wicker giants of this sort are common in the towns of Belgium and French Flanders; they are led about at the Carnival in spring. The people, it is said, are much attached to these grotesque figures, speak of them with patriotic enthusiasm, and never weary of gazing at them.[752] In England artificial giants seem to have been a standing feature of the midsummer festival. A writer of the sixteenth century speaks of “Midsommer pageants in London, where, to make the people wonder, are set forth great and uglie gyants, marching as if they were alive, and armed at all points, but within they are stuffed full of browne paper and tow, which the shrewd boyes, underpeeping, do guilefully discover, and turne to a greate derision.”[753] The Mayor of Chester in 1599 “altered many antient customs, as the shooting for the sheriff's breakfast; the going of the Giants at Midsommer, etc.”[754] In these cases the giants only figure in the processions. But sometimes they are burned in the spring or summer bonfires. Thus the people of the Rue aux Ours in Paris used annually to make a great wicker-work figure, dressed as a soldier, which they promenaded up and down the streets for several days, and solemnly burned on the 3d of July, the crowd of spectators singing Salve Regina. The burning fragments of the image were scattered among the people, who eagerly scrambled for them. The [pg 282] custom was abolished in 1743.[755] In Brie, Isle de France, a wicker-work giant, eighteen feet high, was annually burned on Midsummer Eve.[756]
Again, the Druidical custom of burning live animals, enclosed in wicker-work, has its counterpart at the spring and midsummer festivals. At Luchon in the Pyrenees on Midsummer Eve “a hollow column, composed of strong wicker-work, is raised to the height of about sixty feet in the centre of the principal suburb, and interlaced with green foliage up to the very top; while the most beautiful flowers and shrubs procurable are artistically arranged in groups below, so as to form a sort of background to the scene. The column is then filled with combustible materials, ready for ignition. At an appointed hour—about 8 p.m.—a grand procession, composed of the clergy, followed by young men and maidens in holiday attire, pour forth from the town chanting hymns, and take up their position around the column. Meanwhile, bonfires are lit, with beautiful effect, in the surrounding hills. As many living serpents as could be collected are now thrown into the column, which is set on fire at the base by means of torches, armed with which about fifty boys and men dance around with frantic gestures. The serpents, to avoid the flames, wriggle their way to the top, whence they are seen lashing out laterally until finally obliged to drop, their struggles for life giving rise to enthusiastic delight among the surrounding spectators. This is a favourite annual ceremony for the inhabitants of Luchon and its neighbourhood, and local tradition assigns to it a heathen origin.”[757] In the midsummer [pg 283] fires formerly kindled on the Place de Grève at Paris it was the custom to burn a basket, barrel, or sack full of live cats; sometimes a fox was burned. The people collected the embers and ashes of the fire and took them home, believing that they brought good luck.[758] At Metz midsummer fires were lighted on the Esplanade, and six cats were burned in them.[759] In Russia a white cock was sometimes burned in the midsummer bonfire;[760] in Meissen or Thüringen a horse's head used to be thrown into it.[761] Sometimes animals are burned in the spring bonfires. In the Vosges cats were burned on Shrove Tuesday; in Elsass they were thrown into the Easter bonfire.[762] We have seen that squirrels were sometimes burned in the Easter fire.
If the men who were burned in wicker frames by the Druids represented the spirit of vegetation, the animals burned along with them must have had the same meaning. Amongst the animals burned by the Druids or in modern bonfires have been, as we saw, cattle, cats, foxes, and cocks; and all of these creatures are variously regarded by European peoples as embodiments of the corn-spirit.[763] I am not aware of any certain evidence that in Europe serpents have been regarded as representatives of the tree-spirit or corn-spirit;[764] as victims at the midsummer festival in Luchon they may [pg 284] have replaced animals which really had this representative character. When the meaning of the custom was forgotten, utility and humanity might unite in suggesting the substitution of noxious reptiles as victims in room of harmless and useful animals.
Thus it appears that the sacrificial rites of the Celts of ancient Gaul can be traced in the popular festivals of modern Europe. Naturally it is in France, or rather in the wider area comprised within the limits of ancient Gaul, that these rites have left the clearest traces in the customs of burning giants of wicker-work and animals enclosed in wicker-work or baskets. These customs, it will have been remarked, are generally observed at or about midsummer. From this we may infer that the original rites of which these are the degenerate successors were solemnised at midsummer. This inference harmonises with the conclusion suggested by a general survey of European folk-custom, that the midsummer festival must on the whole have been the most widely diffused and the most solemn of all the yearly festivals celebrated by the primitive Aryans in Europe. And in its application to the Celts this general conclusion is corroborated by the more or less perfect vestiges of midsummer fire-festivals which we have found lingering in all those westernmost promontories and islands which are the last strongholds of the Celtic race in Europe—Britanny, Cornwall, Wales, the Isle of Man, Scotland, and Ireland. In Scotland, it is true, the chief Celtic fire-festivals certainly appear to have been held at Beltane (1st May) and Hallow E'en; but this was exceptional.
To sum up: the combined evidence of ancient writers and of modern folk-custom points to the conclusion that amongst the Celts of Gaul an annual [pg 285] festival was celebrated at midsummer, at which living men, representing the tree-spirit or spirit of vegetation, were enclosed in wicker-frames and burned. The whole rite was designed as a charm to make the sun to shine and the crops to grow.
But another great feature of the Celtic midsummer festival appears to have been the gathering of the sacred mistletoe by the Druids. The ceremony has been thus described by Pliny in a passage which has often been quoted. After enumerating the different kinds of mistletoe he proceeds: “In treating of this subject, the admiration in which the mistletoe is held throughout Gaul ought not to pass unnoticed. The Druids, for so they call their wizards, esteem nothing more sacred than the mistletoe and the tree on which it grows, provided only that the tree is an oak. But apart from this they choose oak-woods for their sacred groves and perform no sacred rites without oak-leaves; so that the very name of Druids may be regarded as a Greek appellation derived from their worship of the oak.[765] For they believe that whatever grows on these trees is sent from heaven, and is a sign that the tree has been chosen by the god himself. The mistletoe is very rarely to be met with; but when it is found, they gather it with solemn ceremony. This they do especially in the sixth month (the beginnings of their months and years are determined by the moon) and after the tree has passed the thirtieth year of its age, [pg 286] because by that time it has plenty of vigour, though it has not attained half its full size. After due preparations have been made for a sacrifice and a feast under the tree, they hail it as the universal healer and bring to the spot two white bulls, whose horns have never been bound before. A priest clad in a white robe climbs the tree and with a golden[766] sickle cuts the mistletoe, which is caught in a white cloth. Then they sacrifice the victims, praying that God may make his own gift to prosper with those upon whom he has bestowed it. They believe that a potion prepared from mistletoe will make barren animals to bring forth, and that the plant is a remedy against all poison.”[767]