We have seen that sometimes the young corn-spirit, whose task it is to quicken the corn of the coming year, is believed to be born as a Corn-baby on the harvest-field.[99] Similarly in Berry the young corn-spirit is sometimes believed to be born on the field in calf form. For when a binder has not rope enough to bind all the corn in sheaves, he puts aside the wheat that remains over and imitates the lowing of a cow. The meaning is that “the sheaf has given birth to a calf.”[100] In Puy-de-Dôme when a binder cannot keep up with the reaper whom he or she follows, they say “He or she is giving birth to the Calf.”[101] In some parts of Prussia, in similar circumstances, they call out to the woman, “The Bull is coming,” and imitate the bellowing of a bull.[102] In these cases the woman is conceived as the Corn-cow or old corn-spirit, while the supposed calf is the Corn-calf or young corn-spirit. In some parts of Austria a mythical calf (Muhkälbchen) is believed to be seen amongst the sprouting corn in spring and to push the [pg 024] children; when the corn waves in the wind they say, “The Calf is going about.” Clearly, as Mannhardt observes, this calf of the spring-time is the same animal which is afterwards believed to be killed at reaping.[103]
Sometimes the corn-spirit appears in the shape of a horse or mare. Between Kalw and Stuttgart, when the corn bends before the wind, they say, “There runs the Horse.”[104] In Hertfordshire, at the end of the reaping, there is or was a ceremony called “crying the Mare.” The last blades of corn left standing on the field are tied together and called the Mare. The reapers stand at a distance and throw their sickles at it; he who cuts it through “has the prize, with acclamations and good cheer.” After it is cut the reapers cry thrice with a loud voice, “I have her!” Others answer thrice, “What have you?”—“A Mare! a Mare! a Mare!”—“Whose is she?” is next asked thrice. “A. B.'s,” naming the owner thrice. “Whither will you send her?”—“To C. D.,” naming some neighbour who has not all his corn reaped.[105] In this custom the corn-spirit in the form of a mare is passed on from a farm where the corn is all cut to another farm where it is still standing, and where therefore the corn-spirit may be supposed naturally to take refuge. In Shropshire the custom is similar. “Crying, calling, or shouting the mare is a ceremony performed by the men of that farm which is the first in any parish or district to finish the harvest. The object of it is to make known their own prowess, and to taunt the laggards by a pretended offer of the ‘owd mar’ [old mare] to help out their ‘chem’ [team]. All the men assemble (the wooden harvest-bottle being of course [pg 025] one of the company) in the stackyard, or, better, on the highest ground on the farm, and there shout the following dialogue, preceding it by a grand ‘Hip, hip, hip, hurrah!’
“ ‘I 'ave 'er, I 'ave 'er, I 'ave 'er!’
“ ‘Whad 'ast thee, whad 'ast thee, whad 'ast thee?’
“ ‘A mar'! a mar'! a mar'!’
“ ‘Whose is 'er, whose is 'er, whose is 'er?’
“ ‘Maister A.'s, Maister A.'s, Maister A.'s!’ (naming the farmer whose harvest is finished).
“ ‘W'eer sha't the' send 'er? w'eer sha't the' send 'er? w'eer sha't the' send 'er?’
“ ‘To Maister B.'s, to Maister B.'s, to Maister B.'s’ (naming one whose harvest is not finished).”
The farmer who finishes his harvest last, and who therefore cannot send the Mare to any one else, is said “to keep her all winter.” The mocking offer of the Mare was sometimes responded to by a mocking acceptance of her help. Thus an old man told an inquirer, “While we wun at supper, a mon cumm'd wi' a autar [halter] to fatch her away.” But at one place (Longnor, near Leebotwood), down to about 1850, the Mare used really to be sent. “The head man of the farmer who had finished harvest first was mounted on the best horse of the team—the leader—both horse and man being adorned with ribbons, streamers, etc. Thus arrayed, a boy on foot led the pair in triumph to the neighbouring farmhouses. Sometimes the man who took the ‘mare’ received, as well as plenty of harvest-ale, some rather rough, though good-humoured, treatment, coming back minus his decorations, and so on.”[106] In the neighbourhood of Lille the idea of the corn-spirit [pg 026] in horse form is clearly preserved. When a harvester grows weary at his work, it is said, “He has the fatigue of the Horse.” The first sheaf, called the “Cross of the Horse,” is placed on a cross of box-wood in the barn, and the youngest horse on the farm must tread on it. The reapers dance round the last blades of corn, crying, “See the remains of the Horse.” The sheaf made out of these last blades is given to the youngest horse of the parish (commune) to eat. This youngest horse of the parish clearly represents, as Mannhardt says, the corn-spirit of the following year, the Corn-foal, which absorbs the spirit of the old Corn-horse by eating the last corn cut; for, as usual, the old corn-spirit takes his final refuge in the last sheaf. The thresher of the last sheaf is said to “beat the Horse.”[107] Again, a trace of the horse-shaped corn-spirit is reported from Berry. The harvesters there are accustomed to take a noon-day sleep in the field. This is called “seeing the Horse.” The leader or “King” of the harvesters gives the signal for going to sleep. If he delays giving the signal, one of the harvesters will begin to neigh like a horse, the rest imitate him, and then they all go “to see the Horse.”[108]