Magical images in modern India.
In modern India the practices described in these old books are still carried on with mere variations of detail. The magician compounds the fatal image of earth taken from sixty-four filthy places, and mixed up with clippings of hair, parings of nails, bits of leather, and so on. Upon the breast of the image he writes the name of his enemy; then he pierces it through and through with an awl, or maims it in various ways, hoping thus to maim or kill the object of his vengeance.[220] Among the Nambutiris of Malabar a figure representing the enemy to be destroyed is drawn on a small sheet of metal, gold by preference, on which some mystic diagrams are also inscribed. The sorcerer then declares that the bodily injury or death of the person shall take place at a certain time. After that he wraps up the little sheet in another sheet or leaf of metal (gold if possible), and buries it in a place where the victim is expected to pass. Sometimes instead of a small sheet of metal he buries a live frog or lizard enclosed in a coco-nut shell, after sticking nails into its eyes and stomach. At the same moment that the animal dies the person expires also.[221] Among the Mohammedans of Northern India the proceeding is as follows. A doll is made of earth taken from a grave or from a place where bodies are cremated, and some sentences of the Coran are read backwards over twenty-one small wooden pegs. These pegs the operator next strikes into various parts of the body of the image, which is afterwards shrouded like a corpse, carried to a graveyard, and buried in the name of the enemy whom it is intended to injure. The man, it is {p65} believed, will die without fail after the ceremony.[222] A slightly different form of the charm is observed by the Bâm-Margi, a very degraded sect of Hindoos in the North-West Provinces. To kill an enemy they make an image of flour or earth, and stick razors into the breast, navel, and throat, while pegs are thrust into the eyes, hands, and feet. As if this were not enough, they next construct an image of Bhairava or Durga holding a three-pronged fork in her hand; this they place so close to the effigy of the person to whom mischief is meant that the fork penetrates its breast.[223] To injure a person a Singhalese sorcerer will procure a lock of his intended victim’s hair, a paring of his nails, or a thread of his garment. Then he fashions an image of him and thrusts nails made of five metals into the joints. All these he buries where the unfortunate man is likely to pass. No sooner has he done so than the victim falls ill with swelling or stiffness of joints, or burning sensations in the body, or disfigurements of the mouth, legs, and arms.[224]
Magical images among the Arabs of North Africa.
Similar enchantments are wrought by the Moslem peoples of North Africa. Thus an Arabic treatise on magic directs that if you wish to deprive a man of the use of his limbs you should make a waxen image of him, and engrave his name and his mother’s name on it with a knife of which the handle must be made of the same wax; then smite the limb of the image which answers to the particular limb of the man which you desire to disable; at the same moment the limb of flesh and blood will be paralysed.[225] The following is another extract from the same treatise: “To injure the eyes of an enemy, take a taper and fashion it into the likeness of him whom you would harm. Write on it the seven signs, along with the name of your enemy and the name of his mother and gouge out the two eyes of the figure with two points. Then put it in a pot with {p66} quicklime on which you must throw a little chârib el h’amâm, and bury the whole near the fire. The fire will make your victim to shriek and will hurt his eyes so that he will see nothing, and that the pain will cause him to utter cries of distress. But do not prolong the operation more than seven days, for he would die and you would have to answer for it at the day of the last judgment. If you wish to heal him, withdraw the figure and throw it into water. He will recover, with God’s leave.”[226]
Magical images in ancient Egypt and Babylon.
Nowhere, perhaps, were the magic arts more carefully cultivated, nowhere did they enjoy greater esteem or exercise a deeper influence on the national life than in the land of the Pharaohs. Little wonder, therefore, that the practice of enchantment by means of images was familiar to the wizards of Egypt. A drop of a man’s blood, some clippings of his hair or parings of his nails, a rag of the garment which he had worn, sufficed to give a sorcerer complete power over him. These relics of his person the magician kneaded into a lump of wax, which he moulded into the likeness and dressed after the fashion of his intended victim, who was then at the mercy of his tormentor. If the image was exposed to the fire, the person whom it represented straightway fell into a burning fever; if it were stabbed with a knife, he felt the pain of the wound.[227] Thus, for instance, a certain superintendent of the king’s cattle was once prosecuted in an Egyptian court of law for having made figures of men and women in wax, thereby causing paralysis of their limbs and other grievous bodily harm. He had somehow obtained a book of magic which contained the spells and directions how to act in reciting them. Armed with this powerful instrument the rogue had shut himself up in a secret chamber, and there proceeded to cast spells over the people of his town.[228] In ancient Babylonia also it was {p67} a common practice to make an image of clay, pitch, honey, fat, or other soft material in the likeness of an enemy, and to injure or kill him by burning, burying, or otherwise ill-treating it. Thus in a hymn to the fire-god Nusku we read:
“Those who have made images of me, reproducing my features,
Who have taken away my breath, torn my hairs,
Who have rent my clothes, have hindered my feet from treading the dust,
May the fire-god, the strong one, break their charm.”[229]