Rain-making among the Arunta.
Among the Arunta tribe of Central Australia a celebrated rain-maker resides at the present day in what is called by the natives the Rain Country (Kartwia quatcha), a district about fifty miles to the east of Alice Springs. He is the head of a group of people who have water for their totem, and when he is about to engage in a ceremony for the making of rain he summons other men of the water totem from neighbouring groups to come and help him. {p260} When all are assembled, they march into camp, painted with red and yellow ochre and pipeclay, and wearing bunches of eagle-hawk feathers on the crown and sides of the head. At a signal from the rain-maker they all sit down in a line and, folding their arms across their breasts, chant certain words for a time. Then at another signal from the master of the ceremonies they jump up and march in single file to a spot some miles off, where they camp for the night. At break of day they scatter in all directions to look for game, which is then cooked and eaten; but on no account may any water be drunk, or the ceremony would fail. When they have eaten, they adorn themselves again in a different style, broad bands of white bird’s down being glued by means of human blood to their stomach, legs, arms, and forehead. Meanwhile a special hut of boughs has been made by some older men not far from the main camp. Its floor is strewn with a thick layer of gum leaves to make it soft, for a good deal of time has to be spent lying down here. Close to the entrance of the hut a shallow trench, some thirty yards long, is excavated in the ground. At sunset the performers, arrayed in all the finery of white down, march to the hut. On reaching it the young men go in first and lie face downwards at the inner end, where they have to stay till the ceremony is over; none of them is allowed to quit it on any pretext. Meanwhile, outside the hut the older men are busy decorating the rain-maker. Hair girdles, covered with white down, are placed all over his head, while his cheeks and forehead are painted with pipeclay; and two broad bands of white down pass across the face, one over the eyebrows and the other over the nose. The front of his body is adorned with a broad band of pipeclay fringed with white down, and rings of white down encircle his arms. Thus decorated, with patches of bird’s down adhering by means of human blood to his hair and the whole of his body, the disguised man is said to present a spectacle which, once seen, can never be forgotten. He now takes up a position close to the opening of the hut. Then the old men sing a song, and when it is finished, the rain-maker comes out of the hut and stalks slowly twice up and down the shallow trench, quivering his body and legs in a {p261} most extraordinary way, every nerve and fibre seeming to tremble. While he is thus engaged the young men, who had been lying flat on their faces, get up and join the old men in chanting a song with which the movements of the rain-maker seem to accord. But as soon as he re-enters the hut, the young men at once prostrate themselves again; for they must always be lying down when he is in the hut. The performance is repeated at intervals during the night, and the singing goes on with little intermission until, just when the day is breaking, the rain-maker executes a final quiver, which lasts longer than any of the others, and seems to exhaust his remaining strength completely. Then he declares the ceremony to be over, and at once the young men jump to their feet and rush out of the hut, screaming in imitation of the spur-winged plover. The cry is heard by the men and women who have been left at the main camp, and they take it up with weird effect.[890]
Rain-making by imitation of clouds and storm.
Although we cannot, perhaps, divine the meaning of all the details of this curious ceremony, the analogy of the Queensland and the Dieri ceremonies, described above, suggests that we have here a rude attempt to represent the gathering of rain-clouds and the other accompaniments of a rising storm. The hut of branches, like the structure of logs among the Dieri, and perhaps the conical shed in Queensland, may possibly stand for the vault of heaven, from which the rain-clouds, represented by the chief actor in his quaint costume of white down, come forth to move in ever-shifting shapes across the sky, just as he struts quivering up and down the trench. The other performers, also adorned with bird’s down, who burst from the tent with the cries of plovers, probably imitate birds that are supposed to harbinger or accompany rain.[891] This interpretation is confirmed by other ceremonies in which the performers definitely assimilate {p262} themselves to the celestial or atmospheric phenomena which they seek to produce. Thus in Mabuiag, a small island in Torres Straits, when a wizard desired to make rain, he took some bush or plant and painted himself black and white, “All along same as clouds, black behind, white he go first.” He further put on a large woman’s petticoat to signify raining clouds. On the other hand, when he wished to stop the rain, he put red paint on the crown of his head, “to represent the shining sun,” and he inserted a small ball of red paint in another part of his person. By and by he expelled this ball, “Like breaking a cloud so that sun he may shine.” He then took some bushes and leaves of the pandanus, mixed them together, and placed the compound in the sea. Afterwards he removed them from the water, dried them, and burnt them so that the smoke went up, thereby typifying, as Dr. Haddon was informed, the evaporation and dispersal of the clouds.[892] Again, it is said that if a Malay woman puts upon her head an inverted earthenware pan, and then, setting it upon the ground, fills it with water and washes the cat in it till the animal is nearly drowned, heavy rain will certainly follow. In this performance the inverted pan is intended, as Mr. Skeat was told, to symbolise the vault of heaven.[893]
Belief that twins can control the weather.
Superstitions as to twins among the Indians of British Columbia.
Superstitions as to twins in West Africa.
There is a widespread belief that twin children possess magical powers over nature, especially over rain and the weather. This curious superstition prevails among some of the Indian tribes of British Columbia, and has led them often to impose certain singular restrictions or taboos on the parents of twins, though the exact meaning of these restrictions is generally obscure. Thus the Tsimshian Indians of British Columbia believe that twins control the weather; therefore they pray to wind and rain, “Calm down, breath of the twins.” Further, they think that the wishes of twins are always fulfilled; hence twins are feared, because they can harm the man they hate. They can also call the salmon and the olachen or candle-fish, and so they are {p263} known by a name which means “making plentiful.”[894] In the opinion of the Kwakiutl Indians of British Columbia twins are transformed salmon; hence they may not go near water, lest they should be changed back again into the fish. In their childhood they can summon any wind by motions of their hands, and they can make fair or foul weather, and also cure diseases by swinging a large wooden rattle. Their parents must live secluded in the woods for sixteen months after the birth, doing no work, borrowing nobody’s canoes, paddles, or dishes, and keeping their faces painted red all the time. If the father were to catch salmon, or the mother were to dig clams, the salmon and the clams would disappear. Moreover the parents separate from each other, and must pretend to be married to a log, with which they lie down every night. They are forbidden to touch each other, and even their own hair. A year after the birth they drive wedges into a tree in the woods, asking it to let them work again when four more months have passed.[895] The Nootka Indians of British Columbia also believe that twins are somehow related to salmon. Hence among them twins may not catch salmon, and they may not eat or even handle the fresh fish. They can make fair or foul weather, and can cause rain to fall by painting their faces black and then washing them, which may represent the rain dripping from the dark clouds.[896] Conversely, among the Angoni of Central Africa there is a woman who stops rain by tying a strip of white calico round her black head,[897] probably in imitation of the sky clearing after a heavy storm. The parents of twins among the Nootkas must build a small hut in the woods on the bank of a river, far from the village, and there they must live for two years, avoiding other people; they may not eat or even touch fresh food, particularly salmon. {p264} Wooden images and masks of birds and fish are placed round the hut, and others, representing fish, are set near the river for the purpose of inviting all birds and fish to come and see the twins, and be friendly to them. Moreover the father sings a special song praising the salmon, and asking them to come. And the fish do come in great numbers to see the twins. Therefore the birth of twins is believed to prognosticate a good year for salmon.[898] But though a Nootka father of twins has thus to live in seclusion for two years, abstaining from fresh meat, and attending none of the ordinary feasts, he is, by a singular exception, invited to banquets which consist wholly of dried provisions, and at them he is treated with great respect and seated among the chiefs, even though he be himself a mere commoner. The birth of twins among the Nootkas is said to be very rare, but one occurred while Jewitt lived with the tribe. He reports that the father always appeared very thoughtful and gloomy, and never associated with other people. “His dress was very plain, and he wore around his head the red fillet of bark, the symbol of mourning and devotion. It was his daily practice to repair to the mountain, with a chief’s rattle in his hand, to sing and pray, as Maquina informed me, for the fish to come into their waters. When not thus employed, he kept continually at home, except when sent for to sing and perform his ceremonies over the sick, being considered as a sacred character, and one much in favour with their gods.”[899] Among the Thompson Indians of British Columbia twins were called “grizzly-bear children” or “hairy feet,” because they were thought to be under the protection of the grizzly bear, and to be endowed by him with special powers, such as that of making fair or foul weather. After their birth the parents moved away from other people, and lived in a lodge made of fir-boughs and bark till the children were about four years old. During all this time great care was taken of the twins. They might not come into contact with other people, and were washed with fir-twigs dipped in water. While they were being {p265} washed, the father described circles round them with fir-boughs, singing the song of the grizzly bear.[900] With these American beliefs we may compare an African one. The negroes of Porto Novo, on the Bight of Benin, hold that twins have for their companions certain spirits or genii like those which animate a kind of small ape, which abounds in the forests of Guinea. When the twins grow up, they will not be allowed to eat the flesh of apes, and meantime the mother carries offerings of bananas and other dainties to the apes in the forest.[901] Precisely similar beliefs and customs as to twins prevail in the Ho tribe of German Togoland. There the twins are called “children of apes”; neither they nor their parents may eat the flesh of the particular species of apes with which they are associated; and if a hunter kills one of these animals, the parents must beat him with a stick.[902] But to return to America. The Shuswap Indians of British Columbia, like the Thompson Indians, associate twins with the grizzly bear, for they call them “young grizzly bears.” According to them, twins remain throughout life endowed with supernatural powers. In particular they can make good or bad weather. They produce rain by spilling water from a basket in the air; they make fine weather by shaking a small flat piece of wood attached to a stick by a string; they raise storms by strewing down on the ends of spruce branches.[903]
Superstitions as to twins among the Indians of Peru.
The Indians of Peru entertained similar notions as to {p266} the special relation in which twins stand to the rain and the weather. For they said that one of each pair of twins was a son of the lightning; and they called the lightning the lord and creator of rain, and prayed to him to send showers. The parents of twins had to fast for many days after the birth, abstaining from salt and pepper, and they might not have intercourse with each other. In some parts of Peru this period of fasting and abstinence lasted six months. In other parts both the father and mother had to lie down on one side, with one leg drawn up, and a bean placed in the hollow of the ham. In this position they had to lie without moving for five days, till with the heat and sweat of their bodies the beans began to sprout. Then they changed over to the other side, and lay on it in like manner for other five days, fasting in the way described. When the ten days were up, their relations went out to hunt, and having killed and skinned a deer they made a robe of its hide, under which they caused the parents of the twins to pass, with cords about their necks which they afterwards wore for many days. If the twins died young, their bodies, enclosed in pots, were kept in the house as sacred things. But if they lived, and it happened that a frost set in, the priests sent for them, together with all persons who had hare-lips or had been born feet foremost, and rated them soundly for being the cause of the frost, in that they had not fasted from salt and pepper. Wherefore they were ordered to fast for ten days in the usual manner, and to abstain from their wives, and to wash themselves, and to acknowledge and confess their sins. After their nominal conversion to Christianity, the Peruvian Indians retained their belief that one of twins was always the son of the lightning, and oddly enough they regularly gave him the name of St. James (Santiago). The Spanish Jesuit, who reports the custom, was at a loss to account for it. It could not, he thought, have originated in the name of Boanerges, or “sons of thunder,” which Christ applied to the two brothers James and John.[904] He suggests two explanations. {p267} The Indians may have adopted the name because they had heard a phrase used by Spanish children when it thunders, “The horse of Santiago is running.” Or it may have been because they saw that the Spanish infantry in battle, before they fired their arquebuses, always cried out “Santiago! Santiago!” For the Indians called an arquebuse illapa, that is, “lightning,” and they might easily imagine that the name which they heard shouted just before the flash and roar of the guns was that of the Spanish god of thunder and lightning. However they came by the name, they made such frequent and superstitious use of it that the church forbade any Indian to bear the name of Santiago.[905]