The rock-sculptures at Ibreez represent a god of corn and grapes adored by his worshipper, a priest or king.
The village of Ibreez is charmingly situated at the northern foot of the Taurus, some six or seven miles south of the town of Eregli, the ancient Cybistra, From the town to the village the path goes through a richly cultivated district of wheat and vines along green lanes more lovely than those of Devonshire, lined by thick hedges and rows of willow, poplar, hazel, hawthorn, and huge old walnut-trees, where in early summer the nightingales warble on [pg 121] every side. Ibreez itself is embowered in the verdure of orchards, walnuts, and vines. It stands at the mouth of a deep ravine enclosed by great precipices of red rock. From the western of these precipices a river clear as crystal, but of a deep blue tint, bursts in a powerful jet, and being reinforced by a multitude of springs becomes at once a raging impassable torrent foaming and leaping with a roar of waters over the rocks in its bed. A little way from the source a branch of the main stream flows in a deep narrow channel along the foot of a reddish weather-stained rock which rises sheer from the water. On its face, which has been smoothed to receive them, are the sculptures. They consist of two colossal figures, representing a god adored by his worshipper. The deity, some fourteen feet high, is a bearded male figure, wearing on his head a high pointed cap adorned with several pairs of horns, and plainly clad in a short tunic, which does not reach his knees and is drawn in at the waist by a belt. His legs and arms are bare; the wrists are encircled by bangles or bracelets. His feet are shod in high boots with turned-up toes. In his right hand he holds a vine-branch laden with clusters of grapes, and in his raised left hand he grasps a bunch of bearded wheat, such as is still grown in Cappadocia; the ears of corn project above his fingers, while the long stalks hang down to his feet. In front of him stands the lesser figure, some eight feet high. He is clearly a priest or king, more probably perhaps both in one. His rich vestments contrast with the simple costume of the god. On his head he wears a round but not pointed cap, encircled by flat bands and ornamented in front with a rosette or bunch of jewels, such as is still worn by Eastern princes. He is draped from the neck to the ankles in a long robe heavily fringed at the bottom, over which is thrown a shawl or mantle secured at the breast by a clasp of precious stones. Both robe and shawl are elaborately carved with patterns in imitation of embroidery. A heavy necklace of rings or beads encircles the neck; a bracelet or bangle clasps the one wrist that is visible; the feet are shod in boots like those of the god. One or perhaps both hands are raised in the act of adoration. The large aquiline nose, like the beak of a hawk, is a conspicuous [pg 122] feature in the face both of the god and of his worshipper; the hair and beard of both are thick and curly.[388]
The fertility of Ibreez contrasted with the desolation of the surrounding country.
The situation of this remarkable monument resembles that of Aphaca on the Lebanon;[389] for in both places we see a noble river issuing abruptly from the rock to spread fertility through the rich vale below. Nowhere, perhaps, could man more appropriately revere those great powers of nature to whose favour he ascribes the fruitfulness of the earth, and through it the life of animate creation. With its cool bracing air, its mass of verdure, its magnificent stream of pure ice-cold water—so grateful in the burning heat of summer—and its wide stretch of fertile land, the valley may well have been the residence of an ancient prince or high-priest, who desired to testify by this monument his devotion and gratitude to the god. The seat of this royal or priestly potentate may have been at Cybistra,[390] the modern Eregli, now a decayed and miserable place straggling amid orchards and gardens full of luxuriant groves of walnut, poplar, willow, mulberry, and oak. The place is a paradise of birds. Here [pg 123] the thrush and the nightingale sing full-throated, the hoopoe waves his crested top-knot, the bright-hued woodpeckers flit from bough to bough, and the swifts dart screaming by hundreds through the air. Yet a little way off, beyond the beneficent influence of the springs and streams, all is desolation—in summer an arid waste broken by great marshes and wide patches of salt, in winter a broad sheet of stagnant water, which as it dries up with the growing heat of the sun exhales a poisonous malaria. To the west, as far as the eye can see, stretches the endless expanse of the dreary Lycaonian plain, barren, treeless, and solitary, till it fades into the blue distance, or is bounded afar off by abrupt ranges of jagged volcanic mountains, on which in sunshiny weather the shadows of the clouds rest, purple and soft as velvet.[391] No wonder that the smiling luxuriance of the one landscape, sharply contrasting with the bleak sterility of the other, should have rendered it in the eyes of primitive man a veritable garden of God.
The horned god.
Among the attributes which mark out the deity of Ibreez as a power of fertility the horns on his high cap should not be overlooked. They are probably the horns of a bull; for to primitive cattle-breeders the bull is the most natural emblem of generative force. At Carchemish, the great Hittite capital on the Euphrates, a relief has been discovered which represents a god or a priest clad in a rich robe, and wearing on his head a tall horned cap surmounted by a disc.[392] Sculptures found at the palace of Euyuk in North-Western Cappadocia prove that the Hittites worshipped the bull and sacrificed rams to it.[393] Similarly the Greeks conceived the vine-god Dionysus in the form of a bull.[394]
§ 3. Sandan of Tarsus.
The god of Ibreez a Hittite deity.
That the god of Ibreez, with the grapes and corn in his hands, is identical with the Baal of Tarsus, who bears the same emblems, may be taken as certain.[395] But what was his name? and who were his worshippers? The Greeks apparently called him Hercules; at least in Byzantine times the neighbouring town of Cybistra adopted the name of Heraclea, which seems to show that Hercules was deemed the principal deity of the place.[396] Yet the style and costume of the figures at Ibreez prove unquestionably that the god was an Oriental. If any confirmation of this view were needed, it is furnished by the inscriptions carved on the rock beside the sculptures, for these inscriptions are composed in the peculiar system of hieroglyphics now known as Hittite. It follows, therefore, that the deity worshipped at Tarsus and Ibreez was a god of the Hittites, that ancient and little-known people who occupied the centre of Asia Minor, invented a system of writing, and extended their influence, if not their dominion, at one time from the Euphrates to the Aegean. From the lofty and arid tablelands of the interior, a prolongation of the great plateau of Central Asia, with a climate ranging from the most burning heat in summer to the most piercing cold in winter,[397] these hardy highlanders seem to have swept down through the mountain-passes and established themselves at a very early date in the rich southern lowlands of Syria and Cilicia.[398] [pg 125] Their language and race are still under discussion, but a great preponderance of opinion appears to declare that neither the one nor the other was Semitic.[399]