§ 4. Saturnalia in Ancient Greece.
Inversion of social ranks at ancient Greek festivals held in Crete, Troezen, and Thessaly.
Beyond the limits of Italy festivals of the same general character as the Saturnalia appear to have been held over a considerable area of the ancient world. A characteristic feature of the Saturnalia, as we saw, was an inversion of social ranks, masters changing places with their slaves and waiting upon them, while slaves were indulged with a semblance not merely of freedom but even of power and office. In various parts of Greece the same hollow show of granting liberty to slaves was made at certain festivals. Thus at a Cretan festival of Hermes the servants feasted and their masters waited upon them. In the month of Geraestius the Troezenians observed a certain solemnity lasting many days, on one of which the slaves played at dice with the citizens and were treated to a banquet by their lords. The Thessalians held a great festival called Peloria, which Baton of Sinope identified with the Saturnalia, and of which the antiquity is vouched for by a tradition that it originated with the Pelasgians. At this festival sacrifices were offered to Pelorian Zeus, tables splendidly adorned were set out, all strangers were invited to the feast, all prisoners released, and the slaves sat down to the banquet, [pg 351] enjoyed full freedom of speech, and were served by their masters.[796]
The Greek festival of the Cronia compared to the Roman Saturnalia. The Olympian Cronia held at the spring equinox.
But the Greek festival which appears to have corresponded most closely to the Italian Saturnalia was the Cronia or festival of Cronus, a god whose barbarous myth and cruel ritual clearly belong to a very early stratum of Greek religion, and who was by the unanimous voice of antiquity identified with Saturn. We are told that his festival was celebrated in most parts of Greece, but especially at Athens, where the old god and his wife Rhea had a shrine near the stately, but far more modern, temple of Olympian Zeus. A joyous feast, at which masters and slaves sat down together, formed a leading feature of the solemnity. At Athens the festival fell in the height of summer, on the twelfth day of the month Hecatombaeon, formerly called the month of Cronus, which answered nearly to July; and tradition ran that Cecrops, the first king of Attica, had founded an altar in honour of Cronus and Rhea, and had ordained that master and man should share a common meal when the harvest was got in.[797] Yet there are indications that at Athens the Cronia may once have been a spring festival. For a cake with twelve knobs, which perhaps referred to the twelve months of the year, was offered to Cronus by the Athenians on the fifteenth day of the month Elaphebolion, which corresponded roughly to March,[798] and there are traces of a [pg 352] license accorded to slaves at the Dionysiac festival of the opening of the wine-jars, which fell on the eleventh day of the preceding month Anthesterion.[799] At Olympia the festival of Cronus undoubtedly occurred in spring; for here a low but steep hill, now covered with a tangled growth of dark holly-oaks and firs, was sacred to him, and on its top certain magistrates, who bore the title of kings, offered sacrifice to the old god at the vernal equinox in the Elean month Elaphius.[800]
The magistrates called Kings who celebrated the Cronia at Olympia may have personated King Cronus himself. Perhaps the man who annually personated King Cronus was put to death. A man annually sacrificed to Cronus at the Cronia in Rhodes.
In this last ceremony, which probably went on year by year long before the upstart Zeus had a temple built for himself at the foot of the hill, there are two points of special interest, first the date of the ceremony, and second the title of the celebrants. First, as to the date, the spring equinox, or the twenty-first of March, must have fallen so near the fifteenth day of the Athenian month Elaphebolion, that we may fairly ask whether the Athenian custom of offering a cake to Cronus on that day may not also have been an equinoctial ceremony. In the second place, the title of kings borne by the magistrates who sacrificed to Cronus renders it probable that, like magistrates with similar high-sounding titles elsewhere in republican Greece, they were the lineal descendants of sacred kings whom the superstition of their subjects invested with the attributes of divinity.[801] If that was so, it would be natural enough that one of these [pg 353] nominal kings should pose as the god Cronus in person. For, like his Italian counterpart Saturn, the Greek Cronus was believed to have been a king who reigned in heaven or on earth during the blissful Golden Age, when men passed their days like gods without toil or sorrow, when life was a long round of festivity, and death came like sleep, sudden but gentle, announced by none of his sad forerunners, the ailments and infirmities of age.[802] Thus the analogy of the Olympian Cronia, probably one of the oldest of Greek festivals, to the Italian Saturnalia would be very close if originally, as I conjecture, the Saturnalia fell in spring and Saturn was personated at it, as we have good reason to believe, by a man dressed as a king. May we go a step further and suppose that, just as the man who acted King Saturn at the Saturnalia was formerly slain in that character, so one of the kings who celebrated the Cronia at Olympia not only played the part of Cronus, but was sacrificed, as god and victim in one, on the top of the hill? Cronus certainly bore a sinister reputation in antiquity. He passed for an unnatural parent who had devoured his own offspring, and he was regularly identified by the Greeks with the cruel Semitic Baals who delighted in the sacrifice of human victims, especially of children.[803] A legend which savours strongly of infant sacrifice is reported of a shrine that stood at the very foot of the god's own hill at Olympia;[804] and a quite unambiguous story was told of the sacrifice of a babe to Lycaean Zeus on Mount Lycaeus in Arcadia, where the worship of Zeus was probably nothing but a continuation, under a new name, of the old worship of Cronus, and where human victims appear to have been regularly offered down to the Christian era.[805] The Rhodians annually sacrificed a [pg 354] man to Cronus in the month Metageitnion; at a later time they kept a condemned criminal in prison till the festival of the Cronia was come, then led him forth outside the gates, made him drunk with wine, and cut his throat.[806] With the parallel of the Saturnalia before our eyes, we may surmise that the victim who thus ended his life in a state of intoxication at the Cronia perhaps personated King Cronus himself, the god who reigned in the happy days of old when men had nothing to do but to eat and drink and make merry. At least the Rhodian custom lends some countenance to the conjecture that formerly a human victim may have figured at the sacrifice which the so-called kings offered to Cronus on his hill at Olympia. In this connexion it is to be remembered that we have already found well-attested examples of a custom of sacrificing the scions of royal houses in ancient Greece.[807] If the god to whom, or perhaps rather in whose character, the princes were sacrificed, was Cronus, it would be natural that the Greeks of a later age should identify him with Baal or Moloch, to whom in like manner Semitic kings offered up their children. The Laphystian Zeus of Thessaly and Boeotia, whom tradition associated with these human sacrifices, was probably, like the Lycaean Zeus of Arcadia, nothing but the aboriginal deity, commonly known as Cronus, whose gloomy rites the Greek invaders suffered the priests of the vanquished race to continue after the ancient manner, while they quieted their scruples of conscience or satisfied their pride as conquerors by investing the bloodthirsty old savage with the name, if not with the character, of their own milder deity, the humane and gracious Zeus.
§ 5. Saturnalia in Western Asia.
The Babylonian festival of the Sacaea.