The lights upon our altars have both a historical and a symbolical meaning. In the primitive days of the Church Christianity was not tolerated by the Pagan world. The Christians were, consequently, obliged to assemble for public worship in the Catacombs of Rome and other secret places. These Catacombs, or subterranean rooms, still exist, and are objects of deep interest to the pious stranger visiting the Eternal City. As these hidden apartments did not admit the light of the sun, the faithful were obliged to have lights even [pg 334] in open day. In commemoration of the event the Church has retained the use of lights on her altars.
Lighted candles have also a symbolical meaning. They represent our Savior, who is “the light of the world,” “who enlighteneth every man that cometh into the world,” without whom we should be wandering in darkness and in the shadow of death.
They also serve to remind us to “let our light so shine before men (by our good example) that they may see our good works and glorify our Father who is in heaven.”
Lights are used, too, as a sign of spiritual joy. St. Jerome, who lived in the fourth century, remarks: “Throughout all the Churches of the East, before the reading of the Gospel, candles are lighted at mid-day, not to dispel darkness, but as a sign of joy.”
You also noticed the Priest incensing the altar. Incense is a striking emblem of prayer, which should ascend to heaven from hearts burning with love, just as the fragrant smoke ascends from the censer. “Let my prayer,” says the Royal Prophet, “ascend like incense in Thy sight.”[429] God enjoined in the Old Law the use of incense: “Aaron shall burn sweet-smelling incense upon the altar in the morning.”[430] Hence we see the Priest Zachariah “offer incense on going into the temple of the Lord. And all the multitude were praying without at the hour of incense.”[431]
You perceive that the altar is decorated today with vases and flowers because this is a festival of the Church. There is one spot on earth which can never be too richly adorned, and that is the sanctuary in which our Lord vouchsafes to dwell among us. Nothing is too good, nothing too beautiful, [pg 335] nothing too precious for God. He gives us all we possess, and the least we can do in return is to ornament that spot which He has chosen for His abode upon earth. The Almighty, it is true, has no need of our gifts. He is rich without them. “The earth is the Lord's and the fulness thereof.” Nevertheless, He is pleased to accept our offerings when they are bestowed upon Him as a mark of our affection, just as a father joyfully receives from his child a present bought with his own means. Our Savior gratefully accepted the treasures of the Magi, though he could have done without such gifts. Some persons, when they see our sanctuary sumptuously decorated, will exclaim: Would it not have been better to give to the poor the money spent in purchasing these things? So complained Judas (though caring not for the poor[432]) when Mary poured from an alabaster vase the precious ointment on the feet of an approving Savior. Why should not we imitate Mary by placing at His feet, around His sanctuary, our vases with their chaste and fragrant flowers, that the Church may be filled with their perfume, as Simon's house was filled with the odor of the ointment?
Does not the Almighty at certain seasons adorn with lilies and flowers of every hue this earth, which is the great temple of nature? And what is more appropriate than that we should on special occasions embellish our sanctuary, the place which He has chosen for His habitation among us? It is sweet to snatch from the field its fairest treasures wherewith to beautify the temple made with hands.
The sacred vestments which you saw worn by the officiating Priest must have struck you as very [pg 336] antique and out of fashion. Nor is this surprising, for if you saw a lady enter church today with a head-dress such as worn in the days of Queen Elizabeth, her appearance would look to you very singular. Now, our priestly vestments are far older in style than the days of Queen Elizabeth; much older even than the British Empire. Eusebius and other writers of the fourth century speak of them as already existing in their times. It is no wonder, therefore, that these vestments look odd to the unfamiliar eye.
In the Old Law God prescribed to the Priests the vestments which they should wear while engaged in their sacred office: “And these shall be the vestments which they shall make (for the Priest): a rational and an ephod, a tunic and a straight linen garment, a mitre and a girdle. They shall make the holy vestments for thy brother Aaron and his sons, that they may do the office of priesthood unto Me.”[433] Guided by Heaven, the Church also prescribes sacred garments for her ministering Priests; for it is eminently proper and becoming that the minister of God, while engaged in the sacred mysteries, should be arrayed in garments which would constantly impress upon him his sacred character and remind him, as well as the congregation, of the sublime functions he is performing.
The vestments worn by the Priest while celebrating Mass are an amict, or white cloth around the neck; an alb, or white garment reaching to his ankles, and bound around his waist by a cincture; a maniple suspended from his left arm; a stole, which is placed over his shoulders and crossed at the breast; and a chasuble, or large outer garment.