Mr. Whitbread
did not give it the advantage of a single new scene, yet the popularity of the play was such, that the principal actor, who had performed in it with great success, made choice of it for his benefit-night, and it brought an overflowing house.
In consequence of the interest Lord Byron took in the success of this tragedy, Coleridge was frequently in his company, and on one occasion, in my presence, his Lordship said, "Coleridge, there is one passage in your poems, I have parodied fifty times, and I hope to live long enough to parody it five hundred." That passage I do not remember; but it may strike some reader.
In a letter of Coleridge's to a friend, written April 10th, 1816, he thus speaks of Byron:
"If you had seen Lord Byron, you could scarcely disbelieve him — so beautiful a countenance I scarcely ever saw — his teeth so many stationary smiles — his eyes the open portals of the sun — things of light, and for light — and his forehead so ample, and yet so flexible, passing from marble smoothness into a hundred wreathes and lines and dimples correspondent to the feelings and sentiments he is uttering."
Coleridge, in the preface to
The Remorse