An antique mirror, imbedded in an oak frame, stood on one side; a basin stand furnished with a pewter basin and ewer (such as the Leith traders then brought out of Flanders) stood on the other; and between them was a large cabinet, one door of which was open, showing the various laced dresses, doublets, gowns, ruffs and collars, mantles, tags, tassels and aiguilettes, which made up the wardrobe of this official, whose ample judicial robe was carelessly thrown over a large high-backed chair, against which and on which were piled pieces of armour, swords, gloves, gauntlets, files, poniards, and wheelock-pistols; showing that, though a civil officer of state, Redhall could assume the offensive as well as any swashbuckler or cavalier of his day; and not many weeks had elapsed since, at the head of three hundred men-at-arms, he had been severely repulsed in an attempt to sack and burn the tower of his neighbour, Sir James Poulis of Colinton, the lord clerk register.
A jerkin of black velvet, with open sleeves of dark purple satin, embroidered all over with silver, black trunk breeches slashed with purple silk, and black hose, with shoes round-toed and slashed, formed his principal attire. Over the close jerkin he threw a loose "cassock coate" of black silk, the collar of which was tied by silver cords under his thick close ruff, and from thence it was open, though furnished with twenty-four buttons of Bruges silver.
Over this he hung his shoulder-belt, which sustained a long and slender walking-sword, having a hilt of curiously-cut steel and silver net-work; thus, everything about him was either black or silver, save the solitary white feather which adorned his black velvet bonnet, and gave a smart and lofty bearing to his noble head, which a grave dark visage, piercing eyes, and fierce moustache completed.
His ruffian dependent, who to his public official duties limited the private one of valet, had scarcely given the last finishing-touch to his elaborate costume when the clatter of hoofs drew Redhall to the window, and he saw the master of the ordnance, with his plumes waving, his polished corselet, his embroidered dress, and rich gold aiguilettes glittering in the sunshine, ride up the street. A tall, stout serving-man, clad in a half suit of ribbed armour, wearing that kind of close helmet which was then called a coursing-hat, and carrying over his shoulder a mighty two-handed wall-sword, nearly as long as himself, followed close at his heels, running as if for his life.
(This armed valet was no other than the Earl of Ashkirk.)
Almost at the same moment, as if she had been watching for the sound of the hoofs, Jane Seton appeared at an opposite window, which she threw open. There was a radiant smile on her bright face as she kissed her hand to the handsome cavalier, who uncovered and bowed to his horse's mane; and there was a happy expression in his eyes, a gallant and adventurous air about him, that, with the splendour of his attire, failed not to impress even Redhall; for, as Vipont saluted his charming mistress, the spirited animal he rode approached her sideways, keeping his front to the windows, curveting, prancing, and shaking his flowing mane and the silver ornaments of the embossed bridle.
"St. Mary!" muttered the advocate, while he bit his thin lips, and a fierce smile twinkled in his eyes, "how she welcomes him!—an empty fool, who hath no thought beyond his ruffs and his aiguilettes, and who, though he hath scarcely a cross in his pouch, is doubtless ready to cut the throat of any man who doubts him rich as Croesus, and able to purchase the three Lothians."
Charged with an invitation, secretly obtained from the queen, for the ladies of Ashkirk, Roland was in high spirits, for he had procured it through the influence of Madame de Montreuil, the governess of Magdalene; and, with his face all smiles, he sprung from his horse and entered the mansion.
Lady Jane disappeared from the window.
Then Redhall ground his teeth, and turned furiously away, for then he knew the happy lovers had met, and were together.