'When I was being educated for the service—my parents being dead—I was boarded by my uncle Sir John Dalton—on whose hands and generosity I was utterly cast—with a tutor at Hastings.

'My uncle was most generous. I had quarterly as much pocket-money—too much indeed—as a young fellow in his early teens could desire to have; I had a horse at my command, a pleasure-boat whenever I liked it, and was a frequent attender at the theatre; for my tutor was a careless fellow, fond of amusement too, and did not look sufficiently after me.

'All this was some ten or twelve years ago. At the theatre there was a young girl who figured in the bills as Miss Laura Dorillion, and who was deemed quite a star.

'One story went that she was a lady of high family, who, in a rage for histrionic fame, had fled from home, changed her name, and adopted the stage as a profession; another story was that she was the only daughter of a man of rank, whom dissipation or bad speculations on the turf had ruined; and rumour added that, when only twelve years of age, she had played Juliet to perfection in amateur theatricals at a fashionable West End School; at fifteen she was a genius; at seventeen she was cast as Miss Hardcastle in the "School for Scandal;" and more than once when I saw her as Juliet I longed, with all my soul, to be her Romeo.

'Boylike I fell madly in love with her—in love as dreamy boys at my then years are wont to do—and nightly I haunted the theatre, often in defiance of my tutor, and my studies became a farce; in fact they were utterly neglected, and I had but one thought—Laura Dorillion!

'How pretty—how sweetly pretty—the name sounded to me, and I was never weary of repeating it to myself.

'Was she pretty, you will ask? When made-up for the stage and surrounded by all its accessories, she looked downright lovely; but, when watching her going from her lodgings to morning rehearsal, I was obliged to confess to myself that my goddess had rather a large mouth, but fine eyes with a sleepy or dreamy expression, long lashes and drooping lids of which she could make a most seductive use; that in figure she was tall but not ungraceful, and was neither fully grown nor developed; but there seemed a great want of finish about her for one who was alleged to be the daughter of a noble family. This might proceed, I thought, from the style of her toilette, which certainly did not come from Swan & Edgar's.

'The girl was quite a favourite in Hastings; she played for, sang for, and subscribed to many local charities, and had about her none of that fastness of dress or demeanour peculiar to so many young girls on the stage; and so I loved her, or thought I did. I was but a boy—it was what the French—so happy in their phrases—call un grand caprice enflammé par des obstacles—nothing more, perhaps; and the obstacles were my lack of independent means to take her off the stage; my having no profession; and my uncle's well known family pride, position, and general views regarding me, his brother's only son, and all that sort of thing. Otherwise, I might have continued "to sigh like a furnace," and eventually, when I went elsewhere, forget her; but it was not to be.

'I was not a bad-looking fellow, and always dressed scrupulously well; thus she was not long in discovering me as I sat night after night, bouquet in hand, in a certain pit stall; and she no doubt connected me with the beautiful bouquets that came to the stage door nightly, in more than one instance with little complimentary notes on pink and perfumed paper inserted therein.

'Once she appeared at the wings with one of these notes in her hand. She blew me a kiss from the tips of her fingers, and placed the missive in her bosom, two little actions which raised me to the seventh heaven of ecstacy. After that Laura Dorillion sang to me, acted to me, glanced and smiled at me in a way that completed her conquest, and, in short, I was a lost Tony Dalton!