As I have said, on this night "the moon, sweet regent of the sky," full-orbed and glorious, shone with wonderful brilliance, eclipsing even the fixed stars in the deep blue vault above, pouring ten thousand silver rays over everything, bringing out some features in strong light, or sinking others into deep, dark shadow.
The terrible panorama of Sebastopol lay before us. The noble harbour, with its tremendous batteries, its outer and inner booms, and myriad sunken ships, of all sorts and sizes, the mastheads of some, the mere stumps, bowsprits, and poops of others, visible, showing where the Flora of forty-four guns, the Oriel of eighty-four, the Three Godheads of one hundred and twenty, and all the rest of that vast scuttled armament, mounting more than one thousand five hundred cannon, lay, all sunk to bar our entrance.
We could see the white flag of Russia flying on its citadel; the cupola of the great church; the glass windows of the houses—the entire city, with all the domes and towers glittering in the moonlight, and girdled by its vast and formidable bastions of earth and stone, from which, ever and anon, came a red flash, and the boom of a heavy shot, or the clear, bright fiery arc described by the whistling shell, as it curved in mid air, on its ghastly errand, towards the French or British lines.
All this stirring panorama we saw extending for more than four miles, from the lazaretto on the west to the light of Inkermann on the east, which was glittering in the distance on its tower, four hundred feet above the mouth of the Tchernaya.
Several dead bodies lying in the immediate foreground, and the turf all torn to pieces and studded with cannon-balls and fragments of exploded shell—a literal pavement of iron—did not "add enchantment to the view."
That softer effects might not be wanting, between the booming of the half-random cannonade that was dying away for the night, we could hear the brass band of the Rifle Brigade playing an old familiar air, which sounded sweetly in the distance. It was "Annie Laurie"—an air heard daily and hourly among our tents in the Crimea.
"Of all songs, the favourite song at the camp," says one of the lancers, in a published letter, "is 'Annie Laurie.' Words and music combine to render it popular, for every soldier has a sweetheart, and almost every soldier possesses the organ of tune. Every new draft from Britain marches into camp playing this old Scottish melody. I once heard a corporal of the Rifle Brigade start 'Annie Laurie.' He had a tolerably good tenor voice, and sang with expression; but the chorus was taken up by the audience in a much lower key, and hundreds of voices, in the most exact time and harmony, sang together—
And for bonnie Annie Laurie
I'd lay me doon and dee!
The effect was extraordinary. I never heard any chorus in oratorio rendered with greater solemnity; and the heart of each singer was evidently far away over the sea."[*]
[*] Letter from the camp.