'It seems a pity that we should disturb the stagnant waters of that Dead Lake which men call the Past,' says Miss Braddon; but Sir Piers was rather prone to do so; and now, as he sat gazing into the red, clear, burning embers, they seemed to take divers shapes and forms, quaint and curious pictures, of which, in reality, he saw little, for his thoughts were treading upon each other fast, and in his dreamy yet steadfast gaze there was a fixed, a far-off look—a look in Shadowland.
A childless old man, he was thinking of what was now, and all that might have been, but for his own stubborn will and pride of heart.
Some five-and-twenty years before this time, he had a son who had been the pride of that heart, and valued all the more as being the only child of a young and beautiful wife, after whose death he had never married again, but sought relief from thought amid the wars of British India.
From his infancy young Piers had been petted in every way, and was in some respects the spoiled child of the household. He grew up a bright and handsome lad, full of intelligence and enthusiasm for music and painting; but to dabble in these, even as an amateur, Sir Piers deemed unworthy of his family, so in due time he had his son gazetted to the Cameronians, then in garrison at Gibraltar.
During the unhealthy season, which lasts there from July to November, when the east winds come surcharged with moisture, young Piers was seized with fever, and obtaining leave of absence, went to travel in Italy, and his letters that came from thence to Eaglescraig, detailing his adventures and journeys up Calabrian mountains and through defiles in the Abruzzi, all indicative of returning health and strength, filled the heart of his father with joy, as his son, the heir of his house and name, was the veritable apple of his eye.
His letters from Rome teemed with his enthusiasm about the objects of history, the ruins of the past, and his ecstasies over the treasures of the innumerable studii of painting and sculpture; and then came much about a painter whose acquaintance he had made at the Academy of San Luca, and whose daughter was one of the most beautiful girls and accomplished musicians in that city of pilgrimage to all lovers of art.
After this Sir Piers grew painfully and suspiciously conscious of the fact that his son's correspondence became irregular, his epistles constrained and brief, while more than one incidental reference to the artist's handsome daughter caused alarm in the parental heart, all the more as young Piers had said that her father, 'though a man of humble origin, was an emperor among artists.'
'Piers,' said the baronet to his confidential friend and local factotum, John Balderstone, 'refers to this girl oftener than I quite relish or like; and his letters are vague and odd as—if—as if—he had something to conceal. I wish he were back to his regiment at Gibraltar.'
'Young men will be young men,' replied the other; 'the girl may have picked up some pretty tricks of foreign manners, and thus interested him.'
'There are four months of his leave to run; surely he will not spend them all among these painter-fellows in Rome?' said the baronet, grimly.