'Then sing me some favourite thing before the gentlemen join us—there is a dear, do.'

Thus urged, and fearing to appear ungracious, Eveline seated herself before the instrument—a grand and very stately one it was, and began to sing in a voice that became tender, passionate, and beautiful, touching; even the somewhat arid heart of her listener—by two of the verses especially:—

'Perchance, if we had never met,
I had been spared this mad regret,
This endless striving to forget,
For ever and for ever!

. . . . . .

Ah me, I cannot bear the pain,
Of never seeing thee again,
I cling to thee with might and main,
For ever and for ever!'

She felt as if she were singing to Evan, who, perhaps, in spirit was hovering near her; for Eveline was beginning at times to have strange fancies now. There were tears in her voice as she sang, and there were tears in her eyes too; but she paused abruptly as the gentlemen came in from the dining-room, and the eyes of Sir Paget were fixed inquiringly and reprovingly upon her. Her voice seemed to pass away, nor could any entreaties of Sir Harry and his sister make her conclude the song—a well-known one.

'Hah—thereby hangs a tale!' thought the fair Lucretia, as Sir Harry conducted Eveline back to her chair, and took a seat by her side.

No idle or constitutionally dissipated man can withstand the temptation of attempting to fascinate a pretty woman, and, if possible, of eclipsing another man, and to eclipse one like old Sir Paget would seem no very difficult task; so, while talking quietly with Eveline on the last play, the last news, or any current subject, Sir Harry was thinking to himself, while admiring the contour of her head, her rich brown hair, long eyelashes, and lovely little hands,

'By Jove, if old Pudd would only go off the hooks, anyhow! She can't care a straw for him, don't you know, with his old bald pate that he is always jerking forward like a hen when she has laid an egg. She was in love with some fellow who has gone to Egypt—so Holcroft told me—been engaged to him perhaps; but her mother was set upon her marrying old Pudd's coin, and among them all they talked her into it, no doubt. Poor little girl, I must try to console her.'

Lucretia Hurdell, who at times affected girlish airs, now brought that piece of drawing-room foolery, her 'Confession Book,' upon the tapis.