There was a momentary pause, and a terrible glance—one at least of intense expression passed between these two. A sentence will explain it.
When Clermistonlee was but a youth, Beatrix though ten years his senior, was among the first of his loves, and by her own futile endeavours to ensnare the heir of a powerful Baron, became one of the first victims of his gallantry; she was then a beautiful and artful woman; but gradually her beauty faded, her arts failed, and her spirits sank: abandoned by her friends, and despised by her betrayer, she had long, long since lost sight of every hope of marriage, or of regaining an honourable position in life, and now she had sunk so low as to be a mere abject dependant, a vile panderer to the amours of her early lover—an entrapper of others; and when the old mansion was abandoned to the crows and spiders, she had remained there, a half-forgotten pensioner on his bounty—a creature only to be remembered when her vile services were required. Now she was old, wrinkled, and hideous; but Clermistonlee in his fortieth year seemed as gay and as young, as in the days when first he pressed her to his bosom. Beatrix was now fifty!
These ten years made a world of difference between them.
He felt all her eagle glance conveyed, but uttering a very cavalier-like malediction, strode along the passage or ambulatory with his bright spurs clanking, and his white plumes waving as gallantly as they had done twenty years before. How different was the aspect of Beatrix! Crime, mental misery, and a life of disease and dissipation made her seem many years older than she was. She stooped much at times, and was poorly clad in garments that like herself had seen better days. Her head was covered by a dirty long-eared linen cap, beneath which a few grizzled hairs escaped to wander over a face that, like her hands and neck, had by the use of lotions and essences become a mass of saffron wrinkles. Her eyes were grey, hollow, keen, and unpleasant in expression; her lips thin and colourless, and grey hairs were appearing on her chin.
"Zounds!" thought Clermistonlee, as he loathingly gazed upon her; "can this old kite be the creature I once loved?"
By the course of time and desertion, the house seemed as much dilapidated as its occupant; but an air of desolate grandeur pervaded its lofty chambers and echoing corridors. Masses of the frescoed ceiling had in many places fallen down; in others the wainscoting had given way, revealing the rough masonry behind. The once gaudy tapestry hung mouldering on its tenter-hooks, and a dreary air of dusky dampness was everywhere apparent. A thousand spiders spun their nets undisturbed across the unopened windows and unentered doorways; and through the rattling casements the hurrying clouds were seen afar off chasing each other in masses across the pale-faced moon and paler stars, that twinkled through the tossing trees.
Traversing an ambulatory, on the discolored walls of which old pictures and older trophies hung decaying, Clermistonlee was about to enter the hall; but its vast space rang so hollowly to his tread, and its gloom so much resembled that of a church at midnight, that he drew back overpowered by some superstitious feeling, and entered a small apartment which adjoined it, and had in earlier days been named the Lady's Bower.
A fire burned cheerily on the hearth; the furniture and the tapestry were fresh; the gilding and scarlet marquise of the high-backed chairs unfaded; a large mirror gleamed over the carved buffet, which two grotesque imps sustained on their heads; and several old portraits in the warm glow looked complacently out of their round oak frames.
"And 'tis here you have made your lair!" said Clermistonlee, throwing himself into a chair.
"Yea: it was her boudoir—her bower. Hast thou forgotten that too?" responded the woman, setting down her lamp, and surveying him with a malicious eye.