It was in this vault, or one of those adjoining—such a den as that in which Dante placed his Demon—that the betrayed wife of Count Orloff, the beautiful daughter of the Empress Elizabeth, was drowned, ten years after the date of this history, when the waters of the Neva rose ten feet; and, as they subsided, bore her body to the Gulf of Finland.
No one could live very long in such a place—low, damp, cold, and horrible. And well did Bernikoff know this, when, in the blind transports of rage and agony resulting from his double wounds, he barbarously consigned Natalie Mierowna to such a place—ay, even Natalie, the soft and delicate, the highly-bred and tenderly-nurtured daughter of Count Mierowitz; and she had now been in the underground vault for three days and nights,—seventy-two hours,—which to her had resembled a horrible and protracted nightmare.
She was ignorant as yet of her brother's execution, a week before. Betrayed by one of their most trusted adherents as the price of his own liberty, she and Katinka had been taken. Of the fate of the latter she knew nothing: a mere Polish waiting-maid, a pretty soubrette, she had too probably become the lawful prey of the Cossacks, whom Natalie had last seen in the forest, with terrible significance rattling their dice on a kettle-drum head.
For herself, the poor girl only knew that she was placed there to await the pleasure of the Empress and the Grand Chancellor.
Hope was dead completely in her heart; and though the desire to live was strong, her former life seemed all a dream, or something that had happened long, long ago!
Crouching on a damp pallet that lay on the couch of stone, her hair dishevelled, her dress more than ever torn, discoloured, and disordered, her snowy arms and hands stripped of every ornament and ring, her tender feet well-nigh shoeless, her eyes half closed and surrounded by dark inflamed circles, her cheeks sunk and haggard,—it would be difficult to recognise in her the once beautiful and brilliant Natalie, whose coquetry had excited the ready jealousy of Catharine in that fatal Mazurka; the Natalie of the imperial salons at Moscow, at Oranienbaum, or the palace of Tsarsky Selo; or the Natalie of that princely old château near the Louga—the proud, bright-eyed, and beautiful girl whom Charlie Balgonie had loved, and worshipped as a goddess.
As she crouched in a species of stupor beside a wooden bowl of stale water and a mouldy loaf of black bread, there seemed to be no breath in her tender nostrils, no sound in those little ears over which the black hair rolled in unheeded masses—no sound save the monotonous plash of the dropping slime. She was pale as white marble,—cold as death,—a prey to utter confusion rather than profound grief. There were times when she felt and thought and knew of nothing: but there were others when all the past—the memory of her ruined house, her shattered love, her slaughtered friends, their fatal project, and her lost position in society—brought a cruel and keen pang to her heart, and made her writhe and start and wring her hands, but not weep; for she had not a tear left; and her hard dry eyeballs were the only warm part of her shuddering frame.
Seventy-two hours had she been there, yet the time seemed so long already, that she knew not whether it were seventy-two days or the same number of weeks.
When she did rouse herself to steady reflection and the realities of her position, thought well-nigh drove her mad.
Her old father—his sturdy figure, his venerable beard and white eyebrows, his silver hair queued by a simple ribbon, his quaint old-fashioned costume of the first Peter's time, rose vividly before her; and with a gush of memory came all his peculiarities of disposition, his warmth of heart and temper, his kindness and irritability, his pride of race and family. Where were all these now?