Stirring scenes in savage lands

by James Greenwood

Samoan Idol Worship.

At his birth every Samoan was supposed to be taken under the care of some tutelary or protecting god, or aitu, as it was called. The help of perhaps half a dozen different gods was invoked in succession on the occasion; but the one who happened to be addressed just as the child was born, was marked, and declared to be the child’s god for life. The gods were supposed to appear in some visible incarnation, and the particular thing in which his god was in the habit of appearing was to the Samoan an object of veneration. It was in fact his idol, and he was careful never to injure it or treat it with contempt. One, for instance, saw his god in the eel, another in the shark, another in the turtle, another in the dog, another in the owl, another in the lizard, and so on throughout all the fish of the sea, and birds, and four-footed beasts, and creeping things. In some of the shell fish even gods were supposed to be present. A man would eat freely of what was regarded as the incarnation of the god of another man, but the incarnation of his own particular god he would consider it death to injure or to eat. The god was supposed to avenge the insult by taking up his abode in that person’s body, and causing to generate there the very thing which he had eaten, until it produced death. This class of genii, or tutelary deities, they call aitu-fule, or god of the house. The father of the family was the high priest, and usually offered a short prayer at the evening meal, that they might all be kept from sickness, war, and death. Occasionally, too, he would direct that they have a family feast in honour of their household gods; and on these occasions a cup of their intoxicating ava-draught was poured out as a drink-offering. They did this in their family house, where they all assembled, supposing that their gods had a spiritual presence there, as well as in the material objects to which we have referred. Often it was supposed that the god came among them, and spoke through the father or some other member of the family, telling them what to do in order to remove a present evil, or avert a threatened one. Sometimes it would be that the family should get a canoe built, and keep it sacred to the god. They might travel in it and use it themselves, but it was death to sell or part with a canoe which had been built specially for the god. Another class of Samoan deities may be called gods of the town or village. Every village had its god, and every one born in that village was regarded as the property of that god. “I have got a child for so and so,” a woman would say on the birth of her child, and name the village god. There was a small house or temple also consecrated to the deity of the place. Where there was no formal temple, the great house of the village where the chiefs were in the habit of assembling was the temple for the time being, as occasion required.

In their temples they had generally something for the eye to rest upon with superstitious veneration. In one might be seen a conch shell suspended from the roof in a basket made of sinnet network, and this the god was supposed to blow when he wished the people to rise to war. In another, two stones were kept. In another, something resembling the head of a man, with white streamers flying, was raised on a pole at the door of the temple, on the usual day of worship. In another, a cocoa-nut shell drinking cup was suspended from the roof, and before it prayers were addressed and offerings presented. This cup was also used in oaths. If they wished to find out a thief, the suspected parties were assembled before the chiefs, the cup sent for, and each would approach, lay his hand on it and say, “With my hand on this cup, may the god look upon me and send swift destruction if I took the thing which has been stolen.” They firmly believed that it would be death to touch the cup and tell a lie. The priests in some cases were the chiefs of the place; but in general some one in a particular family claimed the privilege, and professed to declare the will of the god. His office was hereditary. He fixed the days for the annual feasts in honour of the deity, received the offerings, and thanked the people for them. He decided also whether or not the people might go to war. The offerings were principally cooked food. The first cup was in honour of the god. It was either poured out on the ground or waved towards the heavens. The chiefs all drank a portion out of the same cup, according to rank; and after that, the food brought as an offering was divided and eaten, “there before the Lord.” This feast was annual, and frequently about the month of May. In some places it passed off quietly, in others it was associated with games, sham fights, night dances, etc., and lasted for days. In time of war special feasts were ordered by the priests. Of the offerings on war occasions, women and children were forbidden to partake, as it was not their province to go to battle. They supposed it would bring sickness and death on the party eating who did not go to the war, and hence were careful to bury or throw into the sea whatever food was over after the festival. In some places the feasts, in honour of the god, were regulated by the appearance in the settlement of the bird which was thought to be the incarnation of the god. Whenever the bird was seen, the priest would say that the god had come, and fixed upon a day for this entertainment. The village gods, like those of the household, had all some particular incarnation; one was supposed to appear as a bat, another as a heron, another as an owl. If a man found a dead owl by the roadside, and if that happened to be the incarnation of his village god, he would sit down and weep over it, and beat his forehead with stones till the blood flowed. This was thought pleasing to the deity. Then the bird would be wrapped up, and buried with care and ceremony, as if it were a human body. This, however, was not the death of the god. He was supposed to be yet alive and incarnate in all the owls in existence. The flight of these birds was observed in the time of war. If the bird flew before them it was a signal to go on; but if it crossed the path, it was a bad omen, and a sign to retreat. Others saw their village god in the rainbow, others saw him in the shooting star; and in time of war the position of a rainbow and the direction of a shooting star were always ominous.

Throughout Polynesia the ordinary medium of communicating or extending supernatural powers was the red feather of a small bird found in many of the islands and the beautiful long tail-feathers of the tropic or man-of-war-bird. For these feathers the gods were supposed to have a strong predilection: they were the most valuable offerings that could be presented to them; the power or influence of the god was imparted, and through them transferred to the objects to which they might be attached. Among the numerous ceremonies observed, the palatua was one of the most conspicuous. On these occasions the gods were all brought out of the temple, the sacred coverings removed, scented oils were applied to the images, and they were exposed to the sun. At these seasons the parties who wished their emblems of deity to be impregnated with the essence of the gods, repaired to the ceremony with a number of red feathers which they delivered to the officiating priest.

Polynesian Idol.

The wooden idols being generally hollow, the feathers were deposited in the inside of the image, which was filled with them. Many idols, however, were solid pieces of wood bound or covered with finely braided cinnet of the fibres of the cocoa-nut husk; to these the feathers were attached on the outside by small fibrous bands. In return for the feathers thus united to the god, the parties received two or three of the same kind, which had been deposited on a former festival in the inside of a wooden or inner fold of a cinnet idol. These feathers were thought to possess all the properties of the images to which they had been attached, and a supernatural influence was supposed to be infused into them. They were carefully wound round with very fine cinnet, the extremities alone remaining visible. When this was done, the new made gods were placed before the larger images, from which they had been taken, and, lest their detachment should induce the god to withhold his power, the priest addresses a prayer to the principal deities, requesting them to abide in the red feathers before them. At the close of his ubu, or invocation, he declared that they were dwelt in or inhabited (by the god), and delivered them to the parties who had brought the red feathers. The feathers taken home were deposited in small bamboo canes, excepting when addressed in prayer. If prosperity attended their owner, it was attributed to their influence, and they were usually honoured with an image, into which they were enwrought, and subsequently perhaps an altar and a rude temple were erected for them. In the event, however, of their being attached to an image, this must be taken to the large temple, that the supreme idols might sanction the transfer of their influence.

Animals, fruits, etc., were not the only articles presented to the idols: the most affecting part of their sacrificing was the frequent immolation of human victims. These sacrifices, in the technical language of the priests, were called fish. They were offered in seasons of war, at great national festivals, during the illness of their rulers, and on the erection of their temples. Travellers have been informed by the inhabitants of the town of Maeva, that the foundation of some of the buildings for the abode of their gods was actually laid in human sacrifices, that every pillar supporting the roof of one of the sacred houses at Maeva was planted upon the body of a man who had been offered as a victim to the sanguinary deity about to be deposited there. The unhappy wretches selected, were either captives taken in war or individuals who had rendered themselves obnoxious to the chiefs or the priests. When they were wanted, a stone was, at the request of the priest, sent by the king to the chief of the district from which the victims were required. If the stone was received, it was an indication of an intention to comply with the requisition. It is a singular fact that the cruelty of the practice extended, not only to individuals, but to families and districts. When an individual has been taken as a sacrifice, the family to which he belonged was regarded as tabu, or devoted; and when another was required, it was more frequently taken from that family than any other; and a district from which sacrifices had been taken was in the same way considered as devoted, and hence, when it was known that any ceremonies were near on which human sacrifices were usually offered, the members of tabu families or others who had reason to fear they were selected, fled to the mountains and hid themselves in the dens and caverns till the ceremony was over.

In general the victim was unconscious of his doom until suddenly struck down by a blow from a club or a stone, sometimes from the hand of the very chief on whom he was depending as a guest for the rights of hospitality. He was usually murdered on the spot, his body placed in a long basket of cocoa-nut leaves, and carried to the temple. Here it was offered, not by consuming it with fire, but by placing it before the idol. The priest in dedicating it, took out one of the eyes, placed it on a plantain leaf, and handed it to the king, who raised it to his mouth as if desirous to eat it, but passed it to one of the priests or attendants stationed near him for the purpose of receiving it. At intervals, during the prayers, some of the hair was plucked off and placed before the god, and when the ceremony was over, the body was wrapped in the basket of cocoa-nut leaves, and frequently deposited on the branches of an adjacent tree. After remaining a considerable time it was taken down, and the bones buried beneath the rude pavement of the marae or temple. These horrid rites were not unfrequent, and the number offered at their great festivals was truly appalling.