Under such circumstances, it is easy enough to understand the agonized anxiety of low-lived ignorant Master Tomkins in these stirring times of Black Highwaymen, and Spring Heel Jacks, and Boy Detectives. In the shop window of the newsvendor round the corner, he sees displayed all in a row, a long line of “penny numbers,” the mere illustrations pertaining to which makes his heart palpitate, and his hair stir beneath his ragged cap. There he sees bold highwaymen busy at every branch of their delightful avocation, stopping a lonely traveller and pressing a pistol barrel to his affrighted head, and bidding him deliver his money or his life; or impeding the way of the mail coach, the captain, hat in hand, courteously robbing the inside passengers (prominent amongst whom is a magnificent female with a low bodice, who evidently is not insensible to the captain’s fascinating manner), while members of his gang are seen in murderous conflict with the coachman and the guard, whose doom is but too surely foreshadowed. Again, here is a spirited woodcut of a booted and spurred highwayman in headlong flight from pursuing Bow Street officers who are close at his heels, and in no way daunted or hurt by the contents of the brace of pistols the fugitive has manifestly just discharged point blank at their heads.
But fairly in the way of the bold rider is a toll-gate, and in a state of wild excitement the toll-gate keeper is seen grasping the long bar that crosses the road. The tormenting question at once arises in the mind of Master Tomkins—is he pushing it or pulling it? Is he friendly to the Black Knight of the Road or is he not? Master T. feels that his hero’s fate is in that toll-gate man’s hands; he doesn’t know if he should vastly admire him or regard him with the deadliest enmity. From the bottom of his heart he hopes that the toll-gate man may be friendly. He would cheerfully give up the only penny he has in his pocket to know that it were so. He would give a penny for a simple “yes” or “no,” and all the while there are eight good letter-press pages along with the picture that would tell him all about it if he only were able to read! There is a scowl on his young face as he reflects on this, and bitterly he thinks of his hardhearted father who sent him out to sell fusees when he should have been at school learning his A B C. Truly, he went for a short time to a Ragged School, but there the master kept all the jolly books to himself—the “Knight of the Road” and that sort of thing, and gave him to learn out of a lot of sober dry rubbish without the least flavour in it. Who says that he is a dunce and won’t learn? Try him now. Buy a few numbers of the “Knight of the Road” and sit down with him, and make him spell out every word of it. Never was boy so anxious after knowledge. He never picked a pocket yet, but such is his present desperate spirit, that if he had the chance of picking the art of reading out of one, just see if he wouldn’t precious soon make himself a scholar?
Thus it is with the neglected boy, blankly illiterate. It need not be supposed, however, that a simple and quiet perusal of the astounding adventures of his gallows heroes from the printed text would completely satisfy the boy with sufficient knowledge to enable him to spell through a “penny number.” It whets his appetite merely. It is one thing to read about the flashing and slashing of steel blades, and of the gleam of pistol barrels, and the whiz of bullets, and of the bold highwayman’s defiant “ha! ha!” as he cracks the skull of the coach-guard, preparatory to robbing the affrighted passengers; but to be satisfactory the marrow and essence of the blood-stirring tragedy can only be conveyed to him in bodily shape. There are many elements of a sanguinary drama that may not well be expressed in words. As, for instance, when Bill Bludjon, after having cut the throat of the gentleman passenger, proceeds to rob his daughter, and finding her in possession of a locket with some grey hair in it, he returns it to her with the observation, “Nay, fair lady, Bill Bludjon may be a thief: in stern defence of self he may occasionally shed blood, but, Perish the Liar who says of him that he respects not the grey hairs of honourable age!” There is not much in this as set down in print. To do Bill justice, you must see how his noble countenance lights as his generous bosom heaves with chivalrous sentiments; how defiantly he scowls, and grinds his indignant teeth as he hisses the word “Liar!”—how piously he turns his eyes heavenward as he alludes to “honourable old age.” It is in these emotional subtleties that the hero rises out of the vulgar robber with his villanous Whitechapel cast of countenance, and his great hands, hideous with murder stains, must be witnessed to be appreciated. It is the gaff proprietor’s high aim and ambition to effect this laudable object, and that he does so with a considerable amount of, at least, pecuniary success, is proved by his “crowded houses” nightly.
Now that the police are to be roused to increased vigilance in the suppression, as well as the arrest of criminality, it would be as well if those in authority directed their especial attention to these penny theatres. As they at present exist, they are nothing better than hot-beds of vice in its vilest forms. Girls and boys of tender age are herded together to witness the splendid achievements of “dashing highwaymen,” and of sirens of the Starlight Sall school; nor is this all. But bad as this is, it is really the least part of the evil. The penny “gaff” is usually a small place, and when a specially atrocious piece produces a corresponding “run,” the “house” is incapable of containing the vast number of boys and girls who nightly flock to see it. Scores would be turned away from the doors, and their halfpence wasted, were it not for the worthy proprietor’s ingenuity. I am now speaking of what I was an actual witness of in the neighbourhood of Shoreditch. Beneath the pit and stage of the theatre was a sort of large kitchen, reached from the end of the passage, that was the entrance to the theatre by a flight of steep stairs. There were no seats in this kitchen, nor furniture of any kind. There was a window looking toward the street, but this was prudently boarded up. At night time all the light allowed in the kitchen proceeded from a feeble and dim gas jet by the wall over the fire-place.
Wretched and dreary-looking as was this underground chamber, it was a source of considerable profit to the proprietor of the “gaff” overhead. As before stated, when anything peculiarly attractive was to be seen, the theatre filled within ten minutes of opening the besieged doors. Not to disappoint the late comers, however, all who pleased might pay and go downstairs until the performance just commenced (it lasted generally about an hour and a half) terminated. The prime inducement held out was, that “then they would be sure of good seats.” The inevitable result of such an arrangement may be easier guessed than described. For my part, I know no more about it than was to be derived from a hasty glance from the stair-head. There was a stench of tobacco smoke, and an uproar of mingled youthful voices—swearing, chaffing, and screaming, in boisterous mirth. This was all that was to be heard, the Babel charitably rendering distinct pronouncing of blasphemy or indecency unintelligible. Nor was it much easier to make out the source from whence the hideous clamour proceeded, for the kitchen was dim as a coal cellar, and was further obscured by the foul tobacco smoke the lads were emitting from their short pipes. A few were romping about—“larking,” as it is termed—but the majority, girls and boys, were squatted on the floor, telling and listening to stories, the quality of which might but too truly be guessed from the sort of applause they elicited. A few—impatient of the frivolity that surrounded them, and really anxious for “the play”—stood apart, gazing with scowling envy up at the ceiling, on the upper side of which, at frequent intervals, there was a furious clatter of hobnailed boots, betokening the delirious delight of the happy audience in full view of Starlight Sall, in “silk tights” and Hessians, dancing a Highland fling. Goaded to desperation, one or two of the tormented ones down in the kitchen reached up with their sticks and beat on the ceiling a tattoo, responsive to the battering of the hobnailed boots before mentioned. This, however, was a breach of “gaff” rule that could not be tolerated. With hurried steps the proprietor approached the kitchen stairs, and descried me. “This ain’t the theeater; you’ve no business here, sir!” said he, in some confusion, as I imagined. “No, my friend, I have no business here, but you have a very pretty business, and one for which, when comes the Great Day of Reckoning, I would rather you answered than me.” But I only thought this; aloud, I made the gaff proprietor an apology, and thankfully got off his abominable premises.
CHAPTER V.
THE PROBLEM OF DELIVERANCE.
Curious Problem.—The Best Method of Treatment.—The “Child of the Gutter” not to be Entirely Abolished.—The Genuine Alley-Bred Arab.—The Poor Lambs of the Ragged Flock.—The Tree of Evil in Our Midst.—The Breeding Places of Disease and Vice.
The curious problem—“What is the best method of treatment to adopt towards improving the condition of neglected children, and to diminish their number for the future?” has been attempted for solution from so many points of attack, and by means so various, that a bare enumeration of the instances would occupy much more space than these limited pages afford.
We may never hope entirely to abolish the child of the gutter. To a large extent, as has been shown, he is a natural growth of vices that seem inseparable from our social system: he is of the world, the flesh, and the devil; and, until we purge our grosser nature, and become angelic, we must tolerate him as we must the result of all our ill-breeding. It is a thousand pities that it should be so, because, as I have endeavoured in these pages to show, the neglected child issuing from the source here hinted at, is by far the most unmanageable and dangerous. Blood is thicker than any water, not excluding ditch water; and the chances are that the unlucky “love-child” will not remain content to grovel in the kennel to which an accident of birth consigned him, but, out of his rebellious nature, conceive a deadly hatred against the world that has served him so shabbily, and do his best to be revenged on it. It is not of the neglected child of this breed that I would say a few concluding words, but of the genuine alley-bred Arab of the City; the worthy descendant of a tribe that has grown so used to neglect that it regards it as its privilege, and fiercely resents any move that may be taken towards its curtailment.
If ever a distressed creature had friends surely this one has. From time immemorial it has been the pet of the philanthropist. Unsavoury, unsightly bantling as it is, he is never tired of fondling it, spending his time and money over it, and holding it up to the commiseration of a humane public, and building all manner of homes and asylums for it; but he still remains on hand. If he would grow up, and after being bound ’prentice to a wholesome trade cease to trouble us, there would be some satisfaction in the business; but it never grows up. It is like the borrowed beggar’s brat, that, in defiance of the progress of time, never emerges from its bedgown, and never grows too big to be tucked under one arm, leaving the other at liberty to arrest the charitable passer-by.