"This letter incident can't be waved away," Hastings, without handing over the scrap of envelope, proceeded in even, measured tones—using his sentences as if they were hammers with which he assailed the young lawyer's remnants of self-control. "You're not trifling with a jury, Mr. Webster. I believe I know as much about the value of facts, this kind of facts, as you do. Consider what you're up against. You——"
Webster put up a hand in protest, the fingers so unsteady that they dropped the cigarette which he had been on the point of lighting.
"Just a moment!" the old man commanded him. "This Mildred Brace claimed she had suffered injury at your hands. You fired her out of your office. She and her mother afterwards pursued you. She came out here in the middle of the night, where she knew you were. She was murdered, and by a weapon whose blade may have been fashioned from an article you possessed, an article which is now missing, missing since you came to Sloanehurst this time. You were found bending over the dead body.
"Her mother and her closest friend, her would-be fiancé, say she wrote to you Friday night, addressing her letter to Sloanehurst. The flap of an envelope, identified by her mother and friend, and bearing the impression in ink of her handwriting, is found in the fireplace of your room here. The man who followed her out here, who might have been suspected of the murder, has proved an alibi.
"Now, I ask you, as a lawyer and a sensible man, who's going to believe that she came out here without having notified you of her coming? Who, as facts stand now, is going to believe anything but that you, desperate with the fear that she would make revelations which would prevent your marriage to Miss Sloane and keep you from access to an immense amount of money which you needed—who's going to believe you didn't kill her, didn't strike her down, there in the night, according to a premeditated plan, with a dagger which, for better protection of yourself, you had manufactured in a way which you hoped would make it beyond identification? Who's——"
Wilton intervened again.
"What's your object, Hastings?" he demanded, springing from his chair. "You're treating Berne as if he'd killed the woman and you could prove it!"
Webster was swaying on his feet, falling a little away from the piano and reeling against it again, his elbows sliding back and forth on its top. He was extremely pale; even his lips, still stiff and twisted to what he thought was a belittling smile, were white. He looked at the detective as a man might gaze at an advancing terror which he could neither resist nor flee. His going to pieces was so complete, so absolute, that it astonished Hastings.
"And you, both of you," the old man retorted to Wilton's protest; "you're treating me as if I were a meddlesome outsider intent on 'framing up' a case, instead of the representative of the Sloane family—at least, of Miss Lucille Sloane! Why's that?"
"Tell me what's on that paper," Webster said hoarsely, as if he had not heard the colloquy of the other two.