Bristow started to leave his chair, but changed his mind.
"Tell her to wait a few minutes," he said.
He began to think and to determine just what he wanted to find out from Lucy, what she would say and what he wanted her to say. It would not do to question her before he felt sure of what she knew and what she must confess. He rocked gently in his chair, going over several times the evidence he desired. His face was hard-set, almost like marble, as he stared at the mountains. He was thinking harder at that moment than he had done at any time since the murder.
He had it now. She had given Perry the key to the Withers kitchen—or, better still, Perry had taken it from her—and she remembered every detail of it, his departure from her house and his return with the key. That was what she had to confess. Inevitably, he argued, that would be her story, or else she would have no story at all.
He thought of Braceway. He made now no secret of the fact that a struggle between himself and the Atlanta man was on—not openly, but thoroughly understood by both of them—a fight for supremacy, a contest in which he sought to convict Perry while Braceway worked for the conviction of Morley.
Braceway had the added incentive of wanting to run down the man who had destroyed his friend's home life; and Braceway believed that Morley and Morley's money entanglements had, in some way, caused the tragedy.
Well, he, Bristow, would see about that! He knew he had the best of the argument so far—and he looked forward to a double pleasure: the applause that would come to him as the result of Perry's conviction, and his own personal gratification at besting Braceway at his own game.
He went into the unused bedroom and told Mattie to send Lucy Thomas to him there. While he waited, he closed the two windows.