The receipts for the first two or three performances were most miserable. It was, in fact, a repetition of what I had experienced on the production of Faust in 1863, and I frankly confess that I was forced to resort to the same sort of expedients for securing an enthusiastic reception and thus getting the music into the heads of the British public, knowing that after a few nights the opera would be sure to please. In this I was not mistaken, and I closed my season with flying colours.

CHAPTER XIV.

FIRST AMERICAN CAMPAIGN—DIFFICULTIES OF EMBARKATION—CONCERT ON BOARD—DANGEROUS ILLNESS OF GERSTER—OPERA ON WHEELS—"THE DRESSING-ROOM ROW"—A LEARNED THROAT DOCTOR—GERSTER SINGS BEFORE HER JUDGE—THE PIANOFORTE WAR—OUR HURRIED DEPARTURE.

AT the end of the season I went abroad to complete my Company for the first American tour, which was to begin about the middle of October. I started my Opera Company from London on the 31st August on its way to America, numbering some 140 persons, including Gerster, Minnie Hauk, Trebelli, Valleria, Campanini, Frapolli, Galassi, Del Puente, Foli, etc., with Arditi as conductor. This also comprised a magnificent chorus of some 60 selected voices, together with the whole of the corps de ballet and principal dancers; and I had decided to give some three or four weeks' performances in Ireland prior to sailing, in order to get things in working order, as well as to recruit the exchequer for my costly enterprise. Although immense success attended the appearance of my new singers in the Irish capital, they were not sufficiently known to draw the great houses more famous artists would have done. Etelka Gerster almost drove the gods crazy with her magnificent singing; but as she was totally unknown, never having been in Ireland before, the receipts were not commensurate with her artistic success. Minnie Hauk, again, had never appeared in that country; nor had the opera of Carmen been heard, its very name seeming to be unknown. However, the artistic success was beyond measure, and the representations, moreover, served as a kind of general rehearsal for my coming performances in America. On reaching Cork I found the receipts were again below what they ought to have been, and I began to realize that in lieu of increasing my exchequer prior to starting for America I ran the chance of totally exhausting it.

I therefore telegraphed to my representative in New York for £2,000, in order that I might straighten up my position, and pay the balance of our passage money, the boat being then off Queenstown.

I was really anxious on this occasion, and it was not until late in the day that my cable arrived, notifying to me that the money was at my credit in the Bank of Cork. With some difficulty, it being after banking hours, I obtained admittance, when lo! the money was all payable in Irish notes. These the singers pronounced to be useless for their purpose in America. They absolutely refused to embark, and it was not until towards evening that I was enabled with great difficulty to find gold at the various hotels and shops in exchange for my Irish notes.

At length we departed from Queenstown; though it was late in the evening before I succeeded in getting the last squad on board. Some of the Italian choristers had been assured by Irish humorists that the streets of New York were infested by crocodiles and wild Indians; and these they were most unwilling to encounter. We had a splendid passage across. The day before our arrival in New York it was suggested to give a grand concert in aid of the sufferers by the yellow fever then raging in New Orleans. I recollect on the occasion of the concert the collection made amongst the passengers amounted to some £3 or £4. One Western gentleman asked me particularly, in the presence of the purser, if the money would really be devoted to the relief of the sufferers. He, moreover, demanded that Captain Brooks, the officer in command, should guarantee that the money would reach them. The collection was made by those two charming young pianists, Mdlles. Louise and Jeanne Douste, and by the equally charming young dancer, Mdlle. Marie Muller; and at the conclusion of the concert, in which he had encored every one of the pieces, the careful amateur from the West gave the sum of sixpence. Gerster, Minnie Hauk, Campanini, and the others were irate, at the result of their united labours; and as they thought it might injure them on their arrival in New York, were the public to know of it, they privately subscribed £20 apiece all round to make the return look a little decent.

On our arrival in New York we were met by thousands of people, accompanied by military bands, etc., and although I had left, as it were, a winter behind me, we landed in the midst of a glorious Indian summer.

I set about making my preparations for the opening of my season, which was to commence on the 16th October, and to prepare the way for the début of Madame Etelka Gerster, who since our arrival had scarcely been her usual self. This I attributed to the sea voyage. Two days before the opening I gave a dinner, to which I invited several influential friends including members of the New York Press. As I was just about responding to the toast of the evening, wishing health to Madame Gerster and success to the Opera, the waiter beckoned me to the door, whispering that a gentleman wanted to speak to me for one moment. I went out, when Dr. Jacobi, the New York physician, called me into an adjoining room, where the eminent specialist, Dr. Lincoln, was waiting. They had just visited Madame Gerster, and regretted to inform me that a very bad attack of typhoid fever had developed itself, and that consequently there would be no probability of her appearing the following Wednesday, while it was even doubtful in their minds if she would survive. She was in a very bad state.

This was indeed a great blow to me; but I returned to the room, continued my speech, and then went on with my dinner as if nothing had happened.