"GENTLEMEN,
"Having used your pianos in public and private during the present Opera season we desire to express our unqualified admiration of their sonority, evenness, richness, and astonishing duration of tone, most beautifully blending with and supporting the voice. These matchless qualities, together with the precision of action, in our opinion, render the Steinway pianos, above all others, the most desirable instruments for the public generally.
"(Signed) ETELKA GERSTER, MARIE ROZE,
MINNIE HAUK, C. SINICO, CAMPANINI,
FRAPOLLI, GALASSI, FOLI,
DEL PUENTE, ARDITI."
Messrs. Steinway now offered and undertook to supply each leading member of the Company with pianos in whatever town we might visit throughout the United States.
On our arrival in Philadelphia I was surprised to find that every artist in the Company had had a magnificent Steinway placed in his or her bedroom; this in addition to the pianos required at the theatre. But while the Company were dining, a rival pianoforte maker, who had shown himself keenly desirous of the honour of supplying us with instruments, invaded the different bedrooms and placed the Steinway pianos outside the doors, substituting for them pianos made by his own firm—that of Weber and Co. The Webers, however, were ultimately put outside and the Steinways replaced.
Shortly afterwards a pitched battle took place in the corridors between the men employed by the rival firms, when the Weber men, being a more sturdy lot, entirely defeated the Steinway men and ejected them bodily from the hotel. The weapons used on this occasion were piano legs, unscrewed from the bodies of the instruments.
Not only did physical force triumph, but the superior strength exhibited by the Weber side was afterwards supplemented by cunning. That very night Weber gave a grand supper to the whole of my Company, and I was at once astonished and amused the next day to find that a new certificate had been signed by them all stating that Weber's pianos were the best they had ever known. A paper to that effect had been passed round after sundry bottles of "Extra Dry," and signatures appended as a matter of course.
Such was the impartiality of my singers that they afterwards signed on behalf of yet a third pianoforte maker, named Haines.
In accordance with numerous solicitations, I agreed to give a Farewell matinée the next day. But the steamer had to sail for Europe at two o'clock in the afternoon; and this rendered it necessary that my morning performance should commence at half-past eleven, the box-office opening at eight. In the course of a couple of hours every seat was sold. Towards the close of the performance, Arditi, the conductor, got very anxious, and kept looking up at my box. It was now half-past one, Madame Gerster's rondo finale in La Sonnambula had absolutely to be repeated, or there would have been a riot; and we were some three miles distant from the steamer which was to convey us all to Europe.
At length, to my relief, the curtain fell; but the noise increased, and I had again to show myself, while Arditi and the principal singers and chorus took their departure, Signor Foli, with his long strides, arriving first. I afterwards hastened down in a carriage I had expressly retained. As the chorus had scarcely time to change their dresses, many of them rushed down as best they could in their theatrical attire, followed by a good portion of the audience, who were anxious to get a last glimpse of us all.