About this time a report was brought to me as to the examination I had caused to be made of the bogus tickets, which could only be recognized after being soaked in water, when it appeared that the real ones consisted of three plies of cardboard and the bogus ones only of two.
But even after all this explanation, so disappointed and indignant were those who held the bogus tickets that they insisted, not only upon their money being returned, of which I had never received a penny, but also on their travelling and hotel expenses being repaid them. Many had come hundreds of miles in order to visit the opera.
Having arranged to give a concert on the following Thursday at the Pavilion, a large building capable of holding some 8,000 or 9,000 people, and in order to prevent a recurrence of the scenes I had just encountered and the daily trouble experienced throughout this engagement, I resolved to put up the choice of seats to auction.
The auction took place in the Grand Opera-house, and was attended by over 500 people, who had first to procure tickets of admission to attend the sale. A huge diagram was placed on the drop curtain, showing the seats that were to be sold divided into blocks. The auctioneer, who occupied the conductor's desk, explained that the whole of the seats would be placed on sale to the public and that none would be withheld, the bidders merely to name the premiums they wished to give for the privilege of purchasing the tickets. The first bidder gave 12s. premium per seat for the first choice of six seats for the concert, and other sums varied from 10s. down to 2s. 6d., the premiums alone reaching some £1,000, in addition to the sale of tickets.
This plan gave great satisfaction to the public, as whatever advance they then paid on the ticket went into the manager's pocket instead of the speculators'.
When the great concert took place the vast building was nearly full. Nine thousand persons had paid from one to five dollars each. The rain meanwhile was coming down in sheets, and several speculators who had obtained large numbers of tickets were now left out in the cold—and in the rain—with their purchases. Inside, at the back of the gallery, a brisk business was done in telescopes, for such was here the distance from Patti that, though her voice could be clearly heard, her features could not be seen.
A subscription was now started for the benefit of the widow of the late basso, Signor Lombardelli. Patti had contributed 150 dollars, when Gerster, to show that she was a greater artist, gave 1,000. I contributed 600; Galassi, Arditi, and the others 100 dollars each.
The following morning Lombardelli's funeral took place, which caused a great stir in the city. There was a full choral service; the orchestra and the whole Opera Company taking part in it, including the principal artists. Not only was San Francisco in full fête at this extraordinary funeral, but numbers of the Chinese came down from their city (called "Chinatown") in order to be present.
That evening a great reception was given by the San Francisco Verein in honour of Mdme. Gerster. The guests commenced to arrive early, and the entertainment was carried on till midnight. It is to be noted that the night for the compliment to Gerster was that of the Patti concert at the Pavilion.
On the following evening Gerster appeared as "Margherita" in Faust, the house being again crowded from floor to ceiling. That same night Patti's admirers gave a grand ball in her honour at the Margherita Club, for which 500 invitations were issued. An immense floral bower had been constructed for the occasion, the sides of the room being beds of choice flowers and roses in full bloom, while four enormous horse-shoes, all of flowers, adorned each corner of the room. Suspended from the roof was a great star with the word "Patti" in electric incandescent burners.