Prior to our leaving St. Louis a magnificent banquet was tendered to me by the Directors of the newly-organized Opera Festival Association of Chicago. The day originally fixed was the Wednesday during that week; but it had afterwards to be transferred to Thursday, all the trains to Chicago being snowed up, whilst several thousands of freight cars blocked the line for miles. I ventured after the performance on the only train allowed out of the station for Chicago, where I arrived the following day, and visited the huge glass building, formerly the exhibition, where I marked out what I considered would be the dimensions necessary for the construction of the New Grand Opera-house. In doing so I must have rather miscalculated my measurements, as I was shortly afterwards informed that if carried out the theatre would be a mammoth one.
In the evening I attended the banquet given in my honour, which was laid for fifty covers in the large room of the magnificent Calumet Club. The banqueting hall was picturesquely decorated with flowers. The tables were curved in the form of a huge lyre, bearing the coat of arms of the Association.
At the head of the table, which formed the base of the lyre, sat the President, Ferd. W. Peck, and at his right hand I was placed as the guest of the evening. Next to me was the Mayor, and next him the Hon. Emery A. Stores, the Vice-President of the Association. At President Peck's left hand sat the Hon. Eugene Carey and George Schneider, the treasurer of the newly-formed Association. All the city notabilities, more or less, were present on this occasion. At the conclusion of the banquet the President rose, introducing me as "The Napoleon: the Emperor of Opera," giving at the same time a brief outline of the work proposed to be accomplished. My speech was a very short one. I said: "After twenty-four years' experience in the rendition of opera I feel that my greatest success is about to be achieved here in Chicago. Never before have such opportunities been afforded me. I have this morning been over the Exposition building with an architect, and have fixed upon a large, comfortable auditorium. I also visited the hall where the extra chorus was practising, and I must say I was surprised at its excellence in every way. Never have I heard a better chorus, even in the Old World."
The Mayor afterwards rose and paid me the highest compliments.
In the small hours of the following morning, when we separated, I went to the station and thence returned to St. Louis.
At the close of the week we left St. Louis with the whole of the troupe, some 180 strong, reaching Kansas City late that evening. Most of the members of the Company went to the Coates House, Mdme. Patti, however, remaining in her private car, where the following day I paid her a visit. No sooner had I entered than we were shunted and sent some four miles down the line, much to the surprise of Nicolini, who had been speaking to me on the platform but a moment previously. We were detained a considerable time, and Mdme. Patti experienced a great shock as suddenly a goods truck, which had got uncoupled, came running down. This caused a great concussion, which broke most of the glass, and sent Nicolini's cigars, jams, the parrot, the piano, the table, and the flowers all pell-mell on to the floor. Mdme. Patti, however, took it in good part, and, assisted by her maids, commenced gathering up the broken ornaments and smashed bottles. The floor ran with Château Lafite.
Mdme. Patti visited the opera that evening, the Mayor of the town conducting her down the passage way to her proscenium box amidst such a storm of applause as is rarely heard in an Opera-house. Ladies burst their gloves in their enthusiasm, and men stood on their seats to get a view of the Diva. On reaching the box the audience rose and cried: "Brava!"
After the performance that night the train moved on in the direction of Topeka, where, through the politeness of the railway officials, I got Patti's car attached to the San Francisco express, which conveyed her to her destination in about three and a half days.
The rest of the Company remained in Topeka to give a performance of Il Trovatore, Mdme. Dotti being the "Leonora," Mdme. Scalchi "Azucena," De Anna the "Count di Luna," and Giannini "Manrico." The success was immense, the house being full, and the receipts reaching £700.
In connection with Topeka, I must mention rather a curious incident. We had exhausted our stock of wine in the train, and those artists taking part in the performance, on entering the hotel near the theatre where it was proposed to dine, were surprised and annoyed at having water placed before them; the baritone vowing, with a knife in his hand, that unless he could have a more stimulating beverage he would refuse to play the "Count di Luna" that evening.