The clause liberating the prima donna from attending rehearsals will be condemned by all lovers of music. During the three or four years that Mdme. Patti was with me in America she never once appeared at a rehearsal. When I was producing La Gazza Ladra, an opera which contains an unusually large number of parts, there were several members of the cast who did not even know Mdme. Patti by sight. Under such circumstances all idea of a perfect ensemble was, of course, out of the question. It was only on the night of performance, and in presence of the public, that the concerted pieces were tried for the first time with the soprano voice. The unfortunate contralto, Mdlle. Vianelli, had never in her life seen Mdme. Patti, with whom, on this occasion, she had to sing duets full of concerted passages. At such rehearsal as she could obtain Arditi did his best to replace the absent prima donna, whistling the soprano part so as at least to give the much-tried contralto some idea of the effect.
In addition to the clauses in the prima donna's written engagement, there is always an understanding by which she is to receive so many stalls, so many boxes, so many places in the pit, and so many in the gallery. How, it will be asked, can such an illustrious lady have friends whom she would like to send to the gallery? The answer is that the distinguished vocalist wishes to be supported from all parts of the house, and that she is far too practical—high as may be the opinion she entertains of her own talents—to leave the applause even in the smallest degree to chance.
There are plenty of great singers—though Mdme. Patti is not one of them—who carry with them on their foreign tours a chef de claque as a member of their ordinary suite. Tenors are, at least, as particular on this score as prime donne; and if one popular tenor travels with a staff of eight, his rival, following him to the same country, will make a point, merely that the fact may be recorded in the papers, of taking with him a staff of nine.
Signor Masini, the modest vocalist who wished Sir Michael Costa to come round to his hotel and learn from him how the tempi should be taken in the Faust music, went not long since to South America with a staff consisting of the following paid officials: A secretary, an under-secretary, a cook, a valet, a barber, a doctor, a lawyer, a journalist, an agent, and a treasurer. The ten attendants, apart from their special duties, form a useful claque, and are kept judiciously distributed about the house according to their various social positions. The valet and the journalist, the barber and the doctor are said to have squabbles at times on the subject of precedence.
The functions of the lawyer will not perhaps be apparent to everyone. His appointed duties, however, are to draw up contracts and to recover damages in case a clause in any existing contract should seem to have been broken. The hire of all these attendants causes no perceptible hole in the immense salary payable to the artist who employs them; and the travelling expenses of a good number of them have to be defrayed by the unfortunate manager.
Only an oriental prince or a musical parvenu would dream of maintaining such a suite; and soon, I believe, the following of a vocalist with a world-wide reputation will not be considered complete unless it includes, in addition to the other gentlemen who wait upon the Masini's and the Tamagno's, an architect and surveyor.
It will perhaps have been observed that by one of the clauses of Mdme. Patti's engagement the letters of her name are in all printed announcements to be one-third larger than the letters of anyone else's name; and during the progress of the Chicago Festival, I saw Signor Nicolini armed with what appeared to be a theodolite, and accompanied by a gentleman who I fancy was a great geometrician, looking intently and with a scientific air at some wall-posters on which the letters composing Mdme. Patti's name seemed to him not quite one-third larger than the letters composing the name of Mdlle. Nevada. At last, abandoning all idea of scientific measurement, he procured a ladder, and, boldly mounting the steps, ascertained by means of a foot-rule that the letters which he had previously been observing from afar were indeed a trifle less tall than by contract they should have been.
I can truly say, "with my hand on my conscience," as the French put it, that I had not ordered the letters to be made a shade smaller than they should have been with the slightest intention of wounding the feelings or damaging the interests either of Mdme. Adelina Patti or of Signor Nicolini. The printers had not followed my directions so precisely as they ought to have done.
In order to conciliate the offended prima donna and her irritated spouse, I caused the printed name of that most charming vocalist, Mdlle. Nevada, to be operated upon in this way: a thin slice was taken out of it transversely, so that the middle stroke of the letter E disappeared altogether. When I pointed out my revised version of the name to Signer Nicolini in order to demonstrate to him that he was geometrically wrong, he replied to me with a puzzled look as he pointed to the letters composing the name of Nevada: "Yes; but there is something very strange about that E."
To return to my narrative. At the conclusion of the great Chicago Festival, we left, in the middle of the night, for New York, and reached it on Monday morning, where we opened with Semiramide to as large an audience as the Academy had ever known. On the Friday following, on the occasion of my benefit, the receipts reached nearly £3,000, the house being crowded from floor to ceiling.