This remark showed the greatest sang-froid known to be exhibited during the flood, but the most irreverent was that of an old man who was saved by E.B. Entworth, of the Johnson works. On Saturday morning Mr. Entworth rowed to a house near the flowing débris at the bridge, and found a woman, with a broken arm, and a baby. After she had got into the boat she cried: "Come along, grandpap." Whereupon an old man, chilled but chipper, jumped up from the other side of the roof, slid down into the boat, and ejaculated: "Gentlemen, can any of you give me a chew of tobacco?"
Scenes Amid the Ruins.
One of the curious finds in the débris yesterday was two proofs from cabinet-size negatives of two persons—a man and a woman. The prints were found within two feet of each other in the ruins near the Merchants' Hotel. They were immediately recognized as portraits of Mamie Patton, formerly a Johnstown girl, and Charles DeKnight, once a Pullman palace car conductor. The two were found dying together in a room in a Pittsburgh hotel several months ago, the woman having shot the man and then herself. She claimed that he was her husband. The dress in which the picture showed her was the same that she wore when she killed DeKnight.
Tracks that were Laid in a Hurry.
If Pennsylvania Railroad trains ever ran over tougher-looking tracks than those used now through Johnstown it must have been before people began to ride on it. The section from the north end of the bridge to the railroad station has a grade that wabbles between 50 and 500 feet to the mile and jerks back and forth sideways as though laid by a gang of intoxicated men on a dark night. When the first engine went over it everybody held his breath and watched to see it tumble. These eccentricities are being straightened out, however, as fast as men and broken stones can do it.
The railroad bridge at Johnstown deserves attention beyond that which it is receiving on account of the way it held back the flood. It is one of the most massive pieces of masonry ever set up in this country. In a general way it is solid masonry of cut sandstone blocks of unusual size, the whole nearly 400 feet long, forty wide, and averaging about forty deep. Seven arches of about fifty feet span are pierced through it, rising to within a few feet of the top and leaving massive piers down to the rock beneath. As the bridge crosses the stream diagonally, the arches pierce the mass in a slanting direction, and this greatly adds to the heavy appearance of the bridge. There has been some disposition to find fault with the bridge for being so strong, the idea being that if it had gone out there would have been no heaping up of buildings behind it, no fire, and fewer deaths. This is probably unfair, as there were hundreds of persons saved when their houses were stopped against the bridge by climbing out or being helped out upon the structure. If the bridge had gone, too, the flood would have taken the whole instead of only half of Cambria City.
Photographers Forced to Work.
The camera fiend has about ceased his wanderings. An order was issued yesterday from headquarters to arrest and put to work the swarms of amateur photographers who are to be found everywhere about the ruins. Those who will not work are to be taken uptown under guard. This order is issued to keep down the number of useless people and thus save the fast diminishing provisions for the workers.
A man who stood on the bluff and saw the first wave of the flood come down the valley tried to describe it. "I looked up," he said, "and saw something that looked like a wall of houses and trees up the valley. The next moment Johnstown seemed coming toward me. It was lifted right up and in a minute was smashing against the bridge and the houses were flying in splinters across the top and into the water beyond."
A 13-year-old girl, pretty and with golden hair, wanders about from morgue to morgue looking for ten of a family of eleven, she being the sole survivor.