On that very eve Elen and Clara of Rosline returned to their native halls, after having been lost for seven weeks. They came to the verge of the tall cliff towards the east, from whence they had a view of the stately towers of Rosline, then in their pride of baronial strength. The sun had shed his last ray from the summit of the distant Ochils; the Esk murmured in obscurity far below their feet; its peaceful bendings here and there appeared through the profusion of woodland foliage, uniting the brightness of crystal with the hues of the raven. All the linns and woody banks of the river re-echoed the notes of the feathered choir. To have looked on such a scene, one might have conceived that he dwelt in a world where there was neither sin nor sorrow; but, alas! the imperfections of our nature cling to us; they wind themselves round the fibres of the conscious heart, so that no draught of pure and untainted delight can ever allay its immortal earnings. How different would such a scene appear to perfect and sinless creatures, whose destiny did not subject them to the terrors of death, and the hideous and mouldy recesses of the grave! Were it possible for us to conceive that two such beings indeed looked on it, we might form some idea of their feelings, and even these faint ideas would lend a triple grandeur and beauty to such an evening, and indeed to every varied scene of nature, on which our eyes chanced to rest.

“Sister,” said Clara, “we are again in sight of our native home, and the walks of our days of innocence; say, are our earthly forms and affections to be resumed, or are our bonds with humanity to be broken for ever? You have now witnessed the king of Scotland’s private life—all his moods, passions, and affections—are you content to be his queen, and sovereign of the realm?”

“Sooner would I be a worm that crawls among these weeds, than subject myself to the embraces, humours, and caprices of such a thing—A king is a block, and his queen a puppet—happiness, truth, and purity of heart are there unknown—Mention some other tie to nature, or let us bid it adieu for ever without a sigh.”

“We have a widowed mother, beautiful, affectionate, and kind.”

“That is the only bond with mortality which I find it difficult to break, for it is a wicked and licentious world—snares were laid for us on every side—our innocence was no shield—and, sister, do not you yet tremble to think of the whirlpool of conflicting passions and follies from which we were so timeously borne away?”

The lovely Clara bowed assent; and away they went hand in hand once more to visit and embrace their earthly parent. They found her in the arms of a rude and imperious pirate, to whom she had subjected herself and her wide domains. They found themselves step-daughters in the halls that of right belonged to them, and instead of fond love and affection, regarded with jealousy and hate. Short and sorrowful was their stay; they embraced their mother once again; bade her farewell with looks of sorrow, and walking out to the fairy ring in the verge of the wood, vanished from the world for ever. It is said, that once in every seven years their forms are still to be seen hovering nigh to the ruins of Rosline. Many are the wild and incomprehensible traditions that remain of them over the country, and there are likewise some romantic scraps of song, besides the verses that are preserved in the foregoing chapter, which are supposed to relate to them. Many have heard the following verses chaunted to a tune resembling a dirge:

“Lang may our king look,
An’ sair mot he rue;
For the twin flowers o’ Rosline
His hand shall never pu’.
Lie thy lane, step-dame;
An’ liefu’ be thy lair;
For the bonny flowers o’ Rosline
Are gane for evermair.”


“O tell nae the news in the kitchen,
An’ tell nae the news in the ha’,
An’ tell nae the news in the hee hee tower
Amang our fair ladies a’.
How damp were the dews o’ the gloamin’,
How wet were her hose and her shoon;
Or wha met wi’ fair Lady Rosline
By the ee light o’ the moon!”