Instead of the great enchanter, however, they found only an old woman, so busily engaged with something on the fire, that she scarcely deigned to regard them as they entered. She had a wooden tube, like the barrel of a gun, with which she blew up her fire; and she kept blowing at it till the flame came above the lip of her caldron, and let her see into it; for she had no lamp, nor any other light save that which came from the fire.
When she had made it blaze thus high, she spoke to herself, and without taking her mouth from the tube; saying some words to the following purport:—
"Sotter, sotter, my wee pan,
To the spirit gin ye can;
When the scum turns blue,
And the blood bells through,
There's something aneath that will change the man."
When Charlie saw her unchristian-like face, and heard her mumbling these horrid words through her long hollow tube, he turned his back and fled, taking shelter in a void entrance, to which he was led by some light that fell into it from the rays of the moon. Full hardly was he then bested, for he still deemed that he heard the witch's rites at a distance; and the faint ray of the moon through a narrow aperture made the rest of the space appear so shadowy and dim, that Charlie saw he was in a dangerous situation, and actually began to fancy he beheld a face in the dark staring at him, and still coming nearer. It was no time to stand there; so he fled with all his might. But in his dismay he lost every kind of aim, or consideration whither he was going, and at once stumbled on the undermost step of a stone stair. Thinking the apparition he had seen was by that time hard upon him, and no other way that he knew of open for flight, he rose and pursued his course straight up stairs, in a state of perturbation hardly to be accounted for. The first landing place that he came to he ran himself against a door, and not finding farther entrance he faced about, and, leaning over the balluster, he set up such a yell as never was before breathed from lungs. It is true he neither heard nor saw aught of the apparition; but Charlie was a sensible man, and he was certain it might be there for any thing that he knew; so he set up the same kind of cry that he was wont to do when he lost his neighbours in a mist, or in a night foray, only about ten times or so louder.
"Hilloa! Tam Craik! friar! hilloa! d—n ye a'; what for winna ye come wi' a light?"
Charlie was now at such a distance from his comrades, who were still in the witch's small apartment, and the echoes of the huge void castle so confused the sounds, that they took the cries of their captain for the rushing of a whirlwind roaring through the crannies of the castle, and paid no regard to them. No state could be more deplorable than that in which muckle Charlie Scott was now placed. To have returned down the stair would have been meeting the devil face to face; or, as Charlie much better expressed it, "to hae dabbed nebs wi' the deil."
He had therefore no other resource than to bellow out for assistance; and seeing none approach, he said aloud in great agony of spirit, "Lord, gin I were but on Corby's back again! ay, though it were in the wildest glen o' a' the Cheviots, and the Eskdale souple o'er my shoulder," (that was the cant name of Charlie's tremendous sword;) "I might then work my way: But sic a place as this I saw never! Od, an there be lugs within the wa's o' the house I shall either gar them hear or crack them. Hilloa!"
Not satisfied with giving yelloch after yelloch, as he termed his loud cries, he flew to every door on the landing place, laid on it with his fists, and kicked it with his foot, calling at each of them in the same key as before, "Is there ony body here?" He at last prevailed: one door was opened, and he was admitted inside. But, alas for our gallant yeoman! he only by this transition got out of one exceedingly bad scrape into a worse.
These casual separations of dramatis personæ are exceedingly unfortunate for the story-teller who aims at conciseness and brevity; because it is impracticable to bring them all on at the same time. A story is like a waggoner and his horses travelling out the king's highway, his machine loaden with various bales of rich merchandise. He goes smoothly and regularly on, till he comes to the bottom of a steep ascent, where he is obliged to leave a great proportion of his loading, and first carry one part of it to the top of the hill, then another, and then another, which retards him grievously on his way. So is it with the writer of a true history such as this; and the separation of parties is as a hill on his onward path.