On the present occasion there were but three or four passengers, some of whom were armed with small revolvers. Suddenly a party of mounted guerillas appeared, nearly a dozen in number, and at once stopped the coach and ordered the passengers out.

Either from fear or collusion, the drivers never interfere, but remain neutral. Probably, if they resisted, their lives would pay the forfeit. The passengers, supposing there was no hope of escape but to give up their watches and money, commenced "paying over."

A young English gentleman in one corner of the coach, immediately took up a double-barreled gun and shot the villain at the door of the coach, and then with the other barrel killed another of the party, by shooting him off his horse. He then drew a revolver, and jumped out. The other travelers concluded, like Wellington's reserve at Waterloo, that they might as well "up and at 'em," and, quite unprepared for such a reception, the freebooters—the surviving ones—fled with precipitation. The papers resounded with the praises of "this fine young English gentleman, all of the modern time."

His father was a distinguished member of Parliament, and soon had the pleasure of meeting his son, who had been abroad and shown that he was made of the right kind of stuff for a traveler in a dangerous country.


CHAPTER XVI.

The tender Passion—Barnum's Museum—Little Eva—The Boys in a Box—The Bracelet—Love in an Omnibus—Losses explained.

As Shakspeare, after having displayed Falstaff in his ordinary character of rascal and rowdy in general, represented him as a "lover sighing like furnace," so we, in the course of our researches among juvenile delinquents, find that they are sometimes the victims of what they consider the tender passion. And the ardor excited in their breasts is not always innocent in its effects, but, as in the case of "children of an older growth," sometimes leads to the commission of heinous crime, as is exemplified in the instance we are about to relate.

While the drama of "Uncle Tom's Cabin" was running at that Museum of Natural and Unnatural History, commonly called Barnum's, four boys, the eldest apparently about fourteen years of age, were observed night after night occupying a stage-box in the theatre attached to that establishment, and watching, with admiring eyes, the movements of the young lady who represented "Little Eva." Boys are gregarious in their loves and hates, and it appeared that in the present instance, the three younger ones were not smitten with the aforesaid damsel, per se, but simply as friends or satellites of their older companion, accompanying him in that capacity, to encourage him, and witness his hoped-for triumph over the heart of the young actress, and possibly for the sake of sharing in the "treats" of various kinds which he dispensed to favored ones with a lavish hand.