One morning at sun-up he rode into the pueblo at the head of a dozen men. By their uniforms, their rusty Remingtons, she knew them as the municipal police of Cantalacan. For a week there had been a respite of the rains and the roads were fairly firm; but the outfit came in mud-crusted to the eyes, the horses staggering and dripping foam. They clattered rapidly past the house and stopped before the Casa Popular. The Maestro dismounted, but she noticed that before he allowed the others to do so, he sent a man ahead to the outskirts of the pueblo on the side opposite to that by which they had come; she could see him, sharply delineated against the rising sun, scanning the horizon. The Maestro sprang up the bamboo steps of the municipal house; his voice rang sharp and incisive. There was a running to and fro of muchachos, and man after man, the town police assembled. She had noted before their slovenliness, but now, as they mingled with the men of Cantalacan, this appeared emphasised. There was something brisk and efficient about everything that came from Cantalacan, it seemed. The Maestro reappeared and mounted. He placed half of his men in the van, the other half in the rear, the Barang contingent being framed between, and putting himself at the head started out of the pueblo by the road opposite to that by which he had come in. She saw him for a while, pliant in the saddle, leaning forward, pressing the pace, the rest of the troop pell-mell after him, rising and falling one after the other, their broad hats flapping. Suddenly he seemed to go through the crust of the earth; man after man disappeared after him; the last laggard dropped out of sight. They were crossing the river. They reappeared, toiling slowly up the farther bank, bunched for a moment, then vanished between the palms.
Toward evening she saw them return. He was not riding in front. But between the horses, formed in hollow square, something limp swung from side to side—a litter borne by four men.
V
What followed came back to her afterward with strange blending always of vague unreality and glaring vividness.
Very calmly she went down to the Casa Popular, before which the calvacade was stopping. On the ground she saw the litter with its lithe form silhouetted beneath the blanket. "He is dead," she said to herself with weird certainty. All about her, men were talking excitedly; she did not hear a word, and yet, later, all that they said came back to her, complete to every inflection.
The Maestro had received secret information of an attack planned by Carr, the negro renegade, upon Barang; hence the move of the morning. The two parties had met upon the road; both had taken to the ditch and had peppered away at each other for a while. Then the Maestro, who had kept on his horse to hold his men better in hand, had been struck by a chance bullet; the pony, zipped by the same fire, had thrown him. But as, seizing the opportunity, Carr charged forward with a yell of triumph, the prostrate man, raising himself on his elbow with a last effort, had shot him through the head with his revolver. This sudden reverse had scattered the outlaws.
She did not hear this; it came back to her later. She stood very still; and her heart, with each solemn beat, said, "He is dead."
A desire came to her to see him once more. She moved to the litter. She lowered the blanket. Upon the very white forehead the black hair was matted; matted with the toil done for her, in her defense. She separated the curls between her fingers, smoothing them in long caressing movements. And then she saw stirring between the pale lips the suspicion of a breath.
Instantly the dreamy lethargy that enshrouded her dropped like a cloak; and she was a-thrill with a fierce desire for action. "To my home, quick, quick!" she cried to the men. They took up the litter and started toward the house. But they were inconceivably slow. They jostled him. She pushed one of the carriers aside and herself took a pole. Finally he lay upon her little cot.
She tore open the khaki blouse with its spot of rust above the heart. The blue shirt beneath was soggy and dripping. With her scissors she cut off both garments, then washed the bared flesh. But there was something which would not wash off—a little bluish spot from which, constantly reforming, red lines radiated like the cracks of a broken pane.