And then he stands in the door-way with arms folded, facing the sun. He is nude—except for the abbreviated swimming-trunks which were his last buy in New York—and to the light his skin, polished like ivory, takes on a warm and subtle glow. From his shoulders there hangs behind him, to his heels, something that might be a cloak, except that it does not cloak him. It does not envelop him; rather does it stand behind him in ornamental background, with a certain sculptural effect. And it is white, a wondrous gleaming white, against which the whiteness of his skin seems rosy. Starting from his shoulders, it goes out and up in gentle undulation to either side, and then descends in two swift slight curves that meet in a gothic tip at his heels. It is in shape like a Greek urn, but has with it a flowing quality—and the whiteness. It is like a Greek urn of pure alabaster that would have turned liquid, and would be pouring down behind him in lustrous cascade.
Charles-Norton steps forward—and suddenly this background, this mantle, this singular ornament, parts in two glistening sections which rise horizontally to either side of him. By Jove, they are wings! The wings of Charles-Norton. They have been growing, since that coup-de-tête of his.
He raises them horizontally, and with a dry rustling sound they open out like fans. He waves them gently, up and down; his chest fills, his head goes back; and from his open mouth, as from a clarion, there goes out a great clear cry which, striking the mountain, rebounds along from rock to rock in golden echoes. He rises into the air.
He goes up slowly, in wide, negligent circles, with slow, strong flap of wings, his body, with pointed feet close together, hanging lithe, a warm ivory white between the colder and more radiant whiteness of the wings. He turns and floats above the lake, then, folding his wings, like a white arrow shoots down into the water. A fountain of foaming drops springs toward the sky. Charles-Norton Sims is having his morning bath.
He swims with smooth breast-stroke, his feet and hands below the water, but his wings raised above. Their roots, at his shoulders, cleave the glazed surface like a prow, leaving, behind, a slender wake; they follow above, swinging a bit from side to side, like glorious becalmed sails.
And thus, like a large Nautilus, he drifts to the shore. He emerges, glistening, upon a little beach which curves there like a little moon dropped by a careless Creator; he takes a hop, a skip, and a jump, and lands headlong upon the yellow sand.
He stretches himself taut, his hands, straight above him, clutching the sand, his toes digging into it, and spreads his wings in fans at his sides. The earth is there beneath him, in his embrace; he feels her strength flowing into his veins. The sun is up there, above him; he feels pouring upon him, penetratingly, its hot life. Content croons in his heart.
But after a while, an uneasiness stirs him. He moves vaguely several times, he finally rises to his knees. Oh yes, of course, it is his stomach—the old tyranny. He walks to the cabin, kicks into incandescence the heap of coals in front of the door, and throws a handful of dry brush upon them. He seizes a long pole which is leaning against the façade of the cabin, goes back to the lake, climbs a large bowlder, and sitting himself comfortably in a hollow of it, extends the pole, and drops into the crystalline waters at his feet a bit of red flannel. Immediately there is a small convulsion and he whisks out of the lake a vibrant little object that looks like a fragment of rainbow. He whisks out another, another—twelve in succession. He goes back to the fire with his rainbows.