“But,” mused the painter, “I’ve seen men with jaws as if modelled in granite, eyes that imperiously reminded you that they were your master, men whose bearing recalled that of a triumphant gladiator; well, these same individuals, artists, despots, brutes, bankers, were like whipped dogs in the presence of some woman. No. Hector Marden’s outward semblance is not an indication of the real man. We are all consummate actors in our daily lives, none more so than those who have much to conceal.”

Hector Marden—and had he not much to conceal—the beast! Vincent’s clinched fists were drumming on the table. “Come,” he pondered, “I’ll have to cease this baby game or I’ll end by making a scene and consequently an ass of myself.” He stared at Benedict just as Marden raised his finger. The waiter hurried to the table and presented his memoranda to the men. Serle frowned. He was in a nasty humor.

“What’s this, Benedict?” He tendered the embarrassed garçon his slip of paper.

“Pardon, a thousand times pardon, monsieur! I made a mistake.” Marden looked up smiling.

“I fear I have the bill intended for you,” he said, in a conciliating tone.

“It’s nothing,” murmured Serle. Both men bowed. The accounts were soon settled and Benedict nervously retreated to the background. But neither one stirred. Vincent, without pausing to analyze his action, offered Marden the newspaper. It was politely refused. Possibly because of the mellowness of the moment, or the ample repose that follows luncheon, Marden was not averse from entering into conversation, one of hazy indirectness, equally suggestive and non-committal. He made a few commonplace remarks about the unseasonable heat, the deplorable twilight of New York’s tower-begirt highways, and soon, against the prompting of his inner spirit, Serle chimed an accordance. They chatted. Benedict discreetly moved nearer. Presently Serle asked his neighbor if he would have a cigar or perhaps a liqueur.

“I don’t mind,” rejoined Marden. “The fact is I feel lazy this afternoon. I had expected to meet a friend here—a client of mine—but I fancy he is off somewhere wondering if New York shall ever boast a decent sky-line. He is an architect and enthusiastic over French Gothic.” Serle’s ears began to burn.

“Architecture in New York? That’s a tall joke. Curiously enough, though, this very morning I was admiring the new library. It has a stunning façade. If I were Emperor of America I’d raze every building within the radius of ten blocks so as to give the building a chance. Only think of the Cathedral without a house near it!”

“You are an artist, evidently,” Marden said without the faintest trace of curiosity in his voice. Serle nodded. Benedict with clasped hands hinted that the two gentlemen might prefer a window. There were empty tables upon which the sun no longer shone, since the formidable walls across the street blocked its rays. The painter shuddered. They would surely be seen by impertinent passers-by. He sent the man away, sharply adding that he would be called when needed. As for Marden, he was languidly drifting on the current of his fancy. Was it pleasant or unpleasant? The watcher could not decide. But he had made up his mind that he would draw Marden up to the danger-line, and if discovered, if discovered? He would at least tell him what he thought of the mean scoundrel who had——

“I’ve noticed,” Marden broke in on Serle’s ugly revery, “that painters seem to have lots of time on their hands. I beg your pardon. You have quite as much reason for advancing a similar remark about a professional man. Here I am lounging as if I had no office or desk loaded with unanswered correspondence. But I assure you I don’t often dissipate this way, and I take it you are of the same opinion regarding yourself.” He paused.