VI. The Studies: Titanic Experiments. VII. Moods in Miniature: The Preludes. VIII. Impromptus and Valses. IX. Night and its Melancholy Mysteries: The Nocturnes. X. The Ballades: Faëry Dramas. XI. Classical Currents. XII. The Polonaises: Heroic Hymns of Battle. XIII. Mazurkas: Dances of the Soul. XIV. Chopin the Conqueror. Bibliography.
Opinions of the Press:
No pianist, amateur or professional, can rise from the perusal of his pages without a deeper appreciation of the new forms of beauty which Chopin has added, like so many species of orchids, to the musical flora of the nineteenth century.—The Nation.
We have not space to follow him through his luxurious jungle of interpretations, explanations, and suggestions; but we cordially invite our readers, especially our piano-playing readers, to do so.—The Saturday Review.
By JAMES HUNEKER
Chopin: The Man and his Music
Opinions of the Press:
It is written at white heat from beginning to end; the furnace of the author's enthusiasm never abates its flame for a moment.... I ransack my memory in vain for another instance of such unflagging fervor in literature.... I think it not too much to predict that Mr. Huneker's estimate of Chopin and his works is destined to be the permanent one. He gives the reader the cream of the cream of all noteworthy previous commentators, beside much that is wholly his own. He speaks at once with modesty and authority, always with personal charm.... Mr. Huneker's business was to show the world Chopin as he, after years of study and spiritual communion, had come to see him; and this he has done with a brilliancy and vividness that leave nothing to be desired.—Boston Transcript.