"See here, Ellenora Vibert, where is all this going to end? I'm not a bad fellow, but I swear I'm only human, and if you are leading me on to make a worse ass of myself than usual, why, then, I quit."

She regarded him coolly. "It will end when I choose and where I choose. It is my own affair, Paul, and if you feel cowardly qualms, go home like a good boy to your mamma and tell her what a naughty woman I am."

He sobered at once and reaching across the narrow dining-table took her wrist in both of his hands and forced her to listen.

"You disdainful woman! I'll not be mastered by you any longer—"

"That means," interrupted Ellenora coolly, "do as you wish, and not as I please."

Paul, his vanity wounded, asked the waiter for his reckoning. His patience was worn away.

"Paul, don't be silly," she cried, her eyes sparkling. "Now order a carriage and we'll take a ride in the park and talk the matter over. I'm afraid the fool's fever is in your blood; the open air may do it good. Oh! the eternal nonsense of youth. Call a carriage, Paul!—April Paul!" ...

III

Life in Philadelphia runs on oiled wheels. After the huge clatter of New York, there is something mellow and human about the drowsy hum of Chestnut Street, the genteel reaches of Walnut, and the neat frontage of Spruce Street. Ellenora, so quick to notice her surroundings, was at first bored, then amused, at last lulled by the intimate life of her new home. She had never been abroad, but declared that London, out-of-the-way London, must be something like this. The fine, disdainful air of Locust Street, the curiously constrained attitude of the brick houses on the side streets—as if deferentially listening to the back-view remarks of their statelier neighbors, the brown-stone fronts—all these things she amused herself telling Paul, playfully begging him not to confront her with the oft-quoted pathetic fallacy of Ruskin. Hadn't Dickens, she asked, discerned human expression in door-knockers, and on the faces of lean, lonely, twilight-haunted warehouses?

She was gay for the first time in her restless dissatisfied life. By some strange alchemy she and Paul were able to precipitate and blend the sum total of their content, and the summer was passed in peace. At first they went to a hotel, but fearing the publicity, rented under an assumed name a suite in the second storey of a pretty little house near South Rittenhouse Square. Here in the cheerful morning-room Ellenora wrote, and Paul smoked or trifled at the keyboard. They were perfectly self-possessed as to the situation. When tired of the bond it should be severed. This young woman and this young man had no illusion about love—the word did not enter into their life scheme. Theirs was a pact which depended for continuance entirely upon its agreeable quality. And there was nothing cynical in all this; rather the ready acceptance of the tie's fallibility mingled with a little curiosity how the affair would turn out.